Three Small 19th Century, Plains Native American 'Flint-Steel' Beaded Bags

This is an excellent replica of a 19th century child's kachina Doll with a flat, wood tableta headdress and concave back. It is made of cotton wood and hand painted with a textured p...

Painted cottonwood Kachina "style" doll depicting a Navajo, circa 1940s. It is in good condition, with bright color. Kachina dolls were usually created to teach Hopi children the var...

American hand hooked wool rug of brightly colored floral bouquet on oval, pale gray background, framed in black wool surround, with small floral ...

An oil painted still life on canvas board of Southwestern Native American artifacts on a flat surface, including a Kachina Doll, a basket, a ...

A small oil painting in excellent condition with canvas remounted. It is framed in a gold leafed frame, perhaps the original. It is signed by the artist on the lower left, however th...

Two carved wooden figures on wooden crosses, from the Crucifixion of Christ story. They represent "the good and the bad thieves" who were to the right and left of Christ in the New T...

Genuine crow saddle with brain tanned deer hide. Original beaded horns and drops. Original wood and hide stirrups with drops connected with saddle leather st...

Constructed of native tanned hide with trade beads and horse hair, this doll is wearing a traditional period dress and moccasins. A nomadic tribe, the Sioux territory included parts...

Antique 19th century Native American (Plains Indian) roach headdress made with dyed deer hair and porcupine guard hair on a u-shaped braided cloth with...

Nez Perce beaded belt on harness leather adorned with brass diamonds in the center. Trunk piece - stored and in great condition. Beautiful colors of blues, reds, whites, orange and g...

Antique Sioux (Native American/Plains Indian) Parfleche in a box form constructed of rawhide and intricately painted in an abstract design with hourglass and geometric motifs with natural pigments and red trade cloth. At the time this was created, the Sioux Indians were nomadic and are associated with vast areas of the Great Plains of the United States including present-day North and South Dakota, Minnesota, Nebraska and Montana. Authenticity is guaranteed. Box is in very good condition - please contact us for a detailed condition report. Parfleches are rawhide containers which were fundamental to the Plains way of life. Functioning essentially as protective travelling suitcases, they enabled the nomadic tribes to effectively pursue buffalo herds and migrate between seasonal camps. So critical were they to a nomadic existence that over 40 tribes are known to have historically produced parfleches. Collectively, these tribes inhabited an area which encompassed the entirety of the Plains, as well as the parts of the Southwest, the Transmontane and Western Plateau regions. Parfleches were, out of necessity, robust and versatile objects. They were designed to carry and protect within them anything from medicinal bundles to seasonal clothing or food. In fact, it was because of the containers’ robusticity and variety that parfleches earned their name in the Anglo world. Derived from parer (to parry or turn aside) and fleche (arrow), the word parfleche was coined by 17th century French Canadian voyageurs and used to describe indigenous objects made from rawhide. Despite their common utilitarian function, parfleches served as one of the major mediums through which Plains Indian tribes could develop their long-standing tradition of painting. In fact, it is in large part due to the parfleche that tribal style emerged. Even though parfleche painting developed simultaneously with beading and weaving, painting as an artistic tradition held particular importance in tribal culture. Believed to have evolved from tattooing, it had always been used as a conduit through which tribal and individual identity could be expressed. As such, many tribeswomen were deeply committed, some even religiously, to decorating their parfleche either with incised or painted motifs that were significant to them and/or the tribe. For some tribes, such as the Cheyenne, the decorative processes which surrounded parfleche production were sacred. For others, it seems that their parfleche designs shared an interesting artistic dialogue with their beadwork, indicating a more casual exchange of design motifs. This particular relationship can be seen in Crow parfleche...

A plains Indian roach “Headdress or Hair Ornament”. Custom display stand is included. Dimensions without stand measures 15 x 15 x 16 inches. Height with s...