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Eric Ravilious Wedgwood Garden Series Oval Platter with Woman and Umbrellas

About

A rare Eric Ravilious designed oval platter for Wedgwood from the Garden Series, depicting a woman under a tree with umbrellas and a striped tent nearby, within a sunny landscape, in transfer printed black with yellow highlights on a white field. Signed. The Garden series was designed in 1938, but not produced until after World War II in the 1950s. We have several platters from this series which are sold separately and pictured in the photos. Eric Ravilious studied at Eastbourne School of Art, and at the Royal College of Art, where he studied under Paul Nash and became close friends with Edward Bawden. He began his working life as a muralist, first coming to notice as an artist in 1924. He went on to become one of the best-known artists of the 1930s. His watercolours, painted with a fine stippling technique within compositions that give light or dark features a telling role, are thought by some to have an almost uncanny loveliness. He was the leading light of wood-engraving in England at that time, and undertook ceramic designs for Wedgwood. He also designed graphics for London Transport.

Details

  • Condition
    Good. On the back there may be very minor imperfections in the glaze due to the firing process in the kiln. .
  • Wear
    Wear consistent with age and use.
  • Dimensions

    H 1.5 in. x W 14.5 in. x D 11.75 in.

    H 3.81 cm x W 36.83 cm x D 29.85 cm

  • Seller location
    Essex, MA
  • Reference number
    LU837710203311

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About Wedgwood (Maker)

Arguably the most celebrated of all English ceramics makers, Wedgwood was founded in 1759 by Staffordshire potter Josiah Wedgwood (1730-1795). The company is famed for its Jasperware — molded Neoclassical stoneware vases, plates and other pieces, inspired by ancient cameo glass, featuring white figures, scenes and decorative elements set in relief on a matte colored background. The best-known background hue is light blue, but Wedgwood’s iconic silhouettes also appear on green, lilac, yellow, black and even white grounds. Some pieces use three or more colors.


     The Wedgwood firm first came to prominence for its tableware, which quickly gained favor in aristocratic households throughout Britain and Europe. In 1765, Wedgwood was commissioned to create a cream-colored earthenware service for Queen Charlotte, consort of King George III. The queen was so thrilled with her new china that Wedgwood was given permission to call himself “Potter to Her Majesty,” and the decorative style became known as Queen’s Ware. Not to be outdone, Catherine the Great of Russia commissioned her own set of Wedgwood china in 1773. Nearly 200 years later, the firm created a 1,200-piece service for the coronation of Queen Elizabeth II. In recent years, leading designers including Jasper Conran and Vera Wang have collaborated with Wedgwood — in the tradition of such distinguished 18th century artists such as the painter George Stubbs and metalsmith Matthew Boulton.


     From plates and other dinnerware to decorative items like urns, cachepots and candlesticks, Wedgwood designs lend a traditional air to Anglophile interiors. And even if you have to make your own tea, you may find it comforting to sip it from a delicate cup that was manufactured in the same Stoke-on-Trent kiln that produced Her Majesty’s tea service. Be sure to keep your pinky raised.

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