Antique Purple and Gold Porcelain Tea Set for Eight Persons

A charming mottled-blue glazed Crown Staffordshire porcelain box in the chinoiserie style England, circa 1900–1920. Why we like it The deep, mottled ‘powder blue’ colour of this...

Set of five porcelain coffee cups and saucers, of Fruit Orchard pattern, decorated by Nancy Brunt (active 1935-1975) for Aynsley, England Circa 1950's Elegant small coffee cans a...

An exceptional pair of Regency period chairs, of well-shaped 'Klismos' outline and rare generous proportions, attributed to George Oakley of Bond Street. London, circa 1810. Four pairs available: to purchase a set 8 eight chairs, please, select quantity 4 pairs. Priced per pair. Why we like them: With its front legs unusually splayed in two dimensions, this elegant model is one the most sophisticated examples from the Regency period. Unusual in their form, subtle in ornamentation and outstanding in quality, these chairs display the decorative techniques of cabinetmaking, rather than joinery. The veneers and greek-key brass-inlays cover the seatrails and front legs joints, a highly unusual feature for chairs, that demonstrates the superb cabinetmaking skills of the craftsman or a high-end workshop origin. Attribution: Extremely rare with this 'double-splayed' form of front legs, deriving from the ancient Greek 'Klismos' seats, these chairs feature exquisite brass inlays throughout, and share similarities with a number of pieces of furniture traditionally associated with the oeuvre of George Oakley (1773-1840), one of the most prominent London cabinetmakers of the era. The distinctive scrolling foliage pattern of the inlays on the back tablets of these chairs is identical to those adorning the top of a spider-leg sofa table, illustrated in F. Collard, Regency Furniture, Woodbridge, 1987, p. 317, and in Mallett, The age of Matthew Boulton - Masterpieces of neo-classicism, London, 2000, pp. 112-113. This table belongs to a group of furniture firmly attributed to George Oakley and most likely originates from the same workshop as the present chairs. An identically decorated daybed, en-suite with the present chairs, is illustrated in the same Mallett's catalogue, pp. 94-95. A magnificent centre table, featuring the same set of inlays, certainly from the same workshop and possibly part of the same suite with the present chairs, was sold Christie's, New York, 29 January 1994, lot 342. An identical pair of chairs is illustrated in Ronald Phillips, Fine Antique English Furniture 2018, pp. 158-159. George Oakley: The firm of George Oakley produced stylish furniture in the Grecian taste during the decades spanning the turn of the 19th century, and was one of the pioneers of ‘Buhl’ inlay, a form of decoration that regained popularity during the early years of the Regency. Fashionable materials such as rosewood, mahogany and calamander were often used in Oakley's furniture, combined with inlays of satinwood and ebony, and brass stars and bands of metalwork. The high-class furniture made by George Oakley earned him a royal appointment and a contemporary reputation for fine craftsmanship. Visits by the royal family to Oakley's Bond St Showrooms are recorded in the Morning Chronicle of 1799. In May ‘the ROYAL FAMILY, with the PRINCE and PRINCESS of ORANGE did Mr. OAKLEY the honor of viewing his Printed Furniture...

An elegant x-frame or curule-form stool, beautifully upholstered in leopard print velvet with hand-sewn cord and Greek-key border. England, Regency era, circa 1820. Why we like it I...

A very decorative Regency period ebonised, brass inlaid and ormolu-mounted cabinet, with mirrored doors and Calacatta viola marble top, in the manner of James Newton. English, c. 1815 Why we like it One of the most elegant designs from the early 19th century, inspired by the ancient Egyptian motifs. The brass ball-feet and ormolu mounted columns are rare and unusual features, and the beautifully oxidised mirror plates and antique marble tops add to their timeless elegance. Attribution Designed in the early 19th century ‘antique’ manner, popularised by Percier and Fontaine and relate to patterns for 'Chiffoniers' and 'Drawing Room' pier tables published in George Smith's Collection of Designs for Household Furniture, 1808, pls. 114 and 122. Ebonised in the Egyptian taste and with the stylised palm-flowered pillars, relating to those of tripod torcheres in Thomas Hope's Household Furniture and Interior Decoration, 1807, pl. 22. Identical columns and ball-feet are seen on a group of pier cabinets, including a pair, sold Sotheby’s London, 29 June 2005, Lot 125, which is traditionally associated with the output of the London firm of James Newton. He labelled a suite of very similar chiffoniers sold from the collection of Maureen, Marchioness of Dufferin and Ava, Christie's, London, 25 March 1999, lots 320-321. While stylistically these cabinets relate to the pieces ascribed to James Newton, their constructional features, such as the use of cedar linings for the secretaire fittings, is relevant to the practice of another highly esteemed London firm of the Regency period, John McLean and Son. James Newton (1773-1821) Upholder and cabinet maker, trained in the celebrated workshops of Lawrence Fell and William Turton - business rivals of the great Thomas Chippendale - and, in the tradition of ambitious men, married the daughter of the latter, which in part accounts for his meteoric rise to prominence; executing commissions, inter alia, for Matthew Boulton at Soho House, the Earl of Jersey at Osterley, and Sir Gilbert Heathcote; familiar with the fashions of the Regency period, he is listed as a subscriber to Thomas Sheraton’s 1803 ‘Cabinet Dictionary’; a pair of chairs with close concordances to a design of Thomas Hope’s Household Furniture’ (plate 22), and bearing his label may be viewed at the Royal Pavilion Brighton...

A very pretty overmantle mirror of the Regency period, in elegant giltwood frame ornamented with exquisitely carved scallop shell. Original mirror plate and original gilding. By William Hollingsworth...

Absolutely beautiful porcelain tea / coffee set from the series 'Studio Linie' by Rosenthal Germany designed by Mario Bellini. This tea / coffee set is made for eight persons and is...

The porcelain tea set for 11 person is decorated with black and gold decor and handmade by Carl Tielsch in 19th century. The total amount of item...

Exquisite porcelain antique tea set. The end of the XIX century! C. Tielsch, Germany. Tableware for 9 people. 31 subjects Hand-painted. I have p...

Herend Hungary Porcelain Tea set for 12 persons, Indian Basket Green pattern A Herend porcelain tea set for 12 persons with the Indian Basket pattern....

Beautiful porcelain tea / coffee set from the 'Composition' series and decorated with the 'Granat' decor designed by Tapio Wirkkala and Ute Schröder for Rosenthal in Germany. Model:...

Antique eight-piece silver coffee and tea set by Tétard French, early 20th century Tray: Height 6cm, width 73.5cm, depth 46.5cm Water jug: Height 19cm, width 21cm, depth 11cm T...