19th Century WMF Art Nouveau Centrepiece Jade Green Glass

This is a fabulous antique English silver-plated and engraved glass table centre comport, dated with the registration lozenge for 10th September 1...

This is a fine stunning antique Victorian Scottish silver plated comport Stag centrepiece set, circa 1870 in date. The beautifully chased centerpiece features twin branch grape v...

This is a fine quality antique silver-plated Victorian centrepiece bearing the makers stamp to the underside of the renowned silversmiths James Deakin & Son, of Sheffield, London, Birmingham & Chester, Circa 1890 in date. This wonderful centerpiece was made with a central vase for flowers and a dishe either side, each can be removed when required, to house sweetsd, fruit, nuts, etc A lot of intricate detailing has gone into the creation of this beautiful item. This is an extremely well designed and attractive piece that can only grow in value. Condition: In excellent condition with clear makers marks and no dings, dents or signs of repair. Please see photos for confirmation. Dimensions in cm: Height 57 x Width 52 x Depth 26 Dimensions in inches: Height 1 foot, 10 inches x Width 1 foot, 8 inches x Depth 10 inches James Deakin & Sons The firm was founded in Sheffield by James Deakin in 1866. The first mark was entered by the firm in Sheffield Assay Office on 31 January 1878. It was a "JD" over "WD" and, possibly, represented the partnership of James Deakin and his son William Pitchford Deakin. The firm was active at Sidney Works, Matilda Street, Sheffield. In 1886 two further sons entered in the partnership, John Deakin and Albert Deakin, and the firm was then known as James Deakin & Sons. Further marks were entered in London Assay Office (1888) by William and John Deakin (subsidiary offices and showrooms at 48 Holborn Viaduct, London), Chester and Birmingham. Further offices and showrooms were opened at Gardiner House, 14 Charterhouse Street, London, 34 St. Enoch Square, Glasgow and 7 Queen Street, Belfast. After the retirement of James Deakin (1893) the business was continued by his sons William, John and Albert. In 1897 the firm was converted into a limited liability company under the style James Deakin & Sons Ltd. The firm was the proprietor of Shaw and Fisher...

This is a large and impressive antique silver-plated Victorian centrepiece bearing the makers mark of the renowned silversmiths to the Queen, Mappin & Webb of London, dated 1880. ...

This is a beautiful WMF Art Nouveau silver plated visiting card tray Circa 1900 in date. Depicting a female figure in a long, flowing diaphanous dress, the train forming the double sided tray, with the impressed maker's mark and stamped '169' to underside. This exquisite casket could house anything from trinkets, keys, sweets to jewellery. Whatever you choose to use this item for you are sure to do it in style. Condition: In excellent condition with no dings, dents or signs of repair. Please see photos for confirmation. Dimensions in cm: Height 22 x Width 34.5 x Depth 16.5 Dimensions in inches: Height 9 inches x Width 1 foot, 2 inches x Depth 6 inches WMF In 1853, Daniel Straub, a miller from Geislingen, joined forces with the Schweizer Brothers to form the "Metallwarenfabrik Straub & Schweizer" in Geislingen. This was the second company to be founded by Straub - previously in 1850, from the nucleus of a small repair workshop, which he had set up to work on the construction of Geislingen's famous railway incline, he had founded Maschinenfabrik Geislingen. This company was involved mainly in manufacturing mill turbines and traded throughout Europe. As early as 1862, the young company distinguished itself by winning a gold medal at the World Exhibition in London. In 1866, following the departure of the brothers Louis and Friedrich Schweizer, the company was renamed Straub & Sohn" (Straub & Son). The company showroom, built in 1868 in Berlin, gradually evolved to become the company's first retail outlet. Three years later, the company was already employing 60 workers. By 1880, the number of employees had grown to approximately 200 and the company was already producing 960 different items. 1880 saw the merger between Straub & Sohn and "Ritter & Co.", Esslingen, to form a public limited company under the name of Wurttembergische Metallwarenfabrik. At the time of the merger, Ritter & Co.'s Esslingen factory was already using the electroplating method of silver plating and had the more modern production facilities at its disposal. Straub's company, on the other hand, was the more profitable of the two. 1892 saw the development of a special technique for silver plating cutlery, whereby the silver is distributed in a way that, at the points of the cutlery most exposed to wear and tear, the coating is twice as thick as elsewhere. This process was patented and is still in use today. Known nowadays as 'Perfect Hard Silver plating' the technique remains exclusive to WMF. Under Carl Hugele the company gained international standing. At the turn of the century the factory in Geislingen employed 3,000 workers. By 1910, this number had already grown to 4,000, making WMF the largest company in Wurttemberg at this time. Sales catalogues were printed in twelve languages. Subsidiary companies in London, Warsaw and Vienna opened up export markets. Under the direction of Albert Mayer the WMF studio was influenced by the art nouveau style. The product range was modernized and considerably extended. In 1905 WMF acquired a majority holding of the Cologne company Orivit AG, which manufactured products from "Orivit", a tin alloy. As of 1925, products created by the Contemporary Decorative Products Department (NKA) made their debut on the market. This department was set up under the direction of Hugo Debach in order to establish the name of WMF amongst consumers interested in art and design. This department was responsible for producing the special "Ikora" finish, which has earned an important place in the annals of art history. The "Ikora" brand name referred to a specific method of treating the surface of the metal, by which layers of coating were applied in a partly chemical and partly heat induced process. A host of newly developed hand-finishing techniques enhanced the possibilities for adding decorative flourishes to the products. Despite being mass produced, every item looked as if it had been individually crafted. At the end of the war the company had lost its foreign assets, associated factories...

This is an exquisite cut glass and silver plate biscuit box by John Round Sheffield, dating from the late 19th Century. The the cylindrical body features a cut glass liner with di...

WMF Art Nouveau plate silver plated brass Germany about 1900-1910

WMF Art Nouveau Silverplated Dragonfly Motif & Engraved green crystal box Germany, 1900s An exceptional example of the WMF Art Nouveau workmanship, combining the silvered figural m...

Centerpiece on a raised round base with plenty floral decoration and wide round glass bowl with facet decoration and stone cut.  

A beautiful wine or spirits bottle presentation holder of fine plate silver, featuring an Art Nouveau design. by the celebrated German metal-smiths, WMF. Marked: WMF (Württembergisc...

WMF WURTTEMBERGISCHE METALLWARENFABRIK Art Nouveau Jugendstil tea and coffee service with the tray. All pieces marked with the WMF ostrich mark, G for Geslingen city of manufacture, ...

A pair of German Jugendstil late 19th century silver plated candelabras from the Wurtemberg Metalware Factory, with cherubs holding the bobèches. Born in Germany in the Württembergis...