Midcentury Italian Gino Sarfatti for Arteluce Hanging Light

The lighting maker Arteluce was one of the companies at the heart of the creative explosion in postwar Italian design. The firm’s founder and guiding spirit, Gino Sarfatti (1912–85), was an incessant technical and stylistic innovator who almost single-handedly reinvented the chandelier as a modernist lighting form. 

Sarfatti attended the University of Genoa to study aeronautical engineering but was forced to drop out when his father’s company went out of business. His mechanical instincts led him to turn his attention to lighting design — and he founded Arteluce as a small workshop in Milan in 1939. Sarfatti’s father was a Jew, so the family fled to Switzerland in 1943, but after the war — largely thanks to Sarfatti’s insistence on efficiency of design and manufacture — Arteluce quickly established itself as a top firm. Though Sarfatti continued as chief designer through the 1950s and ’60s, he also enlisted other designers such as Franco Albini and Massimo Vignelli to contribute work. Sarfatti sold Arteluce to FLOS — a rival Italian lighting maker — in 1973 and retired to pursue a more traditional avocation: collecting and dealing rare postage stamps. 

Sarfatti is regarded by many collectors as a pioneer of minimalist design. He pared down his lighting works to their essentials, focusing on practical aspects such as flexibility of use. His most famous light, the 2097 chandelier, is a brilliant example of reductive modernist design, featuring a central cylinder from which branches numerous supporting fixtures extending like spokes on a wheel. Similarly, his 566 table lamp is a simple canister, able to be raised or lowered on a stem, holding a half-chrome bulb. Despite the marked functionality of his designs, Sarfatti did have a sprightly side: His 534 table lamp, with its cluster of rounded enameled shades, resembles a vase full of flowers, the Sputnik chandelier (model 2003) was inspired by fireworks and the brightly colored plastic disks of the 2072 chandelier look like lollipops. No matter the style, Sarfatti concentrated first and foremost on the character of light created — and any Arteluce lamp is a modernist masterpiece.

Archimede Seguso redefined a 650-year family history of Murano glass-making with brilliance and novel techniques, elevating him to an exemplar for the maestros of his time as well as for future generations of glassmakers. This next generation included his sons and grandsons, who carried on and further expanded the family legacy of Venetian art glass. The survival and revival of traditional glassblowing combined with unique design are the legacies left behind by a master.

Seguso grew up in the family furnaces of the Soffieria Barovier Seguso and Ferro, where his training began at age 11. By the time he turned 20, he was a maestro in his own right, joining the family business as a partner.

In 1933 the company changed its name to Seguso Vetri D’Arte, and Seguso gained sole control. He collaborated with designers Flavio Poli and Vittorio Zecchin, which allowed him to achieve artistic sovereignty leading to the opening in 1946 of his own furnace, Vetreria Seguso Archimede. There, he could explore his design ideas with creative freedom. In 2007, the 23rd generation of Seguso glassmakers took the lead at Seguso Vetri D’Arte. Brothers Gianluca, Pierpaolo and Gianandrea Seguso carry a six-century dynasty of Seguso glass into the 21st Century.

Archimede Seguso’s art glass pays homage to tradition. Seguso studied and mastered techniques from centuries past, but he also pioneered innovative approaches, such as submersion and unconventional color constitutions. He awarded future generations with stunning and unprecedented effects, such as ribbed textures, rings, needle shapes and the appearance of embedded objects.

A lifetime of achievement created by Seguso is honored in museums worldwide, such as the Victoria and Albert Museum in London, MoMA in New York and Museum Kunstpalast in Dusseldorf, to name a few. His exhibit resume spans decades, beginning with XX Biennale, Venezia, in 1936. It includes a 1989 exhibit of “Il Maestro dei Maestri” at Tiffany & Co., New York, and 2013 exhibitions at Musée Maillol in Paris and Museo della Basilica di San Marco in Venice.

On 1stDibs, find an array of vintage Archimede Seguso glass, decorative objects, lighting and mirrors alongside a collection from his brother Angelo Seguso and his grandsons’ firm Seguso Viro.