Mary Jo O'Gara Forest Road Painting

Brutalist low log rustic wood coffee table from Denmark circa 1960. Wear on wood is consistent with age and use.

Painted red general store wood table with lower shelf, United States circa 1900. Wear throughout on painted finish and wood that is consistent with age and use.

Small brutalist wood side chair attributed to Alexandre Noll. France circa 1950. Some wear on wood that is consistent with age and use.

Slate top coffee table from Denmark circa 1970. This table has a heavy octagonal mosaic slate top with block wood legs. Wear on table is consistent with age and use.

Ornate white glazed ceramic table lamp from France circa 1960. Lamp has been re-wired and comes with a french twist cord. Some visible wear that is consistent with age and use. Lamps...

Nineteenth century Louis Philippe tall buffet cabinet from France with upper glass door cupboard, two central drawers, and two lower cupboards. Cab...

Title: Girl in forest Artist: Unknown Medium: Watercolor Painted in circa 1850. Dimensions: Image size: 21.3 × 16.3 cm Total dimensions: 36 × 29.5 × 1.7 cm Approximate we...

Midnight Forest English School, early 1900's Original watercolor painting on artists paper, unframed Overall paper size: 11 x 7.5 inches From a large private collection of En...

This painting very much of the period of George Jamieson although with a contintal flavour It is worth considering this artist , He was born in Aberdeen, where his father, Andrew Jamesone, was a stonemason. Jamesone attended the grammar school near his home on Schoolhill and is thought to have gone on to further education at Marischal College.[2] Legend has it that Jamesone once studied under Rubens in Antwerp with Anthony van Dyck.[3] This is, however, yet to be proven as his name does not appear to be noted on the Guild registers of the town.[4] Since Rubens was exempt from registering pupils, the absence of Jamesone's name does not mean that the painter definitely did not study there. Mary Erskine Jamesone certainly did complete an apprenticeship under the supervision of his uncle, John Anderson, who was a popular decorative painter in Edinburgh at the beginning of the seventeenth century.[5] Jamesone finished this training in 1618. He is not recorded as being in Aberdeen again until 1620. If the Scotsman had gone to Antwerp, it would have had to have been between the years of 1618 to 1620. Career Whilst in Aberdeen, Jamesone made a name for himself painting portraits of local academics and scholars from the city's two feuding colleges: King's and Marischal. In 1633, when Charles I made his grand royal visit to Edinburgh, Jamesone rose from local to national fame. For this occasion the painter was asked to decorate a highly elaborate triumphal arch with the portraits of all the past kings of Scotland.[6] He was also given the honour of painting the portrait of Charles himself. It has been said that the king was so pleased with the result that he gave Jamesone a ring off his own finger as a reward.[7] After hearing of the King's approval, many of the Scottish gentry desired to be painted by the now highly reputable George Jamesone.[3] One of his finest examples is that of Mary Erskine which is on display at the National Gallery of Scotland. Jamesone had homes and studios in Aberdeen (on Schoolhill opposite St. Nicholas Kirk) and in Edinburgh (on the Royal Mile right next door to John Knox House). Having two bases allowed him to meet the demands of hundreds of patrons from the north to the south of the country. Jamesone died in Edinburgh in 1644 and was buried in Greyfriars Kirkyard in the centre of the city. The grave is largely illegible but lies on the east wall of the original churchyard.[8] Legacy Lady Janet Stewart Jamesone's pupil, John Michael Wright...

Artist/ School: Norman A. Olley ( British, 20th Century, 1908-1996), 1996, signed to the front and inscribed verso Title - Bronze Statue of Mary and ...

A beautifully engaging, darkly nuanced Theotokos of Vladimir Russian icon (or possibly Our Lady of Kazan Icon/Mother of God of Kazan) tempera painting (and possibly gold leaf) on a wooden panel featuring the Madonna (Mother Mary) and infant child (a baby Jesus Christ) in her arms. Theotokos is the term for an Eastern icon...

A naturalistic oil painting depicting joseph, maria and the holy child in the barn of bethlehem. Oil painting on canvas with vigorous pastell colors. Framed with antique decorative g...