Glass Sterling Silver

Astonishing swan in glass and Sterling Silver from the 20th century The glass in a form of a nautilus shell, the setting finely chiseled in the natural setting...

Antique Victorian large sterling silver jug in the form of blackjack. Has engraved on the front “CR” initials with a crown in between the letters, followed by the date 1646 underneath. Maker: Cornelius Joshua Vander Made in London 1890 This beautiful antique jug...

A superb decorative sterling silver photo frame by Carrs of Sheffield, with makers mark RC and hall marks for Sheffield 1996. Beautiful portrait or landscape frame decorated with...

German Shepherd dog sculpture in sterling silver. The sculpture of the German Shepherd dog was made with the 925 sterling silver casting method and masterfully finished with chisel ...

Love is in the air and this sterling silver frame will keep it there. What better way to keep someone you love in sight than in a heart shaped frame?

This sterling silver picture frame made by Lunt Silversmiths is new and comes in the original box. The sterling silver has been coated so it won’t tarnish and the back is lacquer wo...

Large, sterling silver, wood-backed picture frame, Birmingham, England, 1921, Gulienetti and Co., Ltd. - makers. Measures 10 inches high (at highest point) x 8 inches wide at widest ...

We are happy to offer you this crystal decanter with a sterling silver stopper. The crystal was made by the Hawkes Glass Company and the stopper by Theo...

This sterling silver letter holder may have been used as a toast rack in its former life but we thought this time around we would use it ...

An exceptional, fine and impressive antique Victorian sterling silver gilt goblet; an addition to our wine and drinks related silverware collection. This exceptional antique Victorian sterling silver gilt goblet has a circular bell shaped form onto a knopped pedestal and circular spreading foot, in the classic pineapple style. The body of this impressive antique silver goblet is composed of chased and embossed lozenge shaped convex panels, replicating the fruitlets/spikes of a pineapple, each ornamented with a quatrefoil-floral design. The decoration to the body incorporates an impressive quatrefoil shaped cartouche displaying the contemporary engraved monogram initials 'HM'. The upper rim is encompassed with an applied band of bead decoration. The waisted pedestal features a circular knop to the centre encircled with further floral motifs. The circular spreading foot is encompassed with a continuation of segmented lozenge panels, reflecting that of the body. This sterling silver goblet retains the original gilding; the gilding to the exterior of the goblet has worn with age in a sympathetic fashion. Condition This antique 1800s silver gilt goblet is an exceptional gauge of silver, exceptional quality and in exceptional presentation condition. Full hallmarks struck to the surface of this Victorian silver goblet...

An exceptional, fine and impressive vintage Elizabeth II English sterling silver letter opener; an addition to our diverse ornamental collection This exceptional vintage Elizabeth II cast sterling silver letter opener has a sabre shaped form. The arched terminal of this letter opener has been realistically modelled in the form of a swan's neck and head. Condition This vintage sterling silver letter...

Embossed and engraved silver plaque La Madonna del lago (The Madonna of the Lake) Probably Milan, post 1824 Brass frame It measures 16.14 in x 13.85 in (41 x 35.2 cm) and it weighs 10.357 pounds (4.698 g): silver 1.31 pounds (598 g) + brass 9.03 pounds (4.100 g) State of conservation: some abrasions on the bottom. The frame is old, but not original. The plaque is made up of a sheet of embossed and engraved silver, and held in a solid brass frame. It depicts the “Madonna del lago” – “Madonna of the Lake” - (the Madonna with Child and San Giovannino) by Marco d'Oggiono (Oggiono, 1474 circa - Milan, 1524 circa), while changing only the background landscape. Almost certainly the subject reproduced in the plaque was taken from a famous engraving by Giuseppe Longhi (Monza, 1766 - Milan, 1831), one of the greatest engravers of his era. The silver is unmarked, probably because originally the Madonna was due to be exposed in a church: sometimes precious metals destined for worship and liturgical use would be exempted from payment and were, therefore, not marked. It is very likely that the plaque was made in Milan because in this city in 1824 the engraving by Giuseppe Longhi was made and printed. In addition, in Milan, the alleged lost painting by Leonardo da Vinci in his Milanese period (1482-1500) would be produced; this is the painting from which Marco d'Oggiono took his version. The painting Marco d?Oggiono was one of Leonardo da Vinci's most brilliant students and collaborators (D. Sedini, Marco d’Oggiono, tradizione e rinnovamento in Lombardia tra Quattrocento e Cinquecento, Roma 1989, pp. 151-153, n. 56; p. 225, n. 124, with previous bibliography). His style reflects in every way that of the Tuscan Maestro, so much so that he was the one who executed some copies of da Vinci's paintings. The execution of the “Madonna del Lago” probably draws inspiration from a lost painting by the Maestro, created while he was living in Milan (1482-1500). There are many similarities with other works by Leonardo such as the “Vergine delle rocce” or the “Vergine con il Bambino e San Giovannino, Sant’Anna e l’Agnello”. The painting, from which the drawing and then the famous engraving were taken, is found today at the M&G Museum of Bob Jones University in Greenville, South Carolina, where it came to rest after the sale of the Harrington Collection in London in 1917. The work appears in the inventories of the collection of Napoleon and Joséphine Bonaparte at the castle of Malmaison, before 1809. The Malmaison building was born and developed in the 17th and 18th centuries. In the 18th century it belonged to Jacques-Jean Le Coulteux du Molay, a wealthy banker. Later, during the Directory, Joséphine Bonaparte de Beauharnais bought it on April 21st, 1799, but settled at the castle definitively only after her husband separated from her in 1809. She remained there until 1814, the year of her death. When Joséphine died, the estate passed to her son Eugène de Beauharnais, who moved to Munich with his whole family in 1815, bringing with him the collection of paintings he inherited from his mother. Eugène died in 1824 and his wife Augusta of Bavaria (von Bayern), unable to keep it, in 1828 sold the Malmaison to the Swedish banker Jonas-Philip Hagerman. It is likely that in this period Augusta also sold part of the paintings inherited from her husband, including the “Madonna del Lago”. This painting then came into the possession of Leicester Stanhope, fifth Earl of Harrington (1784 - 1862) and then was passed down to his descendants. In 1917, at the death of Charles, eighth Earl of Harrington, his brother Dudley inherited the title and properties and he put up a part of his collections for sale. Among these, precisely, the painting by Marco d'Oggiono was to be found. On the occasion of that auction the painting was presented as a work by Cesare da Sesto, by virtue of a handwritten note by the Countess of Harrington on the back of the table. However, already in 1857, the German critic Gustav Waagen had identified Marco d'Oggiono as the author of the painting, then exhibited in the dining room of Harrington House in London (Treasures of Art in Great Britain, in 4 volumes, London, 1854 and 1857). The engraving Giuseppe Longhi was one of the most renowned engravers in Italy between the end of the 18th century and the first quarter of the 19th century. In 1824 Giuseppe Longhi, based on a design by Paolo Caronni, made a famous engraving of the painting of Marco d?Oggiono. The activity of Longhi was then at the peak of his notoriety, enough to earn him very substantial commissions; it is not risky to suppose that some of his successful engravings were also reproduced using other means: in our case in silver. (A. Crespi, a cura di, Giuseppe Longhi 1766–1831 e Raffaello Morghen...