Jasperware Perfume Bottle, William Adams, circa 1790

In solid slate blue jasper, with inlaid foot; decorated with numerous reliefs typical of the period. Engine turned decoration and lapidary polished interior. Exhibited: Wedgwood, Ma...

A fabulous oval sugar box, with elaborate applied relief, engine turning, and a swan finial. Impressed mark for Adams. The Adams pottery company w...

A pair of salt cellars in slate-blue jasperware, with inlaid rims. decorated with the Romantic Poor Maria and Maternal Affection by Lady Templetown, as well as a more classical Cupid's Triumph. In the 1790s, salt cellars were an essential tableware item used in England for serving and consuming salt. A salt cellar is a small container, often made of silver, glass, or porcelain, used to hold salt at the dining table. These cellars were typically placed in the center of the table, within easy reach of diners. Salt was taken from the cellar...

A scent bottle in pale blue jasperware, with original silver CAP and dipper. Decorated with Cupid playing the lyre, and Cupid singing. The God of Love suggests this was intended a...

A scent bottle in pale blue jasperware, with original silver cap with chain, surmounted by a wonderfully wrought squirrel. Note the way the beads have been added individually; this ...

A broad, flat potpourri in cobalt jasper dip, with a tall pierced cover.

Pair of antique jasperware vases by Adams Pottery, circa 1780 English, c. 1780 Height 27cm, diameter 10cm This remarkable pair of neoclassical blue jasperware vases stands as a testament to the sublime artistry and finesse of William Adams, an eminent member of the illustrious Adams pottery family of the 18th century. The vases showcase an exceptional three-dimensional frieze in crisp white relief, vividly portraying scenes from classical mythology. Central to these intricate designs are Apollo, the Greek god of sun and music, and Cupid, the divine symbol of love and attraction. The high-relief technique lends the figures a sense of dynamic realism, setting them vividly against the blue jasperware, and are excellent examples of neoclassical decorations. Complementing the classical friezes are formal borders that encircle the shoulders of each vase. These meticulously crafted embellishments contrast brilliantly with the blue Jasper, accentuating their own elaborate detailing. Adding to the grandeur of these pieces are the tall plinth bases, which are graced by classical figures emblematic of the four seasons, also in white relief. These figures not only augment the classical look of the vases but also represent the perennial cycle of life and the passage of time. The bases also feature classical friezes to the sides and bottom. Each vase proudly bears the unmistakable 'ADAMS' impression, signifying their provenance and certifying their authenticity. This signature mark is a cherished attribution to their creator, William Adams, and his significant contribution to the heritage of pottery. William Adams, a favoured pupil of the legendary Josiah Wedgwood, established his own pottery in 1789 and became renowned for his work with Queensware, painted china glaze ware, transfer ware, basalt, and jasperware until his death in 1805. The Adams family...

This striking Wedgwood crimson dip bas-relief covered jug features an applied white jasper neoclassical decoration of grapevines bordering the rim. De...

Al light green and white raised relief Jasperware pitcher by Copeland, in the Neoclassical style, circa 19th century, England. Beautiful as a standa...

Great Pearlware Figure of Aphrodite & Eros, 'Venus and Cupid' Figure attributed to Neale & Co, circa 1790. The large pearlware early English pearl...

This is a good, very early, rare blue and white coffee cup in the "Boy on a Buffalo" pattern, probably from the factory of Josiah Spode, stoke on Trent, Staffordshire, England, made...

From William Adams IV & Sons, Stoke-on-Trent, Staffordshire, a purple transferware plate in the Palestine pattern, circa 1829-1861. The Palestin...