American Native American Objects

Small Native American Cochiti painted drum with sides painted in mustard yellow and blue with black striping. Made of wood and hide. Period: Early 20th century Origin: Southwest, ...

This wonderful original old surface plaque has a great old patina and a hand-carved and painted Indian chief. The Indian is in full original clothes with the feathers in his head. Wi...

This handcrafted sculpture was made in Northern Canada by an Inuit artisan in circa 1970. This sculpture is a series of two stylized human figures intermixed with two representations of presumably Spirits, which has several carved faces in them. The entire sculpture is composed of hand carved and handcrafted antler, likely Caribou. This sculpture may symbolize a blessing of good fortune for an upcoming hunt. The series of four figures are each pegged on the bottom and fit into holes drilled into the base. The base is numbered on the bottom which identifies that it was registered, and also has a paper label. Due to the composition of this sculpture it may only be shipped within Canada...

Edward Sheriff Pictorialist style Blue-toned gelatin silver print artwork photo titled Aphrodite (Siren of the Sea) named after the ancient Greek ...

This fantastic neat little basket with the original lid and in pristine condition. It is a 19thc Northwest coast American Indian basket.

Native American Southwest Pow Wow drum out of cottonwood log. Hide has a brand. Perfect for a coffee table with or without glass. Aged patina. Period: Mi...

A handsome hand-crafted Navajo design Bolo tie in sterling silver with blue green turquoise circa 1960s. With plaited black leather tie and sterling & turquoise tips. Measures: 2 x ...

Nootka hand drum with polychrome salmon, brass tacks, brain tanned handhold, original sale tag of $40. Period: First quarter of the 20th century Origin: Noo...

Presented is a rare, platinum Master Exhibition Print of Edward Curtis’ The Three Chiefs. Typical of Curtis’ Master Exhibition Prints, this platinum print is double-mounted, signed, with an embossed copyright credit and date stamp. His numeric notation “52-00” is in the photographic negative. Curtis photographed The Three Chiefs during his two weeks on a Blackfoot reservation in the summer of 1900. The photograph depicts three Piegan men in traditional dress on horseback, situated next to a small stream with an expansive cloud-filled sky behind them. The Piegans were the largest group in the Blackfoot Confederacy and still retained a majority of their original culture when Curtis visited the tribe. It reportedly took Curtis several days to find the perfect prairie backdrop and riders for this photo, yet his patience paid off. The image was pivotal in enabling Curtis to form his vision for his next project - his ambitious 20 volumes “North American Indian”publication. This print is believed to be one of only three oversized, platinum Master Exhibition Prints of this image in existence. It was printed by Curtis specifically for his East Coast exhibition tour of 1905-1906. Curtis chose only a small number of what he believed to be his finest negatives to produce prints for the show. He never again mounted an exhibition of his work, nor produced such distinctive, large-format platinum prints. “The extraordinary rarity of The Three Chiefs becomes clearer when viewed in the context of other Master Exhibition Prints, principally the 108 in the Peabody Essex Museum in Salem, Massachusetts, the largest collection in existence. The Museum, however, is missing a number of early, iconic images, including The Three Chiefs. It has long been assumed that these missing prints were held elsewhere, possibly in the collection of The New York Public Library. This theory has been substantiated by the Curtis scholar, Bruce Kapson, who unearthed a cache of letters from Curtis to J.P. Morgan and to Morgan's librarian, Ms. Bella da Costa Greene in the Pierpont Morgan Library archives in 2007. The correspondence establishes that 58 of the 100 prints in The New York Public Library's collection are actually Master Exhibition Prints, specifically selected by Curtis for J.P. Morgan as the best examples of his work. A typed letter, dated March 1907, from Ms. Greene to Curtis states: 'I enclose herewith a list of Indian photographs which you sent to Mr. J.P. Morgan'. The letter is accompanied by a handwritten list of 58 photographs, including The Three Chiefs (print number 52.) Morgan donated this group of prints to The New York Public Library in 1912.” (Christie’s Live Auction 1893 Catalog, 2007). Curtis’ platinum prints make up less than 1/2 of 1% of all of the work he created. Curtis’ platinum prints were created only for exhibition or direct sales to patrons and they were always made by Curtis himself. One significant dealer in Curtis prints...

Native American Cochiti drum with sides painted in rust, white and black. Made of wood and hide. Period: Early 20th century Origin: Southwest, Cochiti ...

This large hand-crafted basket is unsigned, but presumed to have originated from Canada and date to approximately 1970 and done in the period indigenous Canadian...

Pre-Columbian, Hispaniola, Arawak Peoples, Taino Native Indians, early 20th century or older This is an ancestor sculpture from the Arawak Peoples of the Greater Antilles Islands. Sometimes described to a broader category of Taino art...