Antique French Sevres Porcelain Topped Gilt Bronze Table, 18th Century

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Antique French Sevres Porcelain Topped Gilt Bronze Table, 18th Century

About the Item

This is an important decorative antique French gilt bronze table with Sevres porcelain top featuring portraits of Louis XVI and important female members of his court, including Marie Antoinette and his daughters and dating from the late 18th century. The rear with the names of each person that is depicted and bearing the blue interlaced L's Sevres mark. The porcelain is a striking Bleu Royale with profuse gilt decoration and featuring a central portrait of Louis XVI surrounded by eight members of his court. The stunning ormolu base has three gilt lion's head masks with ring handles in the form of shaped ribbons. The swept tripod legs terminate in lion's paw feet and are united with an undertier that features a central acorn surrounded by laurel finial. There is no mistaking the quality and unique design of this table which is sure to be a treasured addition to your home. Condition: In excellent condition, with no chips, cracks or signs of repair, please see photos for confirmation. Dimensions in cm: Height 80 x width 59 x depth 53 Dimensions in inches: Height 31.5 x width 23.2 x depth 20.9 Louis was king of France when the monarchy was overthrown during the French Revolution. He was guillotined in 1793. Louis was born at Versailles on 23 August 1754. In 1770, he married Marie Antoinette, daughter of the emperor and empress of Austria, a match intended to consolidate an alliance between France and Austria. In 1774, Louis succeeded his grandfather Louis XV as king of France. Louis initially supported attempts by his ministers Jacques Turgot and later Jacques Necker to relieve France's financial problems. French support for the colonists in the American War of Independence had brought the country to the verge of bankruptcy. Meanwhile, accusations of frivolity, extravagance and scandalous behaviour against the queen, Marie Antoinette, further discredited the monarchy. In 1789, to avert the deepening crisis, Louis agreed to summon the 'estates-general' (a form of parliament, but without real power) in order to try and raise taxes. This was the first time the body had met since 1614. Angered by Louis' refusal to allow the three estates - the first (clergy), second (nobles) and third (commons) - to meet simultaneously, the Third Estate proclaimed itself a national assembly, declaring that only it had the right to represent the nation. Rumours that the king intended to suppress the assembly provoked the popular storming of the Bastille prison, a symbol of repressive royal power, on 14 July 1789. In October, Louis and his family were forced by the mob to return to Paris from their palace at Versailles. In June 1791, they attempted to escape, which was considered proof of Louis' treasonable dealings with foreign powers. He was forced to accept a new constitution, thereby establishing a constitutional monarchy. Nonetheless, against a background of military defeat by Austria and Prussia, the revolutionary leadership was becoming increasingly radicalised. In September 1792, the new National Convention abolished the monarchy and declared France a republic. Louis was found guilty of treason and executed at the guillotine on 21 January 1793. Marie Antoinette was executed nine months later. Sevres Porcelain traces its roots in France to early craftsmen who had small manufacturing operations in such places as Lille, Rouen. St. Cloud, and most notably Chantilly. It is from Chantilly that a cadre of workers migrated to the Chateau de Vincennes near Paris to form a larger porcelain manufactory in 1738. French King Louis XV, perhaps inspired by his rumoured relationship with mistress Madame de Pompadour, took an intense interest in porcelain and moved the operation in 1756 to even larger quarters in the Paris suburb of Sevres. Sevres was also conveniently near the home of Madame de Pompadour and the King's own Palace at Versailles. From the outset the king's clear aim was to produce Sevres Porcelain that surpassed the established Saxony works of Meissen and Dresden. Though the French lacked an ample supply of kaolin, a required ingredient for hard-paste porcelain (pate dure), their soft-paste porcelain (pate tendre) was fired at a lower temperature and was thus compatible with a wider variety of colors and glazes that in many cases were also richer and more vivid. Unglazed white Sevres Porcelain "biscuit" figurines were also a great success. However, soft-paste Sevres Porcelain was more easily broken. Therefore, early pieces of Sevres Porcelain that remain intact have become rare indeed. The Sevres Porcelain manufactory always seemed to be in dire financial straits despite the incredibly fine works it produced. In fact, the king's insistence that only the finest items be created may have contributed to the difficulties. Only a limited number of European nobility could afford the extravagant prices demanded for such works. King Louis XV and eventually his heir, the ill-fated Louis XVI, were obliged to invest heavily in the enterprise. Ultimately, the Sevres Porcelain Factory produced items under the name of "Royal" and thus the well-known Sevres mark was born. King Louis XV even mandated laws that severely restricted other porcelain production in France so as to retain a near monopoly for his Sevres Porcelain. The king even willingly became chief salesman for the finest of his products, hosting an annual New Year's Day showing for French nobility in his private quarters at Versailles. He eagerly circulated among potential buyers, pitching the merits of ownership and policing the occasional light-fingered guest. Sevres Porcelain may have indeed given the makers of Meissen and Dresden a run for their money by the end of the 18th Century but for the French Revolution. By 1800, the Sevres Porcelain Works were practically out of business due to the economic devastation of the new French Republic. About the time when Napoleon Bonaparte named himself Emperor of France (1804), a new director was named for the Sevres Porcelain Manufactory. Alexandre Brongniart, highly educated in many fields, resurrected Sevres Porcelain. Soft-paste porcelain was eliminated altogether thanks to the earlier discovery of kaolin near Limoges. For four decades until his death, Brongniart presided over monumental progress for Sevres Porcelain, catering not only to Napoleon himself, but at last to include the more financially profitable mid-priced market in the emerging middle class. Ormolu - (from French 'or moulu', signifying ground or pounded gold) is an 18th century English term for applying finely ground, high-carat gold in a mercury amalgam to an object of bronze. The mercury is driven off in a kiln leaving behind a gold-colored veneer known as 'gilt bronze'. The manufacture of true ormolu employs a process known as mercury-gilding or fire-gilding, in which a solution of nitrate of mercury is applied to a piece of copper, brass, or bronze, followed by the application of an amalgam of gold and mercury. The item was then exposed to extreme heat until the mercury burned off and the gold remained, adhered to the metal object. After circa 1830 because legislation had outlawed the use of mercury other techniques were used instead. Electroplating is the most common modern technique. Ormolu techniques are essentially the same as those used on silver, to produce silver-gilt.

Dimensions:
Height: 31.5 in (80 cm)Width: 23.23 in (59 cm)Depth: 20.87 in (53 cm)
Materials and Techniques:
Bronze,Porcelain,Gilt
Place of Origin:
France
Period:
1790-1799
Date of Manufacture:
circa 1790
Condition:
Seller Location:
London, GB
Reference Number:
Seller: 087561stDibs: LU950610750703