Antique Set of Six Sterling Silver Meat Skewers by Paul Storr

A magnificent, fine and impressive set of six antique George III English sterling silver meat skewers or letter openers made by Paul Storr, an addition to our diverse flatware collection. These magnificent antique George IV English sterling silver meat skewers or letter openers has a plain tapered form. This exceptional set is comprised of three pairs of meat skewers, each pair graduating in size. Each skewer is ornamented with the contemporary bright cut engraved crest below a baron's coronet. The terminal of each skewer is embellished with a chased decorated shell design below a reed decorated circular ring loop finger piece. Sets of six graduated antique silver skewers are difficult to locate, especially those by the renowned and important London silversmith Paul Storr. The original use of this item was purely as a game/meat skewer. Due to its form, this piece may certainly be used as an effective letter openers Condition These antique silver meat skewers...

A fine and impressive antique Victorian English sterling silver meat skewer/letter opener made by Mary Chawner; an addition to our diverse flatware collection. This large antique Victorian sterling silver meat skewer/letter opener has a tapered form. The surface of this skewer is embellished with a contemporary engraved initial ‘R’ below the plain circular ring loop finger piece. The reverse surface is plain and unembellished apart from the featured hallmarks. This fine example of antique silversmith was crafted by the renowned London female silversmith Mary Chawner. The original use of this item was purely as a meat skewer. Due to its form, this piece may certainly be used as an effective letter opener. Condition This antique skewer...

An exceptional, fine and impressive antique English sterling silver gilt beaker made by Paul Storr; an addition to our continental silverware collection. ...

An exceptional, fine and impressive set of three antique Georgian English sterling silver salts made by Paul Storr; an addition to our silver cruet and condiment collection. These...

A magnificent, fine and impressive, large antique Georgian English sterling silver soup tureen made by Paul Storr in the Adams style, an addition to our range of collectable dining silverware. This magnificent antique George III sterling silver soup tureen has a plain oval shaped form onto a plain oval spreading pedestal foot to a collet rim, in the classic English Adam style. The surface of this impressive soup tureen is plain and unembellished. The upper rim of the tureen is ornamented with an impressive applied rope twist border accented with a simple leaf design to either side. This antique soup tureen...

An exceptional, fine and impressive pair of antique Victorian English sterling silver salts made by Paul Storr; an addition to our silver cruet and condiment collection. These excep...

Sterling silver and cut-glass cruet set by Paul Storr. A pair of cruets and two footed condiment jars, crafted of finely cut glass mounted in silver, are held securely on a distincti...

Hallmarked in London in 1807 by Paul Storr, this handsome, George III, Antique Sterling Silver Meat dish cover, features a shaped gadroon border and r...

This is a wonderful English antique George III sterling silver 10 inch salver, by the world famous silversmith Paul Storr. It has clear hallmarks for London 1811 and the makers mark of Paul Storr. It is typical of his work with the raised gadrooned rim with anthemion at intervals, on four fabulous foliate bracket feet. The salver is engraved with a crest and motto and the underside is later engraved Charlotte J. Parke from C. J. Parke, March 1893' The centre is engraved with a crest above a motto 'True and Fast' and I have researched this crest: The Crest of Parke The crest as engraved upon this George III English Sterling Silver Footed Salver by Paul Storr hallmarked London 1811 is that of the family of Parke. It may be blazoned as follows: Crest: A stag’s head couped sable holding in the mouth a key or Motto: True and fast The family of Parke originally hailed from the County of Cumberland in the northeast of England1 later settling in the County of Dorset at Henbury House, Sturminster Marshal, near Wimborne. Given the evidence of the inscription found on the underside of the salver ‘Charlotte J. Parke from C. J. Parke, March 1893’ it was undoubtedly at one time in the possession of Charles Joseph Parke (died 9th March 1893) of Henbury House aforesaid and gifted to Charlotte Josephine Parke (baptised 4th January 1857 died 2nd January 1941) his third daughter by his wife, Ellen Mary Ethelston. I would venture the following hypothesis that the salver was bequeathed to Charlotte in her father’s will that was granted probate at London on the 20th May 1893. The ‘March 1893’ of the inscription acts as a remembrance of the month of the death of her father. It was noted that Charlotte’s father left an estate worth some £66,892, 19 shillings and one pence, a very considerable sum in the last decade of the 19th Century and even thereafter. Charlotte never married and was living at the time of her death at The Coppice, Sixpenny Handley in the County of Dorset. Her will was proved for probate at Llandudno on the 25th March 1941. She left an estate worth £18,866, 10 shillings and 4 pence. Again, a comfortable sum in 1941. See the photo of Henbury House, Sturminster Marshal, near Wimborne, Co. Dorset. The former seat of the Parke family. The house was destroyed by fire, the remains of which were demolished in the 1990's. There is no mistaking its unique quality and design, which is sure to make it a treasured piece by any discerning collector. Condition: In excellent condition with clear hallmarks and no dings, dents or signs of repair. Please see photos for confirmation. Dimensions in cm: Height 2 x Width 26.5 x Depth 26.5 Weight 0.69 kg Dimensions in inches: Height 1 inch x Width 10 inches x Depth 10 inches Weight 1.5 lbs Paul Storr born in London England in 1771, was to become one of the most talented silversmiths of the nineteenth century. Today his legacy of exceptionally well crafted silver, found worldwide in museums and private collections, leaves one in awe when compared to that of his contemporaries.After having served a seven year apprenticeship from the age of 14, he began his career in 1792 when he went into a brief partnership with William Frisbee. This did not last and in 1793 a new mark, (his initials ‘P S’) was entered. By the beginning of the nineteenth century he had established himself as one of London’s top silversmiths producing, amongst others, commissions for Royalty. In 1801 he married Elizabeth Susanna Beyer with whom he was to have ten children. In 1807 Paul Storr entered into a working relationship with Philip Rundell and by 1811 was a partner, and managing the workshops for Rundell, Bridge & Rundell. During this period he kept his own marks and separate workshop. However it was through Rundell, Bridge & Rundell who were appointed Goldsmith in Ordinary to George III in 1804 that his reputation as a master silversmith grew. His talents lay in being able to transform ideas and designs from Rundell, Bridge & Rundell’s designers, William Theed...

A fine set of six silver gilt coffee spoons fashioned in the form of anointing spoons made specifically to commemorate the Coronation of Queen Elizabeth II to the throne of England in 1952. Each is finely engraved and exhibits a rich gold wash, all bearing Birmingham hallmarks...

This pair of antique knives were made by the renowned silversmith, Paul Storr of England and date to approximately 1807 and done in the period Georgian style. The handles are done in...

This is an exceptional and very rare antique English George III sterling silver teapot by the world-famous silversmith, Paul Storr, and bearing hallmarks for 1817. This splendid teapot is of a delightful shape and it is profusely chased with half ribbed fluting decoration. It is further embellished with wonderful foliate motifs below and above the spout and stunning gadrooned shaped borders to the top of the teapot and the base. The remarkable quality flush hinged lid is also beautifully surmounted by a delightful round finial. It features an exceptional horn handle with striking details, proving the silversmith's exceptional mastery in the creation of unique and luxurious silverware - Paul Storr never tired of adding detail to create a true piece of artwork. The underside of the teapot bear full hallmarks: the Lion passant for sterling silver, the leopard head for London, the letter for 1817 and the maker's marks 'PS' for Paul Storr. There is no mistaking its unique quality and design, which is sure to make it a treasured piece by any discerning collector. Condition: In excellent condition with clear hallmarks and no dings, dents or signs of repair. Please see photos for confirmation. Dimensions in cm: height 12.5 x width 18 x depth 18 Weight 0.88 kg Dimensions in inches: height 5 inches x width 7 inches x depth 7 inches Weight 28.2 troy oz Paul Storr born in London England in 1771, was to become one of the most talented silversmiths of the nineteenth century. Today his legacy of exceptionally well crafted silver, found worldwide in museums and private collections, leaves one in awe when compared to that of his contemporaries.After having served a seven year apprenticeship from the age of 14, he began his career in 1792 when he went into a brief partnership with William Frisbee. This did not last and in 1793 a new mark, (his initials ‘P S’) was entered. By the beginning of the nineteenth century he had established himself as one of London’s top silversmiths producing, amongst others, commissions for Royalty. In 1801 he married Elizabeth Susanna Beyer with whom he was to have ten children. In 1807 Paul Storr entered into a working relationship with Philip Rundell and by 1811 was a partner, and managing the workshops for Rundell, Bridge & Rundell. During this period he kept his own marks and separate workshop. However it was through Rundell, Bridge & Rundell who were appointed Goldsmith in Ordinary to George III in 1804 that his reputation as a master silversmith grew. His talents lay in being able to transform ideas and designs from Rundell, Bridge & Rundell’s designers, William Theed...