Ceramic Ceramics

Tzinacan is the Nahuatl word for bat, and it is our gift for the bats represented in many ceramic pre-hispanic pieces. Bats have been part of the mythology of the cultures of pre-Hi...

Charcoal Petal Gourd I by Julie Nelson -One Of A Kind- Dimensions: D 28 x H 22 cm Materials: Ceramic stoneware and porcelain. Artist Julie Nelson uses the materiality of clay as a m...

The RIPPLE tile by MAKHNO Product is a unique 3D ceramic tile that mimics the serene movement of water ripples. When light falls on the tile, the 3D effect is further emphasized, cr...

Our Duna tile was hung by winds and created a unique relief that adds to your home a sense of non-primitive movement and a sense of calm. Imagine, as if you are in a desert and you a...

3D tiles DROZH features a raised geometric pattern that creates a stunning three-dimensional effect. The pattern consists of interlocking triangles that create an optical illusion as...

The FLAPJACK tile from MAKHNO Product is a truly innovative and versatile piece of design that offers both functionality and beauty. This multifunctional wall tile is a true master...

The DROPS 3D ceramic tile from MAKHNO Product is created with the intention of bringing the raindrops indoors, making you feel like you are standing outside in the midst of a summer ...

With its elegant and delicate design, the FISH is not just a mere wall decoration, but a work of art that elevates any space it is installed in. The tile's intricately detailed patte...

Large floor vase in green glazed ceramic by Patrick Crulis. 2022. Unique piece. H : 29.9’ x 15.7’ x 14.2’ inches. Approximate sizes.

Enhance your table with these delicate porcelain flowers by French artist Samuel Mazy, exclusive to Maison Nurita in Canada. Mazy has been working as a ceramist for nearly 20 years i...

The “Andy” ceramic collection VG presents a collection of Classic sculptures which revisits the techniques of pop art. The original work is taken apart; a few details are then remove...

The “Andy” ceramic collection VG presents a collection of classic sculptures which revisits the techniques of pop art. The original work is taken apart; a few details are then remove...

In Bassano ceramics have been produced for 300 years. In fact, from the 17th century this art has been developed in Veneto thanks to the presence of plastic clay, solder and kaolin i...

MAM Collection Place of origin: Department of Huehuetenango, Guatemala Collection of jars made of red clay. They have traditionally been used to c...

Hello Matisse Bronze Totem Leaf

This Mexican ceramic hen is an egg basket/container, perfect to keep eggs fresh -- a utilitarian kitchen piece by artist Manuel Reyes. Made with clay from Oaxaca and Zacatecas, painted with oxides from the region. Done with the hand-modeled technique and cooked in traditional wood-fired oven. Reyes has been constantly innovating with his hen collection, making this one of his most iconic works. Ceramic artist, sculptor and painter, Manuel Reyes (Mexico City, 1972) atended the Escuela Nacional de Artes Plásticas in Xochimilco, México. He was later mentored by Royer Von Guten, Joy Laville...

Enhance your table with these delicate porcelain flowers by French artist Samuel Mazy. This white hydrangea is handmade in biscuit porcelain, with han...

Large ceramic floor vase with glaze in variations of beige and pastel colors, made by Danish artist Ole Victor, 2022. Ole Victor is a Danish artist who a...

Elegant black and white jar made with the authentic Talavera technique. Master artisan, Cesar Torres portraits the colonial art of Mexico while cre...

Enhance your table with these delicate porcelain flowers by French artist Samuel Mazy. This purple and blue hydrangea is handmade in glazed porcelain, with handpainted copper leaves ...

Enhance your table with these delicate porcelain flowers by French artist Samuel Mazy, exclusive to Maison Nurita in Canada. Mazy has been working as a ceramist for nearly 20 years i...

Enhance your table with these delicate porcelain flowers by French artist Samuel Mazy. This Rose Bush is handmade in biscuit porcelain with painted copper leaves and stems, and is pl...

Enhance your table with these delicate porcelain flowers by French artist Samuel Mazy. This Rose Bush is handmade in biscuit porcelain with painted copper leaves and stems, and is pl...

Enhance your table with these delicate porcelain flowers by French artist Samuel Mazy. This Rose Bush is handmade in biscuit porcelain with painted copper leaves and stems, and is pl...

Silo is a sculpture that bases its beauty on the material in which it is made. Made of wild clay from the Mixteca mountains, this clay is cleaned in filters...

VG is dedicating a collection of ceramics to the genius of Coco Chanel, a leading figure in the story of modern fashion, and a designer who crea...

Enhance your table with these delicate porcelain flowers by French artist Samuel Mazy, exclusive to Maison Nurita in Canada. Mazy has been working as a ceramist for nearly 20 years i...

You can almost smell the spicy aroma of the chilies in this skull. Mexican artist, Omar Hernández creates a vivid representation of the ingredient that ...

Enhance your table with these delicate porcelain flowers by French artist Samuel Mazy. This Rose Bush is handmade in biscuit porcelain with painted copper leaves and stems, and is pl...

Elegant surrealist sink lavabo made with the Talavera technique. Artist, Cesar Torres portraits the colonial art of Mexico. The Spanish colonial style sink is a perfect piece to brin...

Handcrafted ceramic bowl by Mathew. Handpainted in brown over light blue background. "Colorfull nature".

This reduction fired, ceramic stoneware, abstract sculpture titled "Scorpion" by Keavy Murphree is a stunning piece of art that showcases the beauty and uniqueness of handcrafted ceramics. Created through a reduction firing process, this sculpture has undergone a specialized firing technique that results in a distinct, one-of-a-kind satin finish in black and white. Measuring approximately 7" in length and 9.5" in height, this abstract scorpion sculpture...

Handcrafted ceramic bowl by Mathew. Handpainted panther in light grey over blue background.

Elegant white and blue vase made with the Talavera technique. Artist, Cesar Torres portraits the colonial art of Mexico. The Talavera is not just a simple painted ceramic: its exquisite decoration is the product of a delicate process of alchemy that translates into fine enamels. In Puebla, Mexico few people still produce using Talavera with the ancestral techniques. One of those few is Cesar Torres, Don Cesar learned his art in the workshop of the Uriarte family, an excellent workshop where his grandfather worked. In his creations he uses the black and white mud that is obtained from the nearby hills of Loreto and Guadalupe, and colors of mineral origin that he creates in his workshop with recipes from his grandfather. All the pieces are modeled in a traditional way and go through a production process that usually takes from one to two months, between drying, burning, and painting. Being surrounded by a living tradition, Cesar Torres Jr., learned from his father since childhood. Architect by profession, Cesar Jr. has come to revolutionize and modernize with new designs and ideas of the current world, nevertheless always respecting the tradition of the processes and materials that make Talavera a Creole art...

Elegant white and blue jar made with the authentic Talavera technique. Master artisan, Cesar Torres portraits the colonial art of Mexico. The Talavera is not just a simple painted ...

This contemporary azulejo tile forms a mosaic perfect for kitchen decorations or any exterior space. Made with the Talavera technique. Artist, Cesar Torres portraits the colonial art of Mexico, but this time with a contemporary touch. This wall decoration can be arranged to fit specific spaces or simply hanged as a painting on the wall. The Talavera is not just a simple painted ceramic: its exquisite decoration is the product of a delicate process of alchemy that translates into fine enamels. In Puebla, Mexico few people still produce using Talavera with the ancestral techniques. One of those few is Cesar Torres, Don Cesar learned his art in the workshop of the Uriarte family, an excellent workshop where his grandfather worked. In his creations he uses the black and white mud that is obtained from the nearby hills of Loreto and Guadalupe, and colors of mineral origin that he creates in his workshop with recipes from his grandfather. All the pieces are modeled in a traditional way and go through a production process that usually takes from one to two months, between drying, burning, and painting. Being surrounded by a living tradition, Cesar Torres Jr., learned from his father since childhood. Architect by profession, Cesar Jr. has come to revolutionize and modernize with new designs and ideas of the current world, nevertheless always respecting the tradition of the processes and materials that make Talavera a Creole art...

« Kambi » table in raw stoneware with white glazed top by Denis Castaing. Perfect original conditions. Signed. 2023.

Elegant white and blue sink lavabo made with the Talavera technique. Artist, Cesar Torres portraits the colonial art of Mexico. The Talavera is not just a simple painted ceramic:...

Enhance your table with these delicate porcelain flowers by French artist Samuel Mazy, exclusive to Maison Nurita in Canada. Mazy has been working as a ceramist for nearly 20 years i...

Enhance your table with these delicate porcelain flowers by French artist Samuel Mazy, exclusive to Maison Nurita in Canada. Mazy has been working as a ceramist for nearly 20 years i...

“My purpose in making this skull is to represent the different types of native maize that since remote times have brought food security to our ancestors, giving them the time to develop the knowledge and arts to the extent they did,” says Mexican ceramist Omar Hernández...

Elegant white and blue vessel made with the Talavera technique. Artist, Cesar Torres portraits the colonial art of Mexico. The Talavera is not just a simple painted ceramic: its exquisite decoration is the product of a delicate process of alchemy that translates into fine enamels. In Puebla, Mexico few people still produce using Talavera with the ancestral techniques. One of those few is Cesar Torres, Don Cesar learned his art in the workshop of the Uriarte family, an excellent workshop where his grandfather worked. In his creations he uses the black and white mud that is obtained from the nearby hills of Loreto and Guadalupe, and colors of mineral origin that he creates in his workshop with recipes from his grandfather. All the pieces are modeled in a traditional way and go through a production process that usually takes from one to two months, between drying, burning, and painting. Being surrounded by a living tradition, Cesar Torres Jr., learned from his father since childhood. Architect by profession, Cesar Jr. has come to revolutionize and modernize with new designs and ideas of the current world, nevertheless always respecting the tradition of the processes and materials that make Talavera a Creole art...

Enhance your table with these delicate porcelain flowers by French artist Samuel Mazy, in collaboration with Maison Nurita. This Lily of the Valley is handmade in biscuit porcelain, glazed in a custom pink for Maison Nurita, with patinated copper leaves and stems, and is placed in a rock crystal pot...

Enhance your table with these delicate porcelain flowers by French artist Samuel Mazy, exclusive to Maison Nurita in Canada. Mazy has been working as a ceramist for nearly 20 years i...

Enhance your table with these delicate porcelain flowers by French artist Samuel Mazy, exclusive to Maison Nurita in Canada. Mazy has been working as a ceramist for nearly 20 years i...

Elegant white and blue plate made with the Talavera technique. Artist, Cesar Torres portraits the colonial art of Mexico. The Talavera is not just a simple painted ceramic: its exquisite decoration is the product of a delicate process of alchemy that translates into fine enamels. In Puebla, Mexico few people still produce using Talavera with the ancestral techniques. One of those few is Cesar Torres, Don Cesar learned his art in the workshop of the Uriarte family, an excellent workshop where his grandfather worked. In his creations he uses the black and white mud that is obtained from the nearby hills of Loreto and Guadalupe, and colors of mineral origin that he creates in his workshop with recipes from his grandfather. All the pieces are modeled in a traditional way and go through a production process that usually takes from one to two months, between drying, burning, and painting. Being surrounded by a living tradition, Cesar Torres Jr., learned from his father since childhood. Architect by profession, Cesar Jr. has come to revolutionize and modernize with new designs and ideas of the current world, nevertheless always respecting the tradition of the processes and materials that make Talavera a Creole art...

VG is dedicating a collection of ceramics to the genius of Coco Chanel, a leading figure in the story of modern fashion, and a designer who crea...

The Dark River Moon Jar is an elegant moon jar made of black sculpture clay. Mysterious in its minimal and refined nature. The raw clay provides a texture that displays the marks of the maker, simple and stunning. This vessel is part of the Mugly. NYC winter...

Castañas (chestnuts) is a sculpture made of a series of cups. The individual pieces can be rearranged to create different shapes, and can also be us...

A porcelain sculpture by Wayne Fischer. Perfect original conditions. Signed. Unique piece. 2007. How can an inert object produce deeply unsuspecting, indecipherable, uncontrollable emotions? Wayne Fischer is an artist who can create works that force one to ask such moving questions as this. If he doesn’t know why, if he can’t explain the deepest reasons of his artistic research, he definitely knows the workings and limitations of the artistic process he invented. He has never deviated from the course he set for himself since university; translate life. The works presented here show the evolution of his creations over the past thirty years. If Wayne Fischer has received several international prizes and quickly obtained the recognition of his peers in ceramics, nevertheless he retains a singular position at once unavoidable and disturbing. His sculptures are paradoxical, powerful and sensual, and cause a certain unease. They are beautiful, carnal, touchable, all the while being outside the standard idea of beauty. The ambiguity of attraction and rejection is at the heart of this evolution. The pieces from the 1980s and 90s are imposing by their size, stature and symmetry, which give them balance. They generate surprise, curiosity and play between contrasts that are both soft and aggressive. They reference the body, muscles, and torso, without presenting an exact reality. They are double-faced, seductive, and enigmatic. Wayne’s shapes are inspired by shells, bivalves, sometimes presented as though they are floating in space. But the reference of the marine world to the mysterious female body has only one interpretation and only history and emotion condition the reaction of the spectator: he accepts or refuses to see, to be seduced. He is touched or he flees. The more recent sculptures are appreciated in the fullness of their round volume and the search for a pure universal beauty. “Metamorphosis,” the work recently awarded by the Bettencourt Foundation, is from this series of pieces wheel- thrown and deformed which pushes the porcelain from the inside so the bulges evoke the movement of waves or the musculature of several bodies. The exactness, the clean breaks, the assurance of lines and valleys are testimony to the interior power that governs the creation. The life energy expressed is also felt by the artist as the origin of ceramics. All the pieces are curved and tense. They show no marking, no sign of the hand, no imprints, and yet give an impression of spontaneity, as if a dropped piece of clay found its form by chance. Depending on the angles, the content becomes “the origins of the world”. Femininity and sensuality are exalted. Inspired by the body, before and after birth, or simply the sea, the parts of the sculpture conjugate around a mysterious interior cavity, secret and troubling. The interior wall doesn’t correspond to the exterior, and has its own volumes, deformities, and intimacy. The pieces present two kinds of interior: one open, and partially uncovered, the other totally hidden inside. The differences of their respective deformation reinforce the impression of life : the subjective representation of muscles and bones, of bulges pushed by an interior force, like a visceral movement of respiration. The surface of the ceramic is crackled but soft and fine, even reflecting light like the skin. The nuances of color reinforce the expression of sensuality. The alignment of technique and what it causes one to see and feel has rarely been so intimately successful. Wayne Fischer perfected his technique in the 1970s and has remained faithful to it. He adds fibers to porcelain clay that has been chosen for its whiteness to create and accentuate volume around empty space, by assembling slabs or thrown pieces. Then, he makes another piece that takes its place inside; both parts are formed with no hand...

Monumental ceramic vase with glaze decoration. Unique piece. Signed and dated 2020 at the base. Perfect original conditions.

The “Andy” ceramic collection VG presents a collection of Classic sculptures which revisits the techniques of pop art. The original work is taken apart; a few details are then remove...

A porcelain sculpture by Wayne Fischer. Perfect original conditions. Signed. Unique piece. 2022. How can an inert object produce deeply unsuspecting, indecipherable, uncontrollable emotions? Wayne Fischer is an artist who can create works that force one to ask such moving questions as this. If he doesn’t know why, if he can’t explain the deepest reasons of his artistic research, he definitely knows the workings and limitations of the artistic process he invented. He has never deviated from the course he set for himself since university; translate life. The works presented here show the evolution of his creations over the past thirty years. If Wayne Fischer has received several international prizes and quickly obtained the recognition of his peers in ceramics, nevertheless he retains a singular position at once unavoidable and disturbing. His sculptures are paradoxical, powerful and sensual, and cause a certain unease. They are beautiful, carnal, touchable, all the while being outside the standard idea of beauty. The ambiguity of attraction and rejection is at the heart of this evolution. The pieces from the 1980s and 90s are imposing by their size, stature and symmetry, which give them balance. They generate surprise, curiosity and play between contrasts that are both soft and aggressive. They reference the body, muscles, and torso, without presenting an exact reality. They are double-faced, seductive, and enigmatic. Wayne’s shapes are inspired by shells, bivalves, sometimes presented as though they are floating in space. But the reference of the marine world to the mysterious female body has only one interpretation and only history and emotion condition the reaction of the spectator: he accepts or refuses to see, to be seduced. He is touched or he flees. The more recent sculptures are appreciated in the fullness of their round volume and the search for a pure universal beauty. “Metamorphosis,” the work recently awarded by the Bettencourt Foundation, is from this series of pieces wheel- thrown and deformed which pushes the porcelain from the inside so the bulges evoke the movement of waves or the musculature of several bodies. The exactness, the clean breaks, the assurance of lines and valleys are testimony to the interior power that governs the creation. The life energy expressed is also felt by the artist as the origin of ceramics. All the pieces are curved and tense. They show no marking, no sign of the hand, no imprints, and yet give an impression of spontaneity, as if a dropped piece of clay found its form by chance. Depending on the angles, the content becomes “the origins of the world”. Femininity and sensuality are exalted. Inspired by the body, before and after birth, or simply the sea, the parts of the sculpture conjugate around a mysterious interior cavity, secret and troubling. The interior wall doesn’t correspond to the exterior, and has its own volumes, deformities, and intimacy. The pieces present two kinds of interior: one open, and partially uncovered, the other totally hidden inside. The differences of their respective deformation reinforce the impression of life : the subjective representation of muscles and bones, of bulges pushed by an interior force, like a visceral movement of respiration. The surface of the ceramic is crackled but soft and fine, even reflecting light like the skin. The nuances of color reinforce the expression of sensuality. The alignment of technique and what it causes one to see and feel has rarely been so intimately successful. Wayne Fischer perfected his technique in the 1970s and has remained faithful to it. He adds fibers to porcelain clay that has been chosen for its whiteness to create and accentuate volume around empty space, by assembling slabs or thrown pieces. Then, he makes another piece that takes its place inside; both parts are formed with no hand...

The “Andy” ceramic collection VG presents a collection of classic sculptures which revisits the techniques of pop art. The original work is taken apart; a few details are then remove...

The “Andy” ceramic collection VG presents a collection of classic sculptures which revisits the techniques of pop art. The original work is taken apart; a few details are then remove...

A porcelain sculpture by Wayne Fischer. Perfect original conditions. Signed. Unique piece. 2022. How can an inert object produce deeply unsuspecting, indecipherable, uncontrol...

A porcelain sculpture by Wayne Fischer. Perfect original conditions. Signed. Unique piece. 1989. How can an inert object produce deeply unsuspecting, indecipherable, uncontrollable ...

Ochre mid pentacle III by Julie Nelson. One of a kind. Dimensions: W 24 x D 30 x H 22 cm. Materials: ceramic stoneware and porcelain. Artist Julie Nelson...