Ettore Sottsass, Set of Three Suspensions, Model "Lampros 3, " Italy, circa 1976
View Similar Items
Ettore Sottsass, Set of Three Suspensions, Model "Lampros 3, " Italy, circa 1976
About the Item
- Creator:Ettore Sottsass (Designer)
- Dimensions:Height: 48.82 in (124 cm)Width: 9.85 in (25 cm)Depth: 9.85 in (25 cm)
- Style:Mid-Century Modern (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:circa 1976
- Condition:
- Seller Location:Nice, FR
- Reference Number:1stDibs: LU93572228872
Ettore Sottsass
An architect, industrial designer, philosopher and provocateur, Ettore Sottsass led a revolution in the aesthetics and technology of modern design in the late 20th century.
Sottsass was the oldest member of the Memphis Group — a design collective, formed in Milan in 1980, whose irreverent, spirited members included Alessandro Mendini, Michele de Lucchi, Michael Graves and Shiro Kuramata. All had grown disillusioned by the staid, black-and-brown “corporatized” modernism that had become endemic in the 1970s. Memphis (the name stemmed from the title of a Bob Dylan song) countered with bold, brash, colorful, yet quirkily minimal designs for furniture, glassware, ceramics and metalwork. They mocked high-status by building furniture with inexpensive materials such as plastic laminates, decorated to resemble exotic finishes such as animal skins. Their work was both functional and — as intended — shocking. Even as it preceded the Memphis Group's formal launch, Sottsass's iconic Ultrafragola mirror — in its conspicuously curved plastic shell and radical pops of pink neon — embodies many of the collective's postmodern ideals.
Sottsass's most-recognized designs appeared in the first Memphis collection, issued in 1981 — notably the multihued, angular Carlton room divider and Casablanca bookcase. As pieces on 1stDibs demonstrate, however, Sottsass is at his most imaginative and expressive in smaller, secondary furnishings such as lamps and chandeliers, and in table pieces and glassware that have playful and sculptural qualities.
It was as an artist that Ettore Sottsass was celebrated in his life, in exhibitions at the Los Angeles County Museum of Art, in 2006, and the Philadelphia Museum of Art a year later. Even then Sottsass’s work prompted critical debate. And for a man whose greatest pleasure was in astonishing, delighting and ruffling feathers, perhaps there was no greater accolade. That the work remains so revolutionary and bold — that it breaks with convention so sharply it will never be considered mainstream — is a testament to his genius.
- Isamu Noguchi '1904-1988', Akari Suspension Model 33N, USA, circa 1970By Isamu NoguchiLocated in Nice, Cote d' AzurIsamu Noguchi (1904-1988), Akari Suspension Model 33N, Washi paper, Edition Ozeki & Co, Ltd. With its original box, United States, circa 1970. Measures: 158 x 40 x 40 cm. Isamu Noguchi was born on November 17, 1904, in Los Angeles. His Japanese father was a poet and his American mother a writer. In 1906, the family moved to Japan. He was sent to Indiana for schooling in 1918, and in 1922 he apprenticed to the sculptor Gutzon Borglum in Connecticut. For the next two years, he was a premedical student at Columbia University, New York, and took sculpture classes at the Leonardo da Vinci Art School, also in New York. Noguchi decided to become an artist and left Columbia in 1925. A John Simon Guggenheim Memorial Foundation Fellowship in 1927 enabled him to go to Paris, where he worked as Constantin Brancusi’s studio assistant. In Paris, he became friendly with Alexander Calder, Stuart Davis, and Jules Pascin. Noguchi returned to New York in 1928 and the following year showed abstract sculpture in his first solo show at the Eugene Schoen Gallery. In 1930, Noguchi traveled in Europe and Asia, studying calligraphy in China and pottery in Japan. In New York during the early 1930s, he associated with Arshile Gorky, John Graham, Chaim Gross, and Moses and Raphael Soyer, and introduced social content into his work. He began to design playgrounds, furniture, and theater decor, executing the first of numerous sets for Martha Graham. During World War II, Noguchi became a political activist and voluntarily spent seven months in 1941–42 at a Japanese-American relocation camp in Arizona. In 1949, he was given a solo show at the Egan Gallery, New York. In Japan in 1950–51, he designed gardens, bridges, and monuments and developed his akari (paper lanterns). He showed at the Stable Gallery, New York, in 1954 and 1959. Noguchi’s first solo show in Paris was held at the Galerie Claude Bernard in 1964. The Whitney Museum of American Art, New York, honored him with a major retrospective in 1968. Throughout the 1970s, Noguchi continued to make large outdoor sculpture and fountains...Category
20th Century American Mid-Century Modern Chandeliers and Pendants
MaterialsPaper
- In the Style of Kérylos, Néoclassical Suspension, circa 1930, FranceLocated in Nice, Cote d' AzurIn the style of Kérylos, Neoclassical suspension, Composed of a multi-layered glass basin with acid-free decoration of antique muses and bronze, circa 1...Category
Mid-20th Century French Belle Époque Chandeliers and Pendants
MaterialsBronze
- Alessandro Mazzucotelli Luster, Iron, Signed, circa 1900, ItalyBy Alessandro MazzucotelliLocated in Nice, Cote d' AzurAlessandro Mazzucotelli, luster, iron, signed, circa 1900, Italy. Measures: Height 120 cm, diameter 60 cm.Category
Antique Early 1900s Italian Mid-Century Modern Chandeliers and Pendants
MaterialsIron
- Venini, white opaline luster, black glass, circa 1960, Italy.Located in Nice, Cote d' AzurVenini, white opaline luster, black glass, circa 1960, Italy. Height 87 cm, diameter 70 cm.Category
Vintage 1960s European Modern Chandeliers and Pendants
MaterialsGlass, Opaline Glass
- Tommaso Barbi, Three Nesting Tables, Italy, circa 1970By Tommaso BarbiLocated in Nice, Cote d' AzurTommaso Barbi, Three nesting tables, Brass, braided reed, metal, Italy, circa 1970. Measures: (Biggest) height 42 cm, width 40 cm, depth 39.5 cm. (Medium) height 37 cm, width...Category
Vintage 1970s Italian Mid-Century Modern Nesting Tables and Stacking Tables
MaterialsMetal, Brass
- Marcel Wanders, Skygarden pendant lamp, sculpted Edition Flos, circa 2000.By MARCEL WANDERSLocated in Nice, Cote d' AzurMarcel Wanders, Skygarden pendant lamp, shiny white aluminum covered with white plaster, sculpted Edition Flos, circa 2000, Holland, Netherlands. Height 46 cm, diameter 91.5 cm. Fan...Category
Early 2000s Dutch Modern Chandeliers and Pendants
MaterialsPlaster
- White Lampros Pendant by Ettore Sottsass for Stilnovo, 1970By Ettore Sottsass, StilnovoLocated in Rotterdam, NLLarge Lampros pendant designed by Ettore Sottsass Jr. and produced by Stilnovo in the 1970s. This disc-shaped model consists of a white aluminium shade and three chromed metal ref...Category
Vintage 1970s Italian Mid-Century Modern Chandeliers and Pendants
MaterialsMetal
- Suspension lamp possible Ettore Sottsass for Vistosi 1970By Ettore SottsassLocated in Lugo, ITPendant lamp 1970 In the style of E Sottsass for Vistosi Internal defect as pictured Thank youCategory
Vintage 1970s Italian Mid-Century Modern Chandeliers and Pendants
MaterialsMurano Glass
- Three vintage 'Manifesto' Ettore Sottsass for STILNOVO pendant lamps, PublishedBy Stilnovo, Ettore SottsassLocated in Milano, ITEnter a realm where vintage allure meets futuristic flair with the hypnotic trio of 'Manifesto' pendant lamps (model '19061') by visionary designer Ettore Sottsass for STILNOVO, dati...Category
Vintage 1970s Italian Mid-Century Modern Chandeliers and Pendants
MaterialsAluminum
- Ettore Sottsass Rinnovel Pendant Lamp Anodized Perforated Aluminum Italy 1950sBy Rinnovel, Ettore SottsassLocated in Nierstein am Rhein, DEFabulous light-weight aluminum pendant lamp most probably designed by Ettore Sottsass and executed by Rinnovel, Italy, circa 1950s. The Italian lamp which is made of anodized aluminu...Category
Vintage 1950s Italian Mid-Century Modern Chandeliers and Pendants
MaterialsAluminum
- Ettore Sottsass "Bruco" luminous ceiling fixture for Poltronova, Italy, 1970sBy Ettore SottsassLocated in Skokie, ILEttore Sottsass rare model "Bruco" luminous hanging ceiling fixture for Design Centre / Poltronova, Italy, circa 1970s Rare model "Bruco" ceiling pendant lamp from the Mobili Grigi ...Category
20th Century Italian Chandeliers and Pendants
MaterialsSteel, Aluminum
- Italian modern Glass Chandelier Firenze by Ettore Sottsass for Venini, 1990sBy Venini, Ettore SottsassLocated in MIlano, ITItalian modern glass chandelier Firenze by Ettore Sottsass for Venini, 1990s Chandelier mod. Firenze (Florence) composed of a series of...Category
1990s Italian Modern Chandeliers and Pendants
MaterialsMetal
