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Mid-Century Modern Minimalist A110 Metal Pendant Alvar Aalto for Louis Poulsen

About the Item

Rare version of the A110 pendant lamp by Louis Poulsen, based on a design by Alvar Aalto from the early 1950s. A minimalist design. This version of the “hand grenade” impresses with its simplicity. The perforated brass rim on the underside has been omitted. The lamp body consists of two cylinders of different sizes. The lower cylinder is open on both sides and serves as a reflector. The light shines upwards and downwards. Upwards, it also illuminates the upper cylinder of the lamp and casts indirect light into the room. The design works as a single piece, in a row, or as a cluster. The lamps are in very good condition with signs of wear and patina.

Creator:
Alvar Aalto (Designer, Manufacturer)
Dimensions:
Height: 15.95 in (40.5 cm)Diameter: 6.11 in (15.5 cm)
Power Source:
Hardwired
Voltage:
110-150v,208v,220-240v
Lampshade:
Included
Style:
Mid-Century Modern (In the Style Of)
Materials and Techniques:
Metal
Place of Origin:
Denmark
Period:
20th Century
Date of Manufacture:
1960s
Condition:
Wear consistent with age and use.
Seller Location:
Hamburg, DE
Reference Number:
1stDibs: LU10114247877602

Shop All Alvar Aalto

Alvar Aalto

An architect and designer, Alvar Aalto deserves an immense share of the credit for bringing Scandinavian modernism and Nordic design to a prominent place in the global arena. In both his buildings and his vintage furniture — which ranges from chairs, stools, tables and lighting to table- and glassware — Aalto’s sensitivity to the natural world and to organic forms and materials tempered the hardness of rationalist design.

Relatively few Aalto buildings exist outside Finland. (Just four exist in the United States, and only one — the sinuous 1945 Baker House dormitory at M.I.T. — is easily visited.) International attention came to Aalto, whose surname translates to English as “wave,” primarily through his furnishings.

Instead of the tubular metal framing favored by the Bauhaus designers and Le Corbusier, Aalto insisted on wood. His aesthetic is best represented by the Paimio armchair, developed with his wife, Aino Aalto, in 1930 as part of the overall design of a Finnish tuberculosis sanatorium.

Comfortable, yet light enough to be easily moved by patients, the Paimio chair’s frame is composed of two laminated birch loops; the seat and back are formed from a single sheet of plywood that scrolls under the headrest and beneath the knees, creating a sort of pillow effect. Aalto’s use of plywood had an enormous influence on Charles and Ray Eames, Arne Jacobsen, Marcel Breuer and others who later came to the material.

Concerned with keeping up standards of quality in the production of his designs, Aalto formed the still-extant company Artek in 1935, along with Aino, whose glass designs were made by the firm. In the latter medium, in 1936 the Aaltos together created the iconic, undulating Savoy vase, so-called for the luxe Helsinki restaurant for which the piece was designed.

Artek also produced Aalto pendants and other lighting designs, many of which — such as the Angel’s Wing floor lamp and the Beehive pendant — incorporate a signature Aalto detail: shades made of concentric enameled-metal rings graduated down in diameter. The effect of the technique is essential Alvar Aalto: at once precise, simple, and somehow poetic.

Find a collection of vintage Alvar Aalto stools, vases, dining tables and other furniture on 1stDibs.