Soup Tureens

Decorate a shelf or a kitchen counter with this elegant antique barbotine pitcher. Created by Sarreguemines, France in the 1930s, the pitcher depicts...

Italian hand painted Porcelain pheasant soup gravy tureen with ladle by Oggetti. A cleaver soup or gravy tureen covered by a hand painted bird like form. A wonderful piece for sharin...

English creamware covered soup tureen and stand, Wedgwood, circa 1790. Impressed Wedgwood.

A George III silver soup tureen on stand from the Camden service. Marked: London, 1794/1795. Maker: Paul Storr. On circular stand chased with palmette leaves, with tied reeded border...

French Faience Tureen attributed to Desvres Circa 1900. Inspired by Rouen maunufacture. Signed St Gilles Croix de vie.

French Majolica rabbit tureen signed Caugant, circa 1940.

A very beautiful white and green pottery cabbage cauliflower vegetable soup or stew tureen, Trompe l'Oeil style, circa mid-20th century. Tureen has a 'cauliflower' lid with knob and ...

French Majolica rabbit tureen, circa 1940 signed "Caugant.".

Rare Majolica doe tureen signed Caugant, circa 1950.

Maiolica tureen “allo struzzo” (ostrich decoration) Milan, Felice Clerici or Pasquale Rubati factory, circa 1750-1780 Measures: 9.25 in x 12.79 in x 10.23 in (cm 23.5 x cm 32.5 x cm 26) lb 4.78 (kg 2.17) State of conservation, a felûre consolidated inside with slight edge chipping restored. In Milan in the 18th century two Majolica warehouses were opened, the first, by Felice Clerici, in 1745, the second in 1756 by Pasquale Rubati. Traditionally this type of decoration has been attributed to the Pasquale Rubati factory. In reality the motif “allo struzzo”, one of the clearest examples of how the taste for chinoiserie met with considerable success during the 18th century, had been produced, in specimens of greater or lesser quality, by both Milanese manufactories. This Maiolica tureen has a swollen and ribbed oval bowl, rests on an extroflexed foot and shows stirrup handles. The tri-color ornament, in the typical tones of Japanese "Imari" decorations, shows an idealized oriental landscape that develops around a perforated rock and has a willow tree with long lance-shaped leaves framing the long-legged bird figure. The ornamentation is enhanced by decorative elements such as butterflies, small florets and a vase with a thin flowery stem. The lid is ribbed with a pear-shaped knob on top. The decoration was called in the Milanese manufactories "allo struzzo" (ostrich decoration) and this refers to the oriental figure Xian He or the crane, symbol of longevity, here losing its symbolic value. It is hypothesized that among some 16th century engravings...

Wonderfully decorative hand painted ceramic Italian rooster tureen encrusted with vegetables. 2" depth of bowl

A set of two aesthetic movement poluychrome majolica plates with fruit motifs by Sarreguemines France. Each ceramic plate is round and colorfully dec...