Pair of Antique Italian Carved Alabaster Figural Lamps Venus & Cupid

This elegant Italian hand carved marble figure was made on early 20th century, and is a copy of the famous Venus De Milo marble sculpture (Aphorid...

Art Deco carved alabaster figure of a posing nude lady France, circa 1920 Hand-carved depicting a nude lady wearing a necklace and head band on the original carved marble base.  

This very fine life-size patinated bronze figural torchere modeled as a classically clad female musician holding a mandolin and a torch. This symbolic representation of Music, falls within Coutan’s allegorical work. The sculpture stands on a period carved wood pedestal. Inscribed on base: Coutan, Thiébaut Frères, Fondeurs. Total Height: 101″ (259 cm) Bronze height: 67″ (170.1 cm) Pedestal Height: 34" (86.3 cm) Jules-Félix Coutan (22 September 1848 – 23 February 1939) is considered to be one of the most gifted French sculptors and designers of the 19th and early 20th centuries Coutan studied under the renowned Pierre-Jules Cavelier at the Ecole des Beaux-Arts in Paris, and was awarded the Prix de Rome in 1872; after his return to Paris he executed the fountain group France Bearing the Torch of Civilization for the Exposition Universelle (1889), one of the two prominent sculptural commissions for the Exposition grounds.[1] Later he taught at the École des Beaux-Arts from 1900, where he expressed his disdain for the researches of Rodin— fumiste—[2] and the Impressionist sculptors who followed him. Coutan was elected to the Académie des Beaux-Arts in 1905.[3] Coutan is best known in the United States for the sculptural group above the entrance to Grand Central Terminal in New York City. For Grand Central Terminal, Coutan was contracted to provide a quarter-size scale plaster model of the three-figure allegorical Transportation group, which he developed from 1911 through 1914. The carving was performed by the William Bradley & Son of Long Island City.[4] Among Coutan's students were Hippolyte Lefèbvre, Raymond Delamarre...

A pair of large French Napoleon III style metal thirteen-light figural torchières.depicting two winged cherubs holding up a thirteen-light torchère, standing on bases with gold highl...

This magnificent pair of antique Italian life-sized hand-carved marble figures depicts Romeo and Juliet, the young lovers in the famous play by William Shakespeare. One figure show...

A pair of large French parcel-gilt patinated bronze and rouge marble 13-light torchieres after the models by Albert-Ernest Carrier-Belleuse (1824-1887). Each torchere modeled as a c...

A rare and one of a kind antique figural carved oak floor lamp, circa 1920s. Meticulously carved with amazing detail throughout. Features a swiss guard with torchiere staff atop a sq...

Great Pearlware Figure of Aphrodite & Eros, 'Venus and Cupid' Figure attributed to Neale & Co, circa 1790. The large pearlware early English pearl...

A large beautifully carved white marble sculpture of "Venus and Cupid", After the antique. The tall and slender Neoclassical Revival sens...

A good quality Leeds Pottery creamware figure group depicting Venus and Cupid with a large fish believed to date from the latter 19th century. The molded figure group stands raised on a square shaped base and is well modelled with nice detail with Venus dressed...

A fine 1867 exposition pair of patinated bronze figural torchères on pedestal Maker: A. Lacarrière Père, Fils et Cie. (Mid 19th century) Ori...

The Lunar Sanctuary floor lamp is an ode to French architectural theorist Etienne-Louis Boullée's monument to Newton. A spiritual shrine that turns out was impossible to build. Shaw Liu finds inspiration in this unrealised architecture, particularly its spherical body, which was intended to mimic the effects and day and night. It is the balanced art of light, dark and the in between. This art deco light features a long, mirrored body, an exploration of the tangible and intangible. Reflections are phantom-like and can be inconsistent. Almost hallucinogenic, Sanctuary's hollow dome symbolises the eternal spirit of Newton, whilst its light is akin to a glowing moon. Best placed as a floor lamp, its interior becomes aglow with the orb sat within it. This piece is an evolution of Sanctuary Illusion, which features a projecting light bulb. Reminiscent of light bollards, crafted in hand-polished stainless steel. It is made to be paired with an alabaster bulb which mimics the texture and façade of a full moon. A robust and milky mineral prized by Egyptians, it becomes aglow with its distinct pattern. Striking and truly distinctive, it belongs in the company of equally remarkable objects, including the homes of the audacious, and as lighting for art...