Brass Lighting

Luxury chandelier, made from thinly-cut pieces of exquisite ivory-toned translucent onyx. Ideal to be hung over a table, with versatile configurations. Ivory onyx comes from Middle Eastern quarries and has a unique veining. This translucent stone is carefully worked in Italy, and was chosen because of its combination of interesting patterns, high translucency, and the way it makes the light output look warmer. The 4-shade version is ideal to be hung over a round table. Our onyx supplier has worked in many high-end architectural projects, and these same materials have been used at the Armani hotel in Milan. When he was shown the chandelier designs, he rose to the challenge and adapted his tooling to make us perfect round discs. He worked hard to find exactly the right thickness that would keep the depth of the texture. It could not be too thick, otherwise it would lose transparency. And too thin, it would look like it was printed. The result is stunning. The combination of carefully-worked translucent stone and brass works perfectly, and the use of the ingenious Orbitale structure allows the geometry of the chandelier to be played with, and it can be configured in several ways. There is nothing else like this on the market. The Sistema collection uses a clever rotating stem structure and features a shallow drum-shaped shade at the end of each arm. The chandelier arms are designed with two lengths so that each can be staggered at different angles. They work well in any space and suit both regular and low-ceilinged rooms wonderfully. The chandelier arms are designed with two lengths so that each can be staggered at different angles. They work well in any space and suit both regular and low-ceilinged rooms wonderfully. Please see the drawing to get an idea of sizes for the different chandeliers. On the upper side of each disc there is a smaller opening to provide ambient light. Top-quality LEDs with over 80 CRI, meaning that the lighting does not alter the color of food and people. The LEDs are on a 24V direct current feed, so there is no flickering. The arms can be rotated 180 degrees to configure various combinations. As well as two rows of evenly-spaced lights over a dining table, a regular 8-shade star or 4-shade star (see photos) are possible, as well as creative sculptural shapes. The arms can be rotated even when the chandelier is lit. The shades can also be rotated on the arm axis to meet any lighting needs in a living room (paintings, bookshelves etc.). This listing shows the smallest drop. A change of drop is complimentary. Silvio Piattelli copyright and design. Specifications (Note: The Sistema chandelier has glass shades, while Sistema Solare...

This 3-armed chandelier with twin shades is a versatile and elegant fixture perfect above a kitchen island, over a counter, dining table, or in a living room. The chandelier's three ...

Luxury chandelier, made from thin pieces of translucent onyx. Ideal to be hung over a dining table, with versatile configurations. Featured on Netflix series Designing Miami, 1st episode! There is nothing else like this on the market. Ivory onyx comes from Middle Eastern quarries and has a unique veining. This translucent stone is carefully worked in Italy, and was chosen because of its combination of interesting patterns, high translucency, and the way it makes the light output look warmer. The 8-shade version is ideal to be hung over a long rectangular table. See schematics. Our onyx supplier has worked in many high-end architectural projects, and these same materials have been used at the Armani hotel in Milan. When he was shown the chandelier designs, he rose to the challenge and adapted his tooling to make us perfect round discs. He worked hard to find exactly the right thickness that would keep the depth of the texture. It could not be too thick, otherwise it would lose transparency. And too thin, it would look like it was printed. The result is stunning. The combination of carefully-worked translucent stone and brass works perfectly, and the use of the ingenious Orbitale structure allows the geometry of the chandelier to be played with, and it can be configured in several ways. The Sistema collection uses a clever rotating stem structure and features a shallow drum-shaped shade at the end of each arm. The chandelier arms are designed with two lengths so that each can be staggered at different angles. They work well in any space and suit both regular and low-ceilinged rooms wonderfully. Please see the drawing to get an idea of sizes for the different chandeliers. On the upper side of each disc there is a smaller opening to provide ambient light. Top-quality LEDs with over 80 CRI, meaning that the lighting does not alter the color of food and people. The LEDs are on a 24V direct current feed, so there is no flickering. The arms can be rotated 180 degrees to configure various combinations. As well as two rows of evenly-spaced lights over a dining table, a regular 8-shade star or 4-shade star (see photos) are possible, as well as creative sculptural shapes. The arms can be rotated even when the chandelier is lit. The shades can also be rotated on the arm axis to meet any lighting needs in a living room (paintings, bookshelves etc.). This listing shows the smallest drop. A change of drop is complimentary. Silvio Piattelli copyright and design. Specifications (Note: The Sistema chandelier has glass shades, while Sistema Solare...

This exquisite bespoke brass chandelier features three rotating arms skillfully balanced on a heavy cast brass sphere that rotate in an orbital movement along the stem. To achieve pe...

Huge brass construction with 24 arms in different lengths and aluminum cones on the ends painted in different colors, 24 porcelain E14 sockets for max. 40W bulbs or LED bulbs. In the...

Designed Jaroslav Bejvl, jr., former Czechoslovakia in the 1980s. Manufactured by Kamenický Šenov company which nowadays operates under the name Preciosa famous for its bohemia glass...

Floor lamp attributed to Osvaldo Borsani. Dual ignition Good Condition Thank you

Pair of Late 19thC Brass Extendable Lamp Standards of Neoclassical Corinthian Form including Laurel Wreath Decorated Stepped Pedestal Base - converted to electric - 22"diam x adjusta...

Beautiful Swedish table lamp with 3 soft blue glass blocks. The lamp was made in Malmö, Sweden in ca. 1960. Including new high quality hand made lampshade. Height of the lamp is mea...

Sergio Mazza’s ‘Pi Cavo’ lights, designed for Artemide, are part of a range of lighting designs named after letters in the Greek alphabet including Delta, Gamma, Kappa, and Tau. They...

Dänische Deckenleuchte, die in den 1970er Jahren von Erik Balslev für Fog & Morup entworfen wurde. Der zweifarbige gebrannte orange und braune Lack verleiht jedem Raum einen Hauch vo...

Rare wall sconce designed by the famous Hans-Agne Jakobsson for AB Markaryd of Sweden in the 1960s. This lamp is made of brass and a thin smoked glass shade. The lamp is in very go...

Experience the timeless elegance of our modern vintage 1960 floor lamp, skillfully restored to its original splendor. Composed of brass, wood, and metal, this exquisite lamp has been...

This is a magnificent large leafy chandelier meticulously crafted with a profusion of crystal flowers on a brass and toleware frame. This 1940s French...

Mid century brass German floor lamp, 1960s The frame is made of brass Height: 140 cm Diameter : : 26 cm shade Height : 64 cm Good condition with old signs of wear

Rare pair of clear glass and bronze flower table lamps in the style of Maison Baguès, France, circa 1950s. Socket: each 1 x E27 or E26 (US) ...

A stunning 1970’s very large pair of brass Swedish table lamps with conic lamp shades. The shape of the shades cast a really warm and beautiful diffuse ambient light. These structura...

Something truly incredible this Murano chandelier. Surprising design from the 70s, due to the very particular shape of these long brass rods with attached multi-coloured glass flowers. Very elegant, it will furnish and decorate your entire home. The Murano furnaces have created an indisputable timeless design. The chandelier has the shape of a half "sputnik", composed of a central brass hemisphere on which are housed brass rods on which small Murano glass flowers...

Mid century brass German Arc floor Flex lamp By München Werkstätten, 1960s The frame is made of brass, with flex arm Height: 147 cm Diameter: 50 cm...

A Beautiful and original floor lamp from the 1950s, with a full brass shade. Designed by Lisa-Johansson pape and manufactured by Orno. In complete original condition with a beautiful...

Brass and Murano glass chandelier, 1940s, Made in Italy.  Murano glass chandelier with brass support rods, preserving the patina of time.  Product working and in excellent condition....

Midcentury floor Tripod flex armlamp brass & Teak Scandinavian by Örsjö Armatur, 1960s Shade made of fabric and lamp base of wood and brass details original Lamp shade is in a gr...

Antique large Art Deco black veined white alabaster pendant light fixture. Gorgeous and large alabaster pendant ceiling light fixture from circa 1920. Beautifully veined and masterfu...

A large table lamp in the form of a vase. The dark blue ceramic vase is decorated with a black leave and flower pattern in Persian style. The va...

The white glass shade has vertical lines which gives a nice playful effect. Height: 80 cm. Ø: 20 cm. Glass shade height: 41 cm. This lamp has a new large bulb holder (E27) and threa...

A very stylish and well made pair of Swedish vintage brass table lamps. We have recently imported these from Sweden, they date from around the 1970’s. They are of excellent quality ...

Midcentury German walnut &brass DDR, 1950 s original Lamp shade is in a great vintage condition. Design year: 1950/60s Lamp Dimensions: 48 cm x H 140 cm shade Diameter :43 cm ...

Swedish Chandelier made of brass and beech attributed to Hans Bergstrom For ASEA Sweden. Each arm has a beautiful frosted art glass shade with golden details / arrows. Five screw fit...

Pair of Antique French Parcel Gilt and Repousse Brass Oil Lamps, Circa 1830-1840.

Pair of "TEGOLINE VERDI" lamps by Roberto Giulio Rida "Green Tile" table lamps are part of a small collection of lamps in the following colors: gold, green and blue. Each pair is un...

Like a continuous soft and fresh breeze that winds between obstacles and caresses thirsty bodies. The brass components of this lamp, suspended by elegant wires, drift through the air...

A somewhat rare Itsu floor lamp with a beautiful design displaying two distinct light heads, that can be adjusted to almost any direction desired. The ...

French Art Nouveau Desk Lamp A beautiful and elegant swan-shaped desk lamp, featuring flowers and leaves, which are classic motifs from the Ar...

Stunning Italian Murano hand-blown glass 'palmette' wall mounted sconces, c.1990s. Each sconce features 9 concave appliqués made of amber-colored rippled glass, attached to the frame...

The Chinese table lamp, hand-carved from jade, represents a true rarity and a masterpiece of Asian craftsmanship. This unique piece not only gracefully illuminates the space, but als...

Floor lamp attributed to Stilnovo, 1960 Brass, marble, and opal glass. Measures 103 cm by 11.5/25 cm Good Condition Thank you

Our heavy brass ship's light comes from a Korean vessel, and has been up cycled into a beautiful room light , wired for domestic use, which can be floor mounted or could be attached ...

Wonderful Flush Mount made by Fagerlund, Sweden. From around 1960. Consists of a beautiful crystal handmade glass plate on a polished brass plate. The texture of the glass gives the...

Pair of table lamps model 2466 designed by Josef Frank for Svenskt Tenn, Sweden, 1950s. Brass, lacquered brass and original fabric shades. Stamped. Josef Frank was a true European...

Mid-century pair of brass table lamp attributed to Ingo Maurer, Stilnovo, Italy 1960s Brass base, opaline glass H 44 cm x 28 cm diam. Conditions: excellent, no defects. In worki...

A very stylish and extremely well made pair of vintage chrome and brass table lamps. They were made in Italy, they date from around the 1970’s. The quality is exceptional, they are ...

Nice lamp, Swedish modern.

A stunning vintage brass and marble floor lamp, most likely made in Italy and dating from the 1970’s. It is beautifully made, the brass frame sits on a gorgeous marble base. There a...

This elegant minimalist Art Deco pendant was designed and manufactured in Germany in the 1920s to 1930s during the Bauhaus period. The light features a round cream colored opaline ...

Plafond lamp of pressed clear glass and brass. Four points of light.

Wonderful pair of mid-century wall sconces with ice glass tubes, made by Doria Leuchten, Germany, manufactured, circa 1960-1969. High quality and in very good condition. Cleaned, w...

Impressive brass chandelier and Murano glass discs in the shape of pink flowers. The many light-bulb doors give a very diffuse light and gives a crazy atmosphere to the space. It...

Exceptional large pendant chandelier, with a heavy spherical brass counterweight that allows height adjustment, a magnificent large red glass diffuser in a circular, contoured shape,...

A beautiful and very impressive large vintage brass table lamp. This was made in England, it dates from around the 1960’s. The beaten brass ...

A stylish and extremely well made pair of vintage brass table lamps with velvet shades. They were made in France, they date from around the 1970’s. The quality is outstanding, the s...

Very original Murano glass wall lamp with a very elongated design of the glass plate and a unique smoky color. The applique is composed of a gold-colored metal structure to which on...

Six Arm Lobby Chandelier Timeless Art Deco Solid Brass, Satin Finished, Lacquered Eighteen Tala Sphere III Dim to Warm Bulbs. 2000K - 2800K 95CRI 10,800 Dim to Warm Lumens Large ø164cm Chandelier Custom Options and Finishes available on request Handbuilt in Hackney Wick by Lights of London.

Luigi Caccia Dominioni, one of the world’s oldest practicing architects until he died in 2016 aged 103, was according to Pin Up magazine – “the architect’s architect”. Visible in eve...

Ceiling lamp designed by Hans Bergström for Ateljé Lyktan, Sweden, 1970s. Brass and opal glass. H: 34.5 cm D: 48 cm

A very impressive large pair of antique brass table lamps, dating from around the 1950’s. They are of superb quality, with beautiful...

Measures: W7.5 D7.5 H29 Vintage table lamp with matte white finish accented by yellow details following the pattern on the table lamp. The brass base and details have patina. The ...

Table lamp model 2468 designed by Josef Frank for Svenskt Tenn, Sweden, 1950s. Brass with cotton shades. Stamped. Model 2468 is a delightful brass table lamp with three small shades in green, yellow, and red. The lamp has an elegant brass base with three stems that hold the shades at different heights. Because of its tricolour shades, it is known as the “traffic light lamp”. Designed by Josef Frank in the 1950s, this lamp has become a timeless Svenskt Tenn collectable. H: 54 cm W: 42 cm Shade D: 15 cm Josef Frank was a true European, he was also a pioneer of what would become classic 20th century Swedish design and the “Scandinavian Design Style”. Austrian- born Frank started his design career as an architect after having trained at the Technische Hochschule in Vienna between 1903 and 1910. After his training he went on to teach at Kunstgewerbeschule (The Viennese School of Arts and crafts) where he developed and espoused the new school of modernist thinking towards Architecture and Design that was coming to fruition in Vienna at the time. He also went on to lead the Vienna Werkbund throughout the 1920s. This was a truly progressive group of Architects and Designers who set about improving the daily lives of Austrian people through modernist design and architecture in partnership with Arts and Crafts ideals and construction. Frank’s leadership of the Werkbund had already cemented his place at the forefront of European design. Frank’s time in Vienna was typified by his design for the “Die Wohnung” exhibition of the Deutscher Werkbund in Stuttgart, 1927 where he exhibited along side his contemporaries at the forefront of design, such as the likes of Le Corbusier and Walter Gropius. Here he showed a specially designed pair of flat-roofed reinforced concrete houses in what is now seen as a typical modernist style. What separated Frank’s house from the other 32 houses of the exhibition was the interior and furniture inside the building. It was described as “Neo-Classical” and filled with an eclectic mix of period pieces, modern design and pieces designed by Frank himself that seemed to cross the two worlds. This was a complete opposite direction to that which his fellow Architects were travelling in with their pared back and angular aesthetics. Frank said of his own work: “The house is not a work of art, simply a place where one lives,” and by this reasoning Frank rejected the regimental mechanisation of the living space that his contemporaries believed in, instead he set about creating congenial and spontaneous interiors. Frank’s practice saw him placing the bright colours and the soft forms of nature back into the furnishings and interiors that he thought modernism sorely mist. Frank, along with Oskar Walch set up Haus und Garten in Vienna in 1925. This was Frank’s first commercial foray into furniture and home furnishings and the company went on to become the most influential furnishing house in Vienna with a riotous depth of colour and interesting shapes becoming the trademark of their design. However this success was to come to an end with rise of Nazism in Vienna in the early 1930’s. Frank was Jewish, and he and his wife Anna decided they would leave Vienna for her motherland: Sweden, in 1933. Frank continued to design for Haus and Garten, visiting Vienna occasionally and designing the pieces that would continue to be the company’s best sellers long after Frank was forced to hand the company over in 1938 after the Third Reich annexation of Austria. When Josef and Anna had moved to Sweden Frank had struck up a working relationship with Design shop owner Estrid Ericson. Ericson was the proprietor of Svenskt Tenn that at this point was a successful interiors shop in Stockholm with the royal warrant of appointment to the Swedish Royal Household. In 1935 Frank had become the chief designer for Svenskt Tenn and had set about putting all of his creative effort into his designs for the company. At the World Expositions in Paris in 1937 and New York in 1939 the world saw for the first time the wealth of products that Frank had been working on, ranging from candlesticks to cabinets, there was not a domestic object that Frank had not subjected to his colourful, comfortable and organic style of Modernism. Frank’s new school of Modernism championed ideas such as chairs having a freeing, open back and that “If one desires the room to be comfortable…all pieces of furniture should allow for a free view of the separating line between the floor and the wall. A cabinet without legs breaks this line and thus reduces the feeling of space.” A world-wide audience tired of classic Modernism’s furniture with solid planes and aggressive forms leapt upon these ideas and Franks natural and bright designs for Svenskt Tenn became internationally desired. Frank created over 2000 designs for Svenskt Tenn and his products continue to be the core of their brand. Frank’s rejections of tubular metal and heavy lacquers within his furniture have insured his unique light form of Modernism continues to influence and flourish today. His natural toned mahogany and walnut pieces along with his tactile leather covered and brightly shaded lighting still bring the forms of nature back into the home. Original Frank pieces are now increasingly rare, highly desirable and are the epitome of “Scandinavian Design”. Renowned Designer and Academic Isle Crawford...

This very special unique piece is the last of a great series. The shade can be adjusted in any colour and size to either get a very modern or traditional outlook. The table lamp is a...