19th Century Native American Crow Beaded Saddle

Wood and Horn frame wrapped in rawhide with wooden stirrups. Original harness leather stitching complete with buffalo hide seat pad. Brain tanned bands attac...

Nez Perce saddle drop. Brain tanned floral beaded panels on yellow background. Brain tanned elk hide with long fringe. Flour sack lined with stains from period of use. Long fringe both ends. Direct from a Nez Perce trunk. Period: Last quarter of the 19th century Origin: Nez Perce Size: Panels 12" x 8" drape 44", fringe 28".   Family Owned & Operated Cisco’s Gallery deals in the rare, exceptional, and one-of-a-kind pieces that define the history of America and the Old West. Our pieces range from American Indian to Cowboy Western and include original items of everyday life, commerce, art, and warfare that tamed America’s frontier. Our 14,000 square foot gallery opened in 1996 in beautiful Coeur d’Alene, Idaho. Personal Service Cisco’s operates on old fashioned values – honesty and integrity, and all of our items are backed by our money back guarantee. We appreciate the opportunity to earn your business. Whether you desire assistance with a jewelry purchase, choosing a gift, identification, or even selling – we hope to be your trusted source.   Native American, Nez Perce Indian, Beaded, Beadwork, Saddle Drape...

Very nice Pomo hanging gift basket with three rod construction. Fully feathered, embellished with shell discs and abalone drops. This is a beautiful feathered "night" basket. The des...

19th Century Plateau beaded figurative belt. Extra wide with double buckles. Horse dancer, hourglass and geometric motif. Beads of light blue, dar...

Fully beaded Shohsone belt on harness leather. Dark blue edging with lighter blue center having dispersed geometric designs. Period: Late 19th century Origin: Great Basin - Shoshone...

19th Century Nez Perce cradleboard. Contour beaded with floral design and faceted beads. Original brain tanned elk hide. The inside board was once lined with...

A Classic Period (Pre-Reservation era) knife sheath created circa 1870 by a Crow (Plains Indian/Native American) artist. Constructed of Native tanned hid...

Constructed of native tanned hide with trade beads and horse hair, this doll is wearing a traditional period dress and moccasins. A nomadic tribe, the Sioux territory included parts...

Antique 19th century Native American (Plains Indian) roach headdress made with dyed deer hair and porcupine guard hair on a u-shaped braided cloth with...

Antique Sioux (Native American/Plains Indian) Parfleche in a box form constructed of rawhide and intricately painted in an abstract design with hourglass and geometric motifs with natural pigments and red trade cloth. At the time this was created, the Sioux Indians were nomadic and are associated with vast areas of the Great Plains of the United States including present-day North and South Dakota, Minnesota, Nebraska and Montana. Authenticity is guaranteed. Box is in very good condition - please contact us for a detailed condition report. Parfleches are rawhide containers which were fundamental to the Plains way of life. Functioning essentially as protective travelling suitcases, they enabled the nomadic tribes to effectively pursue buffalo herds and migrate between seasonal camps. So critical were they to a nomadic existence that over 40 tribes are known to have historically produced parfleches. Collectively, these tribes inhabited an area which encompassed the entirety of the Plains, as well as the parts of the Southwest, the Transmontane and Western Plateau regions. Parfleches were, out of necessity, robust and versatile objects. They were designed to carry and protect within them anything from medicinal bundles to seasonal clothing or food. In fact, it was because of the containers’ robusticity and variety that parfleches earned their name in the Anglo world. Derived from parer (to parry or turn aside) and fleche (arrow), the word parfleche was coined by 17th century French Canadian voyageurs and used to describe indigenous objects made from rawhide. Despite their common utilitarian function, parfleches served as one of the major mediums through which Plains Indian tribes could develop their long-standing tradition of painting. In fact, it is in large part due to the parfleche that tribal style emerged. Even though parfleche painting developed simultaneously with beading and weaving, painting as an artistic tradition held particular importance in tribal culture. Believed to have evolved from tattooing, it had always been used as a conduit through which tribal and individual identity could be expressed. As such, many tribeswomen were deeply committed, some even religiously, to decorating their parfleche either with incised or painted motifs that were significant to them and/or the tribe. For some tribes, such as the Cheyenne, the decorative processes which surrounded parfleche production were sacred. For others, it seems that their parfleche designs shared an interesting artistic dialogue with their beadwork, indicating a more casual exchange of design motifs. This particular relationship can be seen in Crow parfleche...

This very fine exceptional early 19th century native American Indian corn husk plateau bag. Fine condition with a fantastic patch repair on one side.

A great set of Native American Indian pom pom snowshoes with the traditional bent wood form with woven rawhide feet supports. From a larger collection of Native American artifacts...