Porcelain Service of the Brand Chodzież, Poland, 1950s

Porcelain coffee set, a rare design of the Karolina set from the mid-twentieth century. The service includes a jug, milk jug, sugar bowl, 6 cups and 6 saucers. One saucer has more...

KMP brand porcelain set produced in Poland in the years 1945-1952. The jug is damaged in the upper part, the damage is shown in the photo.

A set of six cups by Chodziez, Poland.  

A vase made of porcelite, decorated with a floral motif Signed Chodziez. Made in Poland in the 1950s Very good condition Measures: Height 26cm, diameter 15cm.

Two cream-colored caskets decorated with gilding Signed Porcelite Chodziez Very good condition Measures: Height: 5cm, diameter 10cm.

Porcelain service coffee / tea ref. Walbrzych. Very good condition.

Limoges porcelain teapot is an original decorative object realized in the Mid-20th Century. Made in France. Original fine Limoges Porcelain with...

Lovely Mid-Century Modern porcelain painted marble coffee set. Service for 6 people produced by Zaklady Porcelany in Wloclawek in the 1960s. The service consists of a jug, sug...

Lovely Mid-Century Modern porcelain painted marble coffee set. Service for 5 people produced by Zaklady Porcelany in Wloclawek in the 1960s. The service consists of a jug, sugar bowl, creamer, 5 cups and 6 saucers. One cup is missing. Dimensions: Jug diameter: 12 cm height: 20 cm Plate diameter: 14 cm height: 2 cm Cup diameter: 7 cm height: 8 cm All items...

A three-piece brass coffee service with cane-wrapped handles, designed by Carl Auböck II during the 1950s. The contrast of cane wrapped handles with smooth brass is typical of the ...

Rare ceramic tea service for six in a very elegant light blue shade with decoration refined in pure gold, it was designed by Antonia Campi and manufactured by Laveno Ceramica in Verbano during the early 1950s. This set is composed of six (6) teacups, six (6) tea saucers, one (1) sugar bowl, one (1) teapot, and one (1) milk jug. Measurements: -Six cups 6 x 8 x 5.5 cm (each) -Sugar bowl 9 x 12 x 7 cm -Teapot 19 x 16, 5 x 9.5 cm -Milk Jug 11 x 12 x 7 cm. In 1856 Carlo Caspani, Alessandro Carnelli, and Severino Revelli, three employees of the Richard Ginori ceramics factory in Milano, set up the Società Ceramica C.C.R. making use of a disused building that had been a glass factory near the lakeshore. Production mainly consisted in fine earthenware and fire bricks. One of the key choices for the success of this initiative was an industrial-scale production of low-cost earthenware for domestic use. The manufacture of Laveno was gaining reputation; so that in 1869 part of its activity had to be moved to a new building called “Lago”. In 1883 it adopted a new denomination, Società Ceramica Italiana (with an S.C.I. trademark) that was to become famous. During this period, S.C.I. was led by bright managers: Tommaso Bossi and his successor Luciano Scotti, a graduate in engineering who led the company all the time from 1895 to 1956, raising it to its top level of capacity and production. In 1925 the Mulini plant was built in the Boesio area, where the blends and ''bodies'' were prepared. The Magazzini Generali (a warehouse), were also built and directly connected to the railway network. All the factory sites were interconnected by a “Decauville” railway for transporting materials. Also in 1925 the Verbano plant was built, following an agreement with the German Rosenthal company, for producing porcelain tableware and, later, ceramic insulators. The drive for innovation in production technologies, that took place during the Twenties, was accompanied by an equally intense artistic development. During the twenty's the architect Piero Portaluppi started collaborating with S.C.I. and thanks to Luciano Scotti’s foresight, young Guido Andlovitz, who had entered the company in 1923, was appointed art director in 1925, who introduced a renewal in the style of shapes and decorations, so that towards the end of the 1920s Ceramica di Laveno competed with Richard-Ginori, for the leading position in the ceramic art of Italy. Near the end of the 1930s, collaboration was started with Angelo Biancini, who created a new product line of artisan taste. In the late Forties, the young Antonia Campi joins the company as a decoration worker. Immediately, Guido Andlovitz notes her ability and potential qualities, and moves her into the artistic department. Starting with her 1948 first tiny vase...

Coffee set for two in Limoges porcelain made in the 1950s Tray - Ø 40 cm Ø 27.5 cm The Limoges porcelain dates back to the 1660s-70s, when in a French town near Limoges a kaolin de...