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Loetz Art Nouveau Vase Phenomenon Carrageen with Silver Overlay, 1905

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    By Loetz Glass
    Located in Vienna, AT
    Finest Bohemian Art Nouveau glass vase Blown, bulbous body on a round floor plan with a wide neck, narrowed at the top and indented four times to create a square opening on the li...
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  • Vase Loetz Widow Art Nouveau Phaenomen Gre Silver Overlay, circa 1900
    By Loetz Glass
    Located in Vienna, AT
    Vase Loetz Widow Klostermuehle Bohemia Art Nouveau Made by Loetz, Klostermühle circa 1900 Decor: PHAENOMEN GRE & Gorgeous Silver Overlay This finest Loetz Art Nouveau ...
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  • Loetz Art Nouveau Single Flower Vase, Phenomenon Gre Candia 6893, circa 1898
    By Loetz Glass
    Located in Vienna, AT
    Finest Bohemian Art Nouveau glass vase: Mold-blown, disc-shaped body on a flush stand with raised, slender, trumpet-shaped, widening neck, flatened, 10-times wave-shaped mouth rim, ...
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    Antique 1890s Austrian Art Nouveau Glass

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  • Loetz Art Nouveau Vase, 'Argus', Phenomenon Gre 2/351 Austria-Hungary circa 1902
    By Loetz Glass
    Located in Vienna, AT
    Mold-blown body widening conically upwards, on a flush, round stand, a constriction forming the narrow shoulders with a wide opening, flared rim of the mouth, polished pontil with th...
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    Antique Early 1900s Austrian Art Nouveau Glass

    Materials

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  • Loetz Art Nouveau Glass Vase Bronze Phenomenon Genre 29, Austria-Hungary, C 1900
    By Loetz Glass
    Located in Vienna, AT
    Finest Bohemian Art Nouveau Glass Vase: In shape blown low, cambered body on a large, round floor plan, triple indented wall with a mouth rim formed into a three-pass shape, polished...
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  • Loetz Art Nouveau Glass Vase Phenomenon Genre 1/104, Austria-Hungary, Ca 1900
    By Loetz Glass
    Located in Vienna, AT
    Finest Bohemian Art Nouveau Glass Vase: Blown into shape of raised body on a round ground plan, triple depressed wall with mouth rim formed into trefoil, polished pontil, with groun...
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    Antique Early 1900s Austrian Art Nouveau Glass

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  • Loetz Glass "Titania" Art Nouveau Green Silver Overlay Vase
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  • Loetz, Glass "Titania" Silver Overlay Art Nouveau Vase, Swirl Green, Blue
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    Located in Los Angeles, CA
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  • Antique Loetz Silver Overlay Iridescent Art Glass Cabinet Vase
    By La Pierre Manufacturing, Loetz Glass
    Located in Philadelphia, PA
    A good, small scale Art Nouveau period Loetz art glass cabinet vase with thick sterling silver overlay decoration. The glass with a Silberiris fi...
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  • Loetz Green Glass Vase with Alvin Sterling Silver Overlay
    By Loetz Glass
    Located in Miami, FL
    A fine quality Art Nouveau style art glass vase, by Loetz the historic glass maker from the municipality of Austria featuring Alvin Sterling Silver overlay. Overlay in form of open and horizontal patterns with stylized leaves and scrollwork. A great find, handcrafted vase skillfully made using centuries old techniques of art glass works from the world-renowned maker, Loetz. Simply stunning this Art Nouveau glass vase with Alvin Sterling Silver overlay by Loetz would enhance any shelf, table, nightstand or countertop. This is a rare antique Loetz Green Glass...
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  • Loetz Silver Overlay Art Nouveau Vases Pair
    By Loetz Glass
    Located in Dallas, TX
    Loetz Art Nouveau circa 1900 art glass vases with floral and decorative scroll Silver Overlay. (Pair) Larger: Corset form in iridescent gold glass decorated with scrolling silver overlay and a blank cartouche. Height: 5.25 X 2.75 Diameter Condition: Mint. Smaller: Bulbous smoke stack form in iridescent green-gold decorated with scrolling silver overlay flowers. Marked: Alvin pat 67 Height: 4.25 X 2,65 Diameter Condition: Mint AVANTIQUES is dedicated to providing an exclusive curated collection of Fine Arts, Paintings, Bronzes, Asian treasures, Art Glass and Antiques. Our inventory represents time-tested investment quality items with everlasting decorative beauty. We look forward to your business and appreciate any reasonable offers. All of our curated items are vetted and guaranteed authentic and as described. Avantiques only deals in original antiques and never reproductions. We stand behind our treasures with a full money back return if the items are not as described. In 1836, Johann Eisner established a glassworks in the Southern Bohemian town of Klostermühle, today part of the Czech Republic and called Klášterský Mlýn. His heirs sold the glassworks to Martin Schmid in 1849, and two years later Schmid sold it to Frank Gerstner, attorney-at-law, and his wife Susanne. Susanne was the widow (‘Witwe’ in German) of Johann Loetz, a glassmaker about whom we know very little. Gerstner transferred sole ownership to Susanne shortly before his death in 1855, and she successfully led and expanded the company during the subsequent 20 years, manufacturing mainly crystal, overlay and painted glass. In 1879, Susanne transferred the company – now called ‘Johann Loetz Witwe’ – to Maximilian von Spaun, the son of her daughter Karoline. One year later, von Spaun hired Eduard Prochaska and the two of them modernized the factory and introduced new, patented techniques and processes. The first fruits of this collaboration were exciting innovations in Historicism glass, including Intarsia and Octopus glass and the very popular marbled (‘marmorisierte’) glass which imitated semi-precious stones like red chalcedony, onyx and malachite. Success at exhibitions in Brussels, Munich and Vienna were crowned by awards at the Paris World’s Exposition in 1889. In 1897, von Spaun first saw Tiffany Favrile glass exhibited in Bohemia and Vienna, and this convinced him that the art nouveau style was also the way to go for Loetz Witwe. The next eight years were to be the most artistically significant and profitable period in the entire history of the company. The Art Nouveau Period –The glassworks created large numbers of its own new designs of iridescent, trailing art nouveau glass, sometimes in collaboration with well-known artists and designers like Marie Kirschner and Franz Hofstötter (aka Franz Hofstätter). The zenith of Loetz art nouveau glass was epitomized by the so-called Phänomen series of designs, much of it designed by Hofstötter, which won a Grand Prix (alongside Tiffany, Gallé, Daum and Lobmeyr) at the Paris World’s Exposition in 1900. The company’s success during this period had two prime drivers – the technical expertise of Prochaska and the business acumen of von Spaun. Loetz Witwe created many of its own designs, and also supplied glass commissioned by major customers like E. Bakolowits (Vienna) and Max Emanuel...
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