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Antique Majolica Basketweave Dogwood Flower Creamer Pitcher Jug 6"
About the Item
Antique Majolica creamer pitcher or jug featuring a yellow and brown basketweave motif with dogwood flower accents, twisted handle and acanthus spout.
Dimensions:
5" x 4" x 5.5" (Width x Depth x Height)
- Dimensions:Height: 5.5 in (13.97 cm)Width: 4 in (10.16 cm)Depth: 5 in (12.7 cm)
- Style:Victorian (Of the Period)
- Materials and Techniques:
- Period:
- Date of Manufacture:Late 19th Century
- Condition:Wear consistent with age and use. Good Overall - wear/crazing.
- Seller Location:Dayton, OH
- Reference Number:Seller: 437541stDibs: LU5343242906502

About the Seller
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- ShippingRetrieving quote...Shipping from: Dayton, OH
- Return PolicyA return for this item may be initiated within 2 days of delivery.
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The Majolica of James & Eliza Wardle
Wardle potted some of the best known patterns available to buyers. Also, Wardle was the only major majolica pottery operated by a woman, known affectionately as Mother Wardle.
Founder James Wardle was born in 1823. Apprenticed as a potter in his youth under his potter father, he soon advanced to a modeler in the Staffordshire potteries. At the age of 31 he opened a small plant in Hanley. In 1859 he decided to form a partnership with George Ash in Hanley. They specialized in decorative pottery. After an uneventful six years the partnership dissolved and Wardle struck out on his own operating under the name James Wardle. In 1865 he began the production of majolica. Unfortunately his company declared bankruptcy the following year and all production ceased. He reorganized and began another pottery under the same name in 1867.
His output of decorative pottery, including majolica, continued for the next five years, registering several designs for majolica use. He recognized the interest in decorative pottery abroad and began exporting majolica to expand his customer base.
James Wardle’s unexpected death in 1871 forced his wife Eliza into the unusual situation of owning and operating a pottery. She entered into a partnership with Joshua Seddon —a man believed to have been employed as a manager in her husband’s pottery— to assist in running the pottery. Eliza remained chief operator until 1876 when Seddon left the partnership.
After Seddon departed, the business officially reverted to Wardle & Co. and Eliza took on complete ownership of the company. The business received an injection of capital in 1882 by entering into a partnership with David Jones, the husband of her daughter Sarah. The company increased its output under this partnership and entered its most prolific period. Wardle and Jones enlarged the size of the pottery by expanding to the newly opened Washington Works Pottery.
It was during this period that Wardle & Co. produced its most successful patterns: Bamboo & Fern, Pineapple, Sunflower, Blackberry, Chrysanthemum, Fan, water lily, and Ocean. All of these were heavily influenced by the Aesthetic Movement, then in vogue. Eliza expanded on her husband’s export strategy by shipping huge amounts of majolica to the expanding middle class market in the United States.
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