1990s Porcelain

Decorative white textured porcelain vase with amber golden sandstone inlay. Handmade Porcelain Vase with Character an elegant decorative Gem by itself. Trademark at the Base, FÜRST...

Vintage Fornasetti Porcelain Themes & Variation Plate #74 The Clock, Atelier Fornasetti The Surreal Fornasetti porcelain plate in the Themes & Variation pattern depicts the face...

A series of magnificent rare plates “Sulamith: Songs of Love”, by the wonderful artist Sulamith Wulfing, 1901 - 1989. In 1993-1994 They are listed in ...

Vintage blue and white porcelain vase Large cobalt vase Schumann Arzberg Germany High, floor Vase Made of porcelain known manufactory Schumann...

Italian Jaia Biscuit jar by George Sowden and Alice Fiorilli for Alessi, 1997 Irregular shaped cookie jar in glazed porcelain, Jaia model. project by George Sowden and decoration by ...

Set of two decorative blue bottles in ceramic with gold lusters decorations (realized by Bottega Gatti in Faenza) from the Bottiglie Abitate series which is designed by Gio Ponti in the 1950s and manufactured during the 1990s by Cooperativa Ceramica Imola. The manufacturer's brand and signature are visible under the bases. Dimensions: A buttoned bottle H36 cm A decorated bottle H30 cm Gio Ponti was an icon of the modernist movement: the Italian designer, architect, artist and publisher contributed significantly to the worlds of architecture and design with his extensive work in fine furniture and ceramics, education, office and residential buildings, and everything in between. Giovanni, known as Gio Ponti was born in 1891 in Milan. It was there that he spent his childhood, and in 1921 he began to study architecture at the Politecnico di Milano. From 1923 to 1930 he served as the artistic director of the Richard-Ginori porcelain factory. In 1927, Ponti started his first architectural office, together with Emilio Lancia, and in 1928 he started the magazine Domus, which is still regarded as one of the most influential European magazines for architecture and design. He was also very influential during the period as a curator of the Milan Triennale. After his collaboration with Emilio Lancia had come to an end, upon completion of the Torre Rasini, he began to work as an architect together with the engineers Antonio Fornaroli and Eugenio Soncini...