Attributed to Fontana Arte, Two Larges Ceiling Lamps, circa 1940, Italy

Alessandro Mazzucotelli, luster, iron, signed, circa 1900, Italy. Measures: Height 120 cm, diameter 60 cm.

Venini, white opaline luster, black glass, circa 1960, Italy. Height 87 cm, diameter 70 cm.

Marcel Wanders, Skygarden pendant lamp, shiny white aluminum covered with white plaster, sculpted Edition Flos, circa 2000, Holland, Netherlands. Height 46 cm, diameter 91.5 cm. Fan...

Isamu Noguchi (1904-1988), Akari Suspension Model 33N, Washi paper, Edition Ozeki & Co, Ltd. With its original box, United States, circa 1970. Measures: 158 x 40 x 40 cm. Isamu Noguchi was born on November 17, 1904, in Los Angeles. His Japanese father was a poet and his American mother a writer. In 1906, the family moved to Japan. He was sent to Indiana for schooling in 1918, and in 1922 he apprenticed to the sculptor Gutzon Borglum in Connecticut. For the next two years, he was a premedical student at Columbia University, New York, and took sculpture classes at the Leonardo da Vinci Art School, also in New York. Noguchi decided to become an artist and left Columbia in 1925. A John Simon Guggenheim Memorial Foundation Fellowship in 1927 enabled him to go to Paris, where he worked as Constantin Brancusi’s studio assistant. In Paris, he became friendly with Alexander Calder, Stuart Davis, and Jules Pascin. Noguchi returned to New York in 1928 and the following year showed abstract sculpture in his first solo show at the Eugene Schoen Gallery. In 1930, Noguchi traveled in Europe and Asia, studying calligraphy in China and pottery in Japan. In New York during the early 1930s, he associated with Arshile Gorky, John Graham, Chaim Gross, and Moses and Raphael Soyer, and introduced social content into his work. He began to design playgrounds, furniture, and theater decor, executing the first of numerous sets for Martha Graham. During World War II, Noguchi became a political activist and voluntarily spent seven months in 1941–42 at a Japanese-American relocation camp in Arizona. In 1949, he was given a solo show at the Egan Gallery, New York. In Japan in 1950–51, he designed gardens, bridges, and monuments and developed his akari (paper lanterns). He showed at the Stable Gallery, New York, in 1954 and 1959. Noguchi’s first solo show in Paris was held at the Galerie Claude Bernard in 1964. The Whitney Museum of American Art, New York, honored him with a major retrospective in 1968. Throughout the 1970s, Noguchi continued to make large outdoor sculpture and fountains...

Sideboard with two drawers, wood structure, with decor painted in the Venetian style circa 1960, Italy. Measures: Height 83 cm, width 150 cm, depth 58 cm.

Pair of table lamps with two lights, Silvered metal, Two wavy sconces, Ring grip, With lampshade, France, circa 1970. Measures: Height 93 cm, width 46 cm...

Italian decorative c 1940's pendant chandelier attributed to Fontana Arte. Decorative bronze frame with scalloped crown motif at the top and tapering glass panels. Glass is held in ...

Large precious Nile green crystal etched acid disc supported by a finely chiseled frame. This fixture is attributed to Pietro Chiesa per Fontana Arte. Similare examples of etc...

1960s Italian chandelier attributed to Fontana Arte. The chandelier's round perimeter covered with applied aqua slag glass panels which surrou...

Large ceiling lamp attributed to Pietro Chiesa. Sandblasted glass shade supported by brass frame.

Chandelier with brass structure and Murano opaline glass lampshade. prod. Italy, attributed to Fontana Arte around 1960. 100 x 25 x 25 cm. Good conditions.

Elegant 1940s glass chandelier with various workmanship and floral-themed decorations. Main structure and brass edge also machined. It has no marks or labels, so given the design o...