Miguel Milá Tmm Wood Floor Lamp, circa 1961

Floor lamp designed by Miguel Mila', circa 1950. Manufactured by Tramo (Spain), circa 1950. First edition. In good original condition, with minor wear consistent with age and use, preserving a beautiful patina. Miguel Mila´ represents like no other person Spanish contemporary design. He belongs to the Pioneer's generation of the 1950s, and has seen how many of his pieces of furniture and lamps have become real classics. Miguel Mila´ was born in a Catalan aristocratic family with strong links with the artistic world (his ancestors assigned the Mila´ House, also known as La Pedrera, to Gaudi´), and started working as an interior designer in the architecture studio of his brother Alfonso Mila´ and Federico Correa. It was the end of the 1950s, a time of crisis when Spain hardly knew what Industrial Design was. There was practically no industry, everything was generally handmade. This framework marked the way Miguel Mila´ understood design, being sensitive to the pleasure of touching and closer to traditional techniques. Despite the shortage of objects, means and raw materials of the time, Miguel Mila´ started designing lamps and furniture, that he soon manufactured in his own company, Tramo. Miguel Mila´ set up this company with two friends, architects F. Ribas Barange´ and E. Pe´rez Ullibari. This is how Miguel Mila´ got involved with Industrial Design. Out of Tramo, apocopation of Trabajos molestos (annoying works, that is, all the things little brothers have to do), many projects came out. For instance, he developed the previous versions of the famous TMC and TMM lamps (1958 and 1961), timeless Classic designs that are still selling nowadays. Some time after, he set up his own Industrial and interior design studio. Miguel Mila´ participated with the designers and architects of that period in the first meetings in Barcelona to discuss on modernity in architecture, out of which came the question of how to promote design and implant its professional practice. These meetings culminated in the foundation of the ADI-FAD, together with Antoni de Moragas, Andre´ Ricard, Bohigas, Cirici Pellicer, Manel Cases and Rafael Marquina. From its beginnings, this association sought to foster Spanish design abroad, and to make a connection between young Spanish professionals and international design. "I am in reality a pre-Industrial designer- has Mila´ stated. I feel more comfortable with the technical procedures that allow correcting failures, experimenting during the process, and controlling it to the maximum. That is where my preference for noble materials comes from, the preference for materials that know how to age." This is the case, among others, of the wooden Cesta lamps...

ASA desk lamp designed by Miguel Milá, circa 1950. In good original condition, with minor wear consistent with age and use, preserving a beautiful patina. Miguel Milá represents like no other person Spanish contemporary design. He belongs to the Pioneer's generation of the 1950s, and has seen how many of his pieces of furniture and lamps have become real classics. Miguel Milá was born in a Catalan aristocratic family with strong links with the artistic world (his ancestors assigned the Milá House, also known as La Pedrera, to Gaudí), and started working as an interior designer in the architecture studio of his brother Alfonso Milá and Federico Correa. It was the end of the 1950s, a time of crisis when Spain hardly knew what Industrial Design was. There was practically no industry, everything was generally handmade. This framework marked the way Miguel Milá understood design, being sensitive to the pleasure of touching and closer to traditional techniques. Despite the shortage of objects, means and raw materials of the time, Miguel Milá started designing lamps and furniture, that he soon manufactured in his own company, Tramo. Miguel Milá set up this company with two friends, architects F. Ribas Barangé and E. Pérez Ullibari. This is how Miguel Milá got involved with Industrial Design. Out of Tramo, apocopation of Trabajos molestos (annoying works, that is, all the things little brothers have to do), many projects came out. For instance, he developed the previous versions of the famous TMC and TMM lamps...

Ceiling lamp designed by Miguel Milà. By unknown manufacturer, circa 1970. In good original condition, preserving a beautiful patina, with minor wear c...

Aplique lamp designed by Miguel Mila´. Manufactured by Tramo (Spain), circa 1960. Wood structure and plastic lampshade. In good original condition, with minor wear consistent with age and use, preserving a beautiful patina. Miguel Mila´represents like no other person Spanish contemporary design. He belongs to the Pioneer's generation of the 1950s and has seen how many of his pieces of furniture and lamps have become real classics. Miguel Mila´was born in a Catalan aristocratic family with strong links with the artistic world (his ancestors assigned the Mila´House, also known as La Pedrera, to Gaudi´) and started working as an interior designer in the architecture studio of his brother Alfonso Mila´and Federico Correa. It was the end of the 1950s, a time of crisis when Spain hardly knew what Industrial Design was. There was practically no industry, everything was generally handmade. This framework marked the way Miguel Mila´ understood design, being sensitive to the pleasure of touching and closer to traditional techniques. Despite the shortage of objects, means and raw materials of the time, Miguel Mila´started designing lamps and furniture, that he soon manufactured in his own company, Tramo. Miguel Mila´set up this company with two friends, architects F. Ribas Barange´ and E. Pe´rez Ullibari. This is how Miguel Mila´got involved with Industrial Design. Out of Tramo, apocopation of Trabajos molestos (annoying works, that is, all the things little brothers have to do), many projects came out. For instance, he developed the previous versions of the famous TMC and TMM lamps (1958 and 1961), timeless Classic designs that are still selling nowadays. Some time after, he set up his own Industrial and interior design studio. Miguel Mila´participated with the designers and architects of that period in the first meetings in Barcelona to discuss on modernity in architecture, out of which came the question of how to promote design and implant its professional practice. These meetings culminated in the foundation of the ADI-FAD, together with Antoni de Moragas, Andre´ Ricard, Bohigas, Cirici Pellicer, Manel Cases and Rafael Marquina. From its beginnings, this association sought to foster Spanish design abroad, and to make a connection between young Spanish professionals and international design. "I am in reality a pre-Industrial designer- has Mila´stated. I feel more comfortable with the technical procedures that allow correcting failures, experimenting during the process, and controlling it to the maximum. That is where my preference for noble materials comes from, the preference for materials that know how to age." This is the case, among others, of the wooden Cesta lamps...

Wally aplique lamp designed by Miguel Mila. Manufactured by Tramo (Spain), circa 1962. Metal structure and plastic shade. In good original condition, with minor wear consistent with age and use, preserving a beautiful patina. Miguel Milá represents like no other person Spanish contemporary design. He belongs to the Pioneer's generation of the 1950s and has seen how many of his pieces of furniture and lamps have become real classics. Miguel Milá was born in a Catalan aristocratic family with strong links with the artistic world (his ancestors assigned the Milá House, also known as La Pedrera, to Gaudí) and started working as an interior designer in the architecture studio of his brother Alfonso Milá and Federico Correa. It was the end of the 1950s, a time of crisis when Spain hardly knew what Industrial Design was. There was practically no industry, everything was generally handmade. This framework marked the way Miguel Milá understood design, being sensitive to the pleasure of touching and closer to traditional techniques. Despite the shortage of objects, means and raw materials of the time, Miguel Milá started designing lamps and furniture, that he soon manufactured in his own company, Tramo. Miguel Milá set up this company with two friends, architects F. Ribas Barangé and E. Pérez Ullibari. This is how Miguel Milá got involved with Industrial Design. Out of Tramo, apocopation of Trabajos molestos (annoying works, that is, all the things little brothers have to do), many projects came out. For instance, he developed the previous versions of the famous TMC and TMM lamps (1958 and 1961), timeless Classic designs that are still selling nowadays. Sometime after, he set up his own Industrial and interior design studio. Miguel Milá participated with the designers and architects of that period in the first meetings in Barcelona to discuss on modernity in architecture, out of which came the question of how to promote design and implant its professional practice. These meetings culminated in the foundation of the ADI-FAD, together with Antoni de Moragas, André Ricard, Bohigas, Cirici Pellicer, Manel Cases and Rafael Marquina. From its beginnings, this association sought to foster Spanish design abroad, and to make a connection between young Spanish professionals and international design. "I am in reality a pre-Industrial designer- has Milá stated. I feel more comfortable with the technical procedures that allow correcting failures, experimenting during the process, and controlling it to the maximum. That is where my preference for noble materials comes from, the preference for materials that know how to age." This is the case, among others, of the wooden Cesta lamps...

Big Wally aplique lamp designed by Miguel Mila. Manufactured by Tramo (Spain), circa 1962. Metal structure and plastic shade. In good original condition, with minor wear consistent with age and use, preserving a beautiful patina. Miguel Milá represents like no other person Spanish contemporary design. He belongs to the Pioneer's generation of the 1950s and has seen how many of his pieces of furniture and lamps have become real classics. Miguel Milá was born in a Catalan aristocratic family with strong links with the artistic world (his ancestors assigned the Milá House, also known as La Pedrera, to Gaudí) and started working as an interior designer in the architecture studio of his brother Alfonso Milá and Federico Correa. It was the end of the 1950s, a time of crisis when Spain hardly knew what Industrial Design was. There was practically no industry, everything was generally handmade. This framework marked the way Miguel Milá understood design, being sensitive to the pleasure of touching and closer to traditional techniques. Despite the shortage of objects, means and raw materials of the time, Miguel Milá started designing lamps and furniture, that he soon manufactured in his own company, Tramo. Miguel Milá set up this company with two friends, architects F. Ribas Barangé and E. Pérez Ullibari. This is how Miguel Milá got involved with Industrial Design. Out of Tramo, apocopation of Trabajos molestos (annoying works, that is, all the things little brothers have to do), many projects came out. For instance, he developed the previous versions of the famous TMC and TMM lamps (1958 and 1961), timeless Classic designs that are still selling nowadays. Some time after, he set up his own Industrial and interior design tudio. Miguel Milá participated with the designers and architects of that period in the first meetings in Barcelona to discuss on modernity in architecture, out of which came the question of how to promote design and implant its professional practice. These meetings culminated in the foundation of the ADI-FAD, together with Antoni de Moragas, André Ricard, Bohigas, Cirici Pellicer, Manel Cases and Rafael Marquina. From its beginnings, this association sought to foster Spanish design abroad and to make a connection between young Spanish professionals and international design. "I am in reality a pre-Industrial designer- has Milá stated. I feel more comfortable with the technical procedures that allow correcting failures, experimenting during the process, and controlling it to the maximum. That is where my preference for noble materials comes from, the preference for materials that know how to age." This is the case, among others, of the wooden Cesta lamps...

Its depth lies in its simplicity. This is perhaps the most highly acclaimed piece from one of Spain’s leading pioneering masters of industrial design. This lamp was part of Miguel Mi...

Miguel Milá 'Tmm' floor lamp in beech wood and white parchment for Santa & Cole. Founded in 1985 in Barcelona, Santa & Cole produces iconic pieces by such luminaries as llmari Tap...

Miguel Milá 'TMM' floor lamp in cherry and white parchment for Santa & Cole Founded in 1985 in Barcelona, Santa & Cole produces iconic pieces by such luminaries as llmari Tapiovaara...

Miguel Milá 'TMM' floor lamp in walnut and white parchment for Santa & Cole Founded in 1985 in Barcelona, Santa & Cole produces iconic pieces by such luminaries as llmari Tapiovaa...

White and walnut TMM floor lamp by Miguel Milá Dimensions: D 50 x W 60 x H 166 cm Materials: Cherry wood, parchment lampshade. Available in 3 lampshades: beige, white and white with diffuser. Available in 5 woods: beech, cherry, walnut, natural oak and black oak. In a flourish of formal serenity and functional efficacy, Miguel Milá cleverly separated the three basic components of any lamp...

White and beech TMM floor lamp by Miguel Milá Dimensions: D 50 x W 60 x H 166 cm Materials: Beech wood, parchment lampshade. Available...