Yellow Glazed Staffordshire Pottery Brazil Independence Pitcher, circa 1825
View Similar Items
Yellow Glazed Staffordshire Pottery Brazil Independence Pitcher, circa 1825
About the Item
- Creator:Staffordshire (Maker)
- Dimensions:Height: 6.5 in (16.51 cm)Width: 5.5 in (13.97 cm)Depth: 3.75 in (9.53 cm)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:circa 1825
- Condition:Wear consistent with age and use. Light and scattered enamel abrasions along top rim; glaze wear to spout and one side of handle. No evidence of any cracks, chips or restorations.
- Seller Location:Essex, MA
- Reference Number:1stDibs: LU837716691271
Staffordshire
Thanks to its reserves of clay, lead, salt and coal, Staffordshire, England, has been a center for ceramics since the early 17th century. The county was home at one time to hundreds of pottery workshops and as many as 4,000 bottle-shaped kilns that operated year-round. The term “Staffordshire Potteries” refers to the industrial area of Stoke-on-Trent — comprising the towns Burslem, Fenton, Hanley, Longton, Stoke and Tunstall — where most of the production was concentrated.
In 1720, potter John Astbury discovered that he could make what would later be called creamware by adding ground flint powder to the local red clay. Because resources were so plentiful in Staffordshire, local potters could afford to experiment, working to refine their techniques and designs. One such innovator was Thomas Whieldon, an important 18th-century potter known today for his tortoiseshell ware, whose brilliant glazed surface of caramel, yellow and green hues was made with copper and manganese compounds. Whieldon operated the Fenton Low workshop, making coffee- and teapots, dinner services and even ornamental knife hafts. He was an influential figure: Josiah Spode apprenticed at the workshop, and Josiah Wedgwood partnered with Whieldon for five years before establishing his eponymous firm in 1759.
Wedgwood is perhaps the best known of the Staffordshire potters. The firm produced a line of light-colored earthenware for Queen Charlotte, who liked it so much that she granted permission to market it under the moniker Queen’s Ware, which despite the name, was designed for everyday use. In the same regal vein, in 1773, Wedgwood created the 954-piece Frog service for Catherine the Great, of Russia. The company is also known for its black stoneware, Black Basalt, which imitates the color and shapes of Etruscan vases; Jasperware, with its classical reliefs applied on the unglazed body; and pearlware.
By the end of the 18th century, Staffordshire was the primary producer of ceramics for the American colonies, even creating patriotic wares celebrating independence for this market. The imagery on Staffordshire ceramics became more standardized the mid-18th century with the advent of transferware, in which a design etched on a copper plate is printed on tissue paper, which is then used to transfer the wet ink onto the ceramic surface. This technique enabled artisans to decorate their wares with complex scenes that wrapped around an object’s surface and make several copies of popular patterns.
The Staffordshire potters also produced decorative figurines, such as this charming pair of cows dating from the 19th century. Particularly popular in Great Britain were pieces with hunting imagery, such as this George IV porcelain stirrup cup in the shape of a fox head wearing a gilt collar inscribed with the word “Tallyho.” Among the many whimsical vessels produced is this mid-19th-century frog mug. The exterior is painted with a charming scene of people picking fruit on one side and ladies on a garden swing on the other side, while inside a molded frog’s head at the bottom of the mug makes a gurgling sound when the the beverage has been almost completely consumed.
- Swiss Silver Covered Tureen by Baltensperger, circa 1920sBy BaltenspergerLocated in Essex, MAA very fine quality handmade Swiss sterling silver covered tureen, of circular form, with hand-hammered cover and base, both of which have decorative ribbing, with oval loop handle o...Category
Vintage 1920s Swiss Arts and Crafts Sterling Silver
MaterialsSterling Silver
- Giant French Horse Racing Poster Mural by Jacquot, circa 1930sBy Michel JacquotLocated in Essex, MAA rare, giant original French horse racing poster or mural, lithograph on paper, mounted on linen, in four panels joined to form one large image b...Category
Vintage 1930s French Art Deco Posters
MaterialsLinen, Paper
- Herbert Matter Swiss Exhibition Poster on the History of Bathing and SwimmingBy Herbert MatterLocated in Essex, MAA large, original vintage Swiss exhibition poster by celebrated graphic designer, Herbert Matter, for an exhibition at the Museum of Art & Craft in Zu...Category
Mid-20th Century Swiss Mid-Century Modern Posters
MaterialsPaper
- Wengen Swiss Ski Poster by P. Senn and P. MartiBy P. Senn and P. MartiLocated in Essex, MAA striking pre-war collage ski poster featuring both photographic and graphic images advertising the alpine resort of Wengen, Switzerland, featuring an e...Category
Vintage 1930s Swiss Posters
MaterialsPaper
- 19th C Octagonal Table with Inlaid Marble Top with Brass Shells and FlowersLocated in Essex, MAA late 19th century Italian or Spanish carved oak octagonal center table, the top with beautifully inlaid specimen marble top decorated with cast brass scallop shells and flower head...Category
Antique Late 19th Century Italian Baroque Revival Center Tables
MaterialsMarble, Brass
- 19th Century Gothic Revival ArmchairLocated in Essex, MAA 19th century Gothic Revival armchair in carved walnut upholstered in Holland and Sherry turquoise velvet. Inspired both by Japanese design and Eng...Category
Antique 1870s American Gothic Revival Armchairs
MaterialsLeather, Walnut
$2,080 Sale Price20% Off
- Early Yellow Majolica Pitcher Sarreguemines, circa 1870By SarregueminesLocated in Austin, TXEarly large rustic yellow Majolica pitcher with a tavern scene signed Sarreguemines, circa 1870.Category
Antique 1870s French Victorian Ceramics
MaterialsFaience, Ceramic
- Contemporary Ceramic Colorful Pitcher Majolica Pottery HandmadeBy Lorenzo LorenzzoLocated in Queretaro, QueretaroDecorative abstract contemporary ceramic pitcher by Mexican artist, Lorenzo Lorenzzo.Category
21st Century and Contemporary Mexican Mid-Century Modern Pitchers
MaterialsCeramic, Clay
$500 Sale Price23% Off - Copeland Spode Very Large pottery Pitcher or Jug in Pheasant Pattern, Circa 1891By W. T. CopelandLocated in Lincoln, LincolnshireThis is a very large and impressive Jug or Pitcher over 12 inches tall, made of earthenware pottery by the Copeland (Late Spode) factory in the late 19th ce...Category
Antique Late 19th Century British Victorian Pitchers
MaterialsEarthenware
- Italian Glazed Stoneware Pitcher by Guido GamboneBy Guido GamboneLocated in Atlanta, GAA stoneware pitcher by Guido Gambon, Italy, circa 1960s. Beautifully glazed in white a lava-like texture and decorated with blue and green lines, circles and dots. The geometrical pa...Category
Mid-20th Century Italian Mid-Century Modern Ceramics
MaterialsStoneware
- Italian Glazed Stoneware Pitcher by Guido GamboneBy Guido GamboneLocated in Atlanta, GAA stunning stoneware pitcher by Guido Gambon, Italy, circa 1950s. Beautifully glazed in white a lava-like texture and decorated with yellow and black outlined abstract figures that c...Category
Mid-20th Century Italian Mid-Century Modern Ceramics
MaterialsStoneware
- 1940s Studio Pottery Chicken Pitcher by Emily ReinseBy Emily ReinseLocated in Brooklyn, NY1947 studio pottery chicken pitcher / decorative object by ceramicist and former art professor, Emily Reinse. Flaxen-yellow glaze with drip-applied dar...Category
Vintage 1940s American Mid-Century Modern Pitchers
MaterialsCeramic