Antique Burr Walnut Casket Inset Sevres Porcelain Plaque, 19th Century

View Similar Items

Antique Large French Sevres Porcelain Casket 19th Century

Antique French Sevres Cobalt Blue Porcelain Casket 19th Century

Antique French Sevres Porcelain and Ormolu Jewelry Casket, 19th Century

19th Century Sevres Style Casket

Stunning Late 19th Century Sèvres Style Porcelain Rectangular Plaque

Antique Italian Capodimonte Porcelain Table Casket, 19th Century

19th Century KPM Porcelain Plaque

Large 19th Century Porcelain Plaque

19th Century Unmarked Sevres Hand-Painted Porcelain Plaque, Hand Carved Frame

19th Century Sevres Style Porcelain Pedestal

Pair 19th Century KPM Porcelain Plaques

Antique Sèvres Porcelain Charger of Louis XVI, 19th Century

Want more images or videos?

Request additional images or videos from the seller

1 of 10

Antique Burr Walnut Casket Inset Sevres Porcelain Plaque, 19th Century

About the Item

A 19th century porcelain and gilt brass mounted burr walnut box, hinged cover applied with an oval plaque, decorated with Cupid reclining, 21cm wide, circa 1870 This is a fine antique French 19th century porcelain and ormolu mounted burr walnut casket, circa 1870 in date. The casket features a superb inset hand painted Sevres porcelain plaque decorated with Cupid reclining on a pink ground with gilt highlights. The casket is decorated with decorative ormolu mounts, the domed lid opens to reveal the original lined interior. Complete with working lock and original key. This item is of superb quality and will instantly enhance any desktop. Condition: In really excellent condition, please see photos for confirmation. Dimensions in cm: Height 12 x width 21 x depth 11 Dimensions in inches: Height 4.7 x width 8.3 x depth 4.3 Sevres porcelain traces its roots in France to early craftsmen who had small manufacturing operations in such places as Lille, Rouen. St. Cloud, and most notably Chantilly. It is from Chantilly that a cadre of workers migrated to the Chateau de Vincennes near Paris to form a larger porcelain manufactory in 1738. French King Louis XV, perhaps inspired by his rumoured relationship with mistress Madame de Pompadour, took an intense interest in porcelain and moved the operation in 1756 to even larger quarters in the Paris suburb of Sevres. Sevres was also conveniently near the home of Madame de Pompadour and the King's own Palace at Versailles. From the outset the king's clear aim was to produce Sevres Porcelain that surpassed the established Saxony works of Meissen and Dresden. Though the French lacked an ample supply of kaolin, a required ingredient for hard-paste porcelain (pate dure), their soft-paste porcelain (pate tendre) was fired at a lower temperature and was thus compatible with a wider variety of colours and glazes that in many cases were also richer and more vivid. Unglazed white Sevres Porcelain "biscuit" figurines were also a great success. However, soft-paste Sevres Porcelain was more easily broken. Therefore, early pieces of Sevres Porcelain that remain intact have become rare indeed. The Sevres porcelain manufactory always seemed to be in dire financial straits despite the incredibly fine works it produced. In fact, the king's insistence that only the finest items be created may have contributed to the difficulties. Only a limited number of European nobility could afford the extravagant prices demanded for such works. King Louis XV and eventually his heir, the ill-fated Louis XVI, were obliged to invest heavily in the enterprise. Ultimately, the Sevres Porcelain Factory produced items under the name of "Royal" and thus the well-known Sevres mark was born. King Louis XV even mandated laws that severely restricted other porcelain production in France so as to retain a near monopoly for his Sevres Porcelain. The king even willingly became chief salesman for the finest of his products, hosting an annual New Year's Day showing for French nobility in his private quarters at Versailles. He eagerly circulated among potential buyers, pitching the merits of ownership and policing the occasional light-fingered guest. Sevres Porcelain may have indeed given the makers of Meissen and Dresden a run for their money by the end of the 18th Century but for the French Revolution. By 1800, the Sevres Porcelain Works were practically out of business due to the economic devastation of the new French Republic. About the time when Napoleon Bonaparte named himself Emperor of France (1804), a new director was named for the Sevres Porcelain Manufactory. Alexandre Brongniart, highly educated in many fields, resurrected Sevres Porcelain. Soft-paste porcelain was eliminated altogether thanks to the earlier discovery of kaolin near Limoges. For four decades until his death, Brongniart presided over monumental progress for Sevres Porcelain, catering not only to Napoleon himself, but at last to include the more financially profitable mid-priced market in the emerging middle class.

Dimensions:
Height: 4.73 in (12 cm)Width: 8.27 in (21 cm)Depth: 4.34 in (11 cm)
Materials and Techniques:
Ormolu,Porcelain,Walnut
Place of Origin:
France
Period:
1870-1879
Date of Manufacture:
circa 1870
Condition:
Seller Location:
London, GB
Reference Number:
Seller: 089681stDibs: LU950611322063