Wrought Iron Chandeliers and Pendants

1920s French bagues style polished brass crystal chandelier. The chandelier has six lights and has been newly wired.

Late 19th century gilt wrought iron medieval style four-light chandelier An impressive and heavy medieval-style castle design gilt wrought iron four-light chandelier from the late 1...

Decorate a dining room or a den with this elegant antique wooden chandelier. Crafted in France circa 1880, the light fixture is round in sha...

Exquisite hand carved and hand polished rock crystal silver leafed Borghese bronze tree chandelier. Exhibiting a truly beautiful Modern style naturalis...

A wonderful French Rococo gilt bronze garland cage & crystal basket chandelier with 6 candelabras light, completely rewired with new sockets and comes ...

The elegant and finely carved giltwood central base with 18 "S" scrolled gilt bronze arms decorated with hundreds of precious crystal drops creating garlands joined by different leve...

Handsome Italian reddish painted wooden chandelier with six gilded metal arms

Monumental (10) light beaded wrought iron & rock crystal chandelier. The chandelier is adorned with garlands of beads and both almond & kite shaped rock crystals throughout. The chan...

French late-19th century eight-light chandelier in iron, circa 1900.

We have over 3000 antique sconces and over 1000 antique lights, if you need a specific pair of sconces or lights; use the contact dealer button to ask us, we might have it in our sto...

An interesting early 20th century gilt bronze and crystal twenty-six-light "Grotesque" chandelier. A unique Gothic style, drop crystal, basket chandelier with different "Grotesque" faces and designs. Twenty-four-tiered perimeter lights (including six lanterns) and two-tiered interior lights. Artists began to give the tiny faces of the figures in grotesque decorations strange caricatured expressions, in a direct continuation of the medieval traditions of the drolleries in the border decorations or initials in illuminated manuscripts. From this the term began to be applied to larger caricatures, such as those of Leonardo da Vinci, and the modern sense began to develop. It is first recorded in English in 1646 from Sir Thomas Browne: "In nature there are no grotesques". By extension backwards in time, the term became also used for the medieval originals, and in modern terminology medieval drolleries, half-human thumbnail vignettes drawn in the margins, and carved figures on buildings (that are not also waterspouts, and so gargoyles) are also called "grotesques". A Boom in the production of works of art in the grotesque genre, characterized the period 1920–1933 of German art. In contemporary illustration art, the "grotesque" figures, in the ordinary conversational sense, commonly appear in the genre grotesque art...

19th century Rococo French giltwood pair of chandeliers. These are large chandeliers, 42” in diameter and 47” in Height, and are suitable for a truly palatial space. Ornate and organ...