Pair of Spanish Torchiere Lamps with Mica Shades in the Style of Oscar Bach

A beautiful pair of antique Italian hand carved alabaster lamps / torcheres depicting Venus and a cupid. One is a classic allegory to Titian's painting "Venus with a Mirror". Much li...

A pair of large French Napoleon III style metal thirteen-light figural torchières.depicting two winged cherubs holding up a thirteen-light torchère, standing on bases with gold highl...

A large pair of ormolu and Lapis Lazuli mounted 19-light torcheres lamps. Each with two tiers of scrolling branches, raised on triangular base with the supports terminating in claw f...

A pair of large French parcel-gilt patinated bronze and rouge marble 13-light torchieres after the models by Albert-Ernest Carrier-Belleuse (1824-1887). Each torchere modeled as a c...

This very fine life-size patinated bronze figural torchere modeled as a classically clad female musician holding a mandolin and a torch. This symbolic representation of Music, falls within Coutan’s allegorical work. The sculpture stands on a period carved wood pedestal. Inscribed on base: Coutan, Thiébaut Frères, Fondeurs. Total Height: 101″ (259 cm) Bronze height: 67″ (170.1 cm) Pedestal Height: 34" (86.3 cm) Jules-Félix Coutan (22 September 1848 – 23 February 1939) is considered to be one of the most gifted French sculptors and designers of the 19th and early 20th centuries Coutan studied under the renowned Pierre-Jules Cavelier at the Ecole des Beaux-Arts in Paris, and was awarded the Prix de Rome in 1872; after his return to Paris he executed the fountain group France Bearing the Torch of Civilization for the Exposition Universelle (1889), one of the two prominent sculptural commissions for the Exposition grounds.[1] Later he taught at the École des Beaux-Arts from 1900, where he expressed his disdain for the researches of Rodin— fumiste—[2] and the Impressionist sculptors who followed him. Coutan was elected to the Académie des Beaux-Arts in 1905.[3] Coutan is best known in the United States for the sculptural group above the entrance to Grand Central Terminal in New York City. For Grand Central Terminal, Coutan was contracted to provide a quarter-size scale plaster model of the three-figure allegorical Transportation group, which he developed from 1911 through 1914. The carving was performed by the William Bradley & Son of Long Island City.[4] Among Coutan's students were Hippolyte Lefèbvre, Raymond Delamarre...

A large and impressive pair of rock crystal and malachite obelisks atop patinated bronze rhinoceros mounted on marble bases with inset round micromosaic plaques on gilt bronze feet. ...

A hand-wrought iron floor lamp in the style of Oscar Bach. In the Tudor revival style with whimsical floral details. Mica insert shade provides a warm glow. Floor foot on / off switc...

Unusual design with a " magnifier " enhancement. The lamp is fashioned with a brass filigree and mica shade. The bronze stem of the lamp is appointed with lion figures.

Inspired by an American original, this floor lamp expresses the exuberant minimalism of the midcentury. Rising from a conical base on a curving three-sided stand, the slender center ...

With original finial, typical form with circular base with incised decoration. Signed on base.

A handsome pair of uncommon mid-1940s Russel Wright-style Machine Age or Art Deco aluminum torchiere floor lamps. Broad and deep spun al...

This lovely pair of wrought iron Spanish floor lamps would make a statement in any room. They have a combination of dark wrought iron, delicate linen shades that are new, and curvat...