Art Deco Five-Piece Polychrome Illumination Suite

Art Deco brass bowl engraved and blackened, with leds. As well as pendant as ceiling or wall fixture.   

Two arm art deco renaissance revival sconces. White Metal with original polychrome painted finish. C. 1930. Gold with red and green. Switch on backplate. Design sits close to wall, c...

A stylish pair of Art Deco period wall sconces made and signed by Moe Bridges Co, circa 1925. Rewired.

Wonderful pair of early 20th century Tiffany style bronze and stained glass wall-mounted picture lights with adjustable arm. These are extremely rare-there are no other examples to compare them to. These are part of my personal collection that I have owned for over 40 years and are simply amazing. The stained glass is an antiqued yellow color...

Wonderful pair of early 20th century Tiffany style bronze and stained glass wall-mounted picture lights with adjustable arm. These are extremely rare-there are no other examples to compare them to. These are part of my personal collection that I have owned for over 40 years and are simply amazing. The stained glass is a peach color that blends well with the bronze frames-just gorgeous. We have a total of 4 and are selling them as pairs of 2-a few have some minor flaws. These are large scale and should be used to illuminate very large paintings. When we got them over 40 years ago the original owner told us they were Tiffany but...

Zadounaïsky Suite of 4 Art Deco Wall Lights Elegant Art Deco sconces, circa 1930, in wrought iron. Electrified and in perfect condition. Mounted with lampshade clipped on the bulb. The 4 sconces are stamped Zadounaisky Height : 33 cm Width : 22 cm Depth : 12 cm Total weight : 6 kg You can contact me for more information and shipping costs. Son of Russian emigrants, Michel Zadounaïsky settled in France in 1916. I In 1920, he discovered the work of wrought iron by joining the Fournet chandelier factory. He also devoted himself to repoussage en ronde bosse, that is to say the confrontation with the metal with only a hammer for a tool, and with the help of fire, techniques in which he became a master. In 1924, he opened his first workshop in Lyon and worked there until 1953, becoming one of the emblematic figures of Lyon's decorative arts. Michel Zadounaïsky regularly exhibited pieces influenced by the Art Deco style in the Lyon Salons. From the 1930s onwards, his themes became more personal, and a whole bestiary of animals appeared, sometimes bordering on the fantastic and the strange. Naturalized in 1948, Michel Zadounaïsky continues to realize, in close and intimate collaboration with Buer (bookbinder) and Dumaine (glassmaker), objects intended for a wealthy and enlightened clientele. Desiring to abolish the frontier between the liberal arts and the useful arts, he is a craftsman, an artist, and perhaps the only iron sculptor...