Baule Male Ndoma Portrait Mask on Mount

Attributed to the Yoruba people of western Nigeria, this wooden headdress was worn during a masquerade known as egungun. A widespread Yoruba ritual, egungun performances honor a comm...

This helmet mask created by the Mende people of Sierra Leone was made for the women of their tribe to wear while dancing. Commissioned by women for their ...

Noted for its individualistic, egalitarian, and progressive society, the Baule of Cote D'Ivoire were master craftspeople. This chair features their characteristically well polished w...

Masks from the Pende people of the Democratic Republic of the Congo are considered some of the most dramatic works of African art. The Pende have defined an extensive range of mask forms, many with distinct characters embodied during ritual ceremony. Colored by red and white pigments, this Pende mask...

During their five hundred year history in the Southern Congo, the Basuku tribe developed a series of intricate rituals built around their skilled mask makers. This particular example was most likely carved in the likeness of a deceased chieftain. The artisan intentionally pronounced the eyes, cheeks, and chin to provide a terrifying test for young men as they underwent their rites for manhood. The Basuku's spiritual expressions inspired early 20th century western painters...

Light masks like these represented the spirit of an ancestor and were used for social control by Ngil, the judiciary association. The facial markings, abstract features and strong, e...

Baule Ndoma Mask from the Ivory Coast.

Equisite pair of cast brass Carnivale masks mounted on black marble plinth bases. Very nicely patinated.

Intriguing good looking mask artistically made of combination of hand crafted beads ,shells , and hand painted wood. To make such a exceptional object of art for display. Custom-mad...

Beautiful classic Chokwe mask genre that honours female founding ancestors. Such representations are particularly significant as the Chokwe trace the descent through the lines of their mothers. This is thought to be a dance mask with a net and wood hairstyle, from the Batshokwe people skilled in the art of carving and of very ancient origin belonging to the culture of the divine monarchy. The Batshokwe sculptors were the most famous in the region, masters in geometric decorations such as the depiction of scarifications and tooth deformations, the surfaces of their works were carefully smoothed and polished. On the forehead of the mask, the classic chinge-lyengelye scarification is clearly visible, commonly interpreted as a variant of the Portuguese cross...

Carved grotesque wood mask with pierced eyes, very hooked nose, cigar between very crooked bone teeth. Label on verso reads, “Willi Huggler (Swiss, 1925-2016), Holzschnitzereien, Bri...

Very important “Nwantamtay” dance African mask, consisting of three sections: The upper in plain rectangular shape surmounted by a crescent shape moon, the middle with beautiful geometric triangles in black bitumen and white kaolin, surrounding a red cruciform in the centre of remarkable contrasting colors, and the lower part or face inscribed in a circular space that inspired numbered great artists like Joan Miro, Picasso and Henry Moore of a very strongly solar symbolism, with a projecting protuberance emanating from the forehead like a sculpted bird beak, that descents toward the mouth. Concentric eyes harmonize with the circular mouth, both with of elegant proportions. The whole mask exudes a supreme harmony and perfect balance rarely seen in this pieces. The back-side presents nice ware that attested the ancient origin and traces of animistic ceremonies as the use of animal blood residues. The painting of brown bitumen or cola, the natural colorants in red and ocher tones and the white kaolin are original and do not show any repainted or restored areas, giving a freshness rarely seen in old pieces. This exceptional mask Bwa, of the Hound`e Region in Burkina-Fasso, was used it the transit ceremonies and funerals manifesting the presence of “Do”, name given to their God sons, protectors and powerful spirits. The round face also represents an owl, the curving beak of the bird plants a seed into the sun, like a female sexual vulva being fecundated by the male organ; the eternal symbol of Ying and Yang, masculine and feminine, and the quest of life and death. This mask of Primitive facture can be compared to the one in the celebrated Verite Collection (this one being larger) sold in Paris at the Hotel Drouot, Saturday June 17, Lot 59, for 80,000 Euros and remarkably stands out from the Pierre and Tannia Matisse sold in Sotheby’s, New York in May 13, 2011. Another similar piece was published in: “Arman et l’art africain...