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Large Glass Pendant by Ettore Sottsass for Vistosi

$2,750

About

Clear glass over white glass pendant with clear red glass ribbon, designed by Ettore Sottsass for Vistosi. Height adjustable steel cable. The original white enameled steel canopy is included. Signed Vistosi.

Details

  • Creator
    Vistosi (Manufacturer),Ettore Sottsass (Designer)
  • Dimensions
    Height: 15.75 in. (40 cm)Diameter: 10.24 in. (26 cm)
  • Style
    Mid-Century Modern (Of the Period)
  • Materials and Techniques
    EnameledSteel,Glass
  • Place of Origin
  • Period
  • Date of Manufacture
    1975
  • Condition
    Very good vintage condition. In general we would like to point out that all vintage items on 1stdibs have minor imperfections such as little scratches. Mayor imperfections are always shown on pictures or mentioned.
  • Seller Location
    Dronten, NL
  • Reference Number
    1stDibs: LU931421223832

Shipping & Returns

  • Shipping
    $200 Standard Shipping
    to anywhere in the world, arrives in 1-2 weeks.
    We recommend this shipping type based on item size, type and fragility.
    Customs Duties & Taxes May Apply.
    Ships From: Dronten, Netherlands
  • Return Policy

    A return for this item may be initiated within 7 days of delivery.

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If your item arrives not as described, we’ll work with you and the seller to make it right. Learn more

About Ettore Sottsass (Designer)

An architect, industrial designer, philosopher and provocateur, Ettore Sottsass led a revolution in the aesthetics and technology of modern design in the late 20th century.


Sottsass was the oldest member of the Memphis Group — a design collective, formed in Milan in 1980, whose irreverent, spirited members included Alessandro Mendini, Michele de Lucchi, Michael Graves and Shiro Kuramata. All had grown disillusioned by the staid, black-and-brown “corporatized” modernism that had become endemic in the 1970s. Memphis (the name stemmed from the title of a Bob Dylan song) countered with bold, brash, colorful, yet quirkily minimal designs for furniture, glassware, ceramics and metalwork. They mocked high-status by building furniture with inexpensive materials such as plastic laminates, decorated to resemble exotic finishes such as animal skins. Their work was both functional and — as intended — shocking. 


Sottsass's most-recognized designs appeared in the first Memphis collection, issued in 1981 — notably the multihued, angular Carlton room divider and Casablanca bookcase. As pieces on 1stDibs demonstrate, however, Sottsass is at his most imaginative and expressive in smaller, secondary furnishings such as lamps and chandeliers, and in table pieces and glassware that have playful and sculptural qualities.


It was as an artist that Ettore Sottsass was celebrated in his life, in exhibitions at the Los Angeles County Museum of Art, in 2006, and the Philadelphia Museum of Art a year later. Even then Sottsass’s work prompted critical debate. And for a man whose greatest pleasure was in astonishing, delighting and ruffling feathers, perhaps there was no greater accolade. That the work remains so revolutionary and bold — that it breaks with convention so sharply it will never be considered mainstream — is a testament to his genius.

About the Seller
4.9 / 5
Located in Dronten, Netherlands
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 1995
1stDibs seller since 2012
612 sales on 1stDibs
Typical response time: 1 hour
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