Mazzega, Chandelier, Golden Metal, Mazzega Glass Production, circa 1970, Italy

Venini, white opaline luster, black glass, circa 1960, Italy. Height 87 cm, diameter 70 cm.

Alessandro Mazzucotelli, luster, iron, signed, circa 1900, Italy. Measures: Height 120 cm, diameter 60 cm.

Isamu Noguchi (1904-1988), Akari Suspension Model 33N, Washi paper, Edition Ozeki & Co, Ltd. With its original box, United States, circa 1970. Measures: 158 x 40 x 40 cm. Isamu Noguchi was born on November 17, 1904, in Los Angeles. His Japanese father was a poet and his American mother a writer. In 1906, the family moved to Japan. He was sent to Indiana for schooling in 1918, and in 1922 he apprenticed to the sculptor Gutzon Borglum in Connecticut. For the next two years, he was a premedical student at Columbia University, New York, and took sculpture classes at the Leonardo da Vinci Art School, also in New York. Noguchi decided to become an artist and left Columbia in 1925. A John Simon Guggenheim Memorial Foundation Fellowship in 1927 enabled him to go to Paris, where he worked as Constantin Brancusi’s studio assistant. In Paris, he became friendly with Alexander Calder, Stuart Davis, and Jules Pascin. Noguchi returned to New York in 1928 and the following year showed abstract sculpture in his first solo show at the Eugene Schoen Gallery. In 1930, Noguchi traveled in Europe and Asia, studying calligraphy in China and pottery in Japan. In New York during the early 1930s, he associated with Arshile Gorky, John Graham, Chaim Gross, and Moses and Raphael Soyer, and introduced social content into his work. He began to design playgrounds, furniture, and theater decor, executing the first of numerous sets for Martha Graham. During World War II, Noguchi became a political activist and voluntarily spent seven months in 1941–42 at a Japanese-American relocation camp in Arizona. In 1949, he was given a solo show at the Egan Gallery, New York. In Japan in 1950–51, he designed gardens, bridges, and monuments and developed his akari (paper lanterns). He showed at the Stable Gallery, New York, in 1954 and 1959. Noguchi’s first solo show in Paris was held at the Galerie Claude Bernard in 1964. The Whitney Museum of American Art, New York, honored him with a major retrospective in 1968. Throughout the 1970s, Noguchi continued to make large outdoor sculpture and fountains...

Toni Cordero, candleholders, metal and enamelled copper, stone base. Production Studio Del Campo, circa 1980, Italy. Height: 77 cm, diameter: 10 cm.

Valenti, coffee table, golden brass, circa 1970, Spanish. Height 50 cm, width 45 cm, depth 35 cm.

Fausto Melotti, Scultura A (I Pendoli), Steel sculpture, Signed on the base, numbered 420/500, Italy, circa 1970. Measures: height 40 cm, width 16 cm, depth 10 cm.

Elegant Murano chandelier from the 70s, 5 lights, golden metal milky glass, with electrical system overhauled and ready for use. The design is very elegant with transparent milky gla...

Chandelier ceiling pendant light lamp in metal chrome and Murano glass tube by the manufacture Mazzega. Double light up and down. Famous italian design like Venini, Vistosi, Aldo Car...

One of a series of chandeliers that were originally in a casino in Italy. They have a spectacular look due to the shape of the Murano glass elements that hang from the frame. We have...

Exceptional Mazzega chandelier with large leaves glass Murano with gilt gold structure. The Design and the quality of the glass make this piece the best of the Italian Design. This u...

One of a series of chandeliers that were originally in a casino in Italy. They have a spectacular look due to the shape of the Murano glass elements that hang from the frame. We have...

One of a series of chandeliers that were originally in a casino in Italy. They have a spectacular look due to the shape of the Murano glass elements that hang from the frame. We have...