Table Lamps

Cloisonné table lamp on bronze China circa 1880 Original a vase it has been rewired as a table lamp around 1900, with its original ceramic lamp holder ...

A stunning and most decorative pair of French 19th century Louis Philippe period Patinated Bronze, Ormolu and Crystal candlestick lamps. Each candlestick mounted into a lamp is raise...

Pair of Italian lamps from the Island of Murano. This pair features purple hand blown glass. The stacked spheres are separated with clear glass rings and stand on a conic base. The g...

Sita. table lamp - Stylish and useful cast bronze tablelamp with contemporary design. The dome is made of cotton and it can be in various collors. The base presents natural irregula...

Vendôme table lamp, Forged bronze with leather details by artisans in Mexico City. It has unique proportions, made with the outmost attention to detail.

French Napoleon III 19th century ormolu table lamp with two light sources. Height to top: 77 cm. Circular base and tapered central support mounted with gilt bronze grapes and foliate...

Pair of late 19th century Empire bronze and ormolu candelabra. - Caryatid herm female figures on marble block plinths. - Three ormolu candle arms/cups - Well modeled.

Pair Of 20th Century Candlesticks Pair of 20th century candlesticks, 20th century decorative candlesticks in silver metal - one has 2 spots - see photos Dimensions: 14 cm in height a...

Antique French Empire bronze candelabra table lamp with paw feet neoclassical 32.5 inches tall (these lamps have been newly rewired).   

Pair of large Japanese Porcelain Cone Shape Vases with Imari decoration Important mounts in ormolu and gilded metal, the base decorated with a laurel wreath, the upper part of falling leaves and a frieze of knotted ribbon. The mounts signed Gagneau, 115 R. Lafayette. Circa 1860 With their original aluminium bulb cover and original gilding Vase it self Height 47 cm The Gagneau Company is one of the most famous lighting factories in Paris in the nine-teenth century, established in 1800 at 25 rue d'Enghien in Paris and later at 115 rue de Lafayette. She has participated in many exhibitions throughout this century. She began in 1819 with the Exposition des Produits de l'Industrie and later participated in the Universal Exhibitions where she was part of the jury in the category of art bronzes (class 25) at the Universal Exhibition in Paris in 1889. "Imari" was simply the trans-shipment port for Arita wares, from where they went to the for-eign trading outposts at Nagasaki. It was the kilns at Arita which formed the heart of the Japanese porcelain industry. Arita's kilns were set up in the 17th century, after kaolin was discovered in 1616. A popular legend attributes the discovery to an immigrant Korean potter, Yi Sam-Pyeong (1579–1655), although most historians consider this doubtful. After the discovery, some kilns began to produce revised Korean-style blue and white porcelains, known as Early Imari, or "Shoki-Imari". In the mid-17th century, there were also many Chinese refugees in northern Kyushu due to the turmoil in China, and it is said that one of them brought the overglaze enamel coloring technique to Arita. Thus Shoki-Imari developed into Ko-Kutani, Imari, and later Kakiemon, which are sometimes taken as a wider group of Imari wares. Ko-Kutani was produced around 1650 for both export and domestic market.Kutani Ware is characterized by vivid green, blue, purple, yellow and red colors in bold designs of landscapes and nature. Blue and white porcelain pieces continued to be produced and they are called Ai-Kutani. Ko-Kutani Imari for the export market usually adopted Chinese design structure such as kraak style, whereas Ai-Kutani for the domestic market were highly unique in design and are ac-cordingly valued very much among collectors. Ko-Kutani style evolved into Kakiemon-style Imari, which was produced for about 50 years around 1700. Kakiemon was characterized by crisp lines, and bright blue, red and green designs of dramatically stylized floral and bird scenes. Imari achieved its technical and aes-thetic peak in the Kakiemon style, and it dominated the European market. Blue and white Kakiemon is called Ai-Kakiemon. The Kakiemon style transformed into Kinrande in the 18th century, using underglaze blue and overglaze red and gold enamels, and later additional colors. Imari began to be exported to Europe when the Chinese kilns at Jingdezhen were damaged in the political chaos and the new Qing dynasty government halted trade in 1656–1684. Ex-ports to Europe were made through the Dutch East India Company, and in Europe the des-ignation "Imari porcelain" connotes Arita wares of mostly Kinrande Imari. Export of Imari to Europe stopped in mid-18th century when China resumed export to Eu-rope, since Imari was not able to compete against Chinese products due to high labor costs. By that time, however, both Imari and Kakiemon styles were already so popular among Eu-ropeans that the Chinese export porcelain copied both, a type known as Chinese Imari. At the same time, European kilns, such as Meissen and English potteries such as Johnson Bros. and (Royal) Crown Derby, also imitated the Imari and Kakiemon styles. Export of Imari surged again in late 19th century (Meiji era) when Japonism flourished in Europe.Thus, in the western world today, two kinds of true Japanese Imari can...

Pair of Antique French Classical Urn Style Table Lamps with Cherubs Country: France Materials: Painted Bronze, Carrara Marble Condition: Newly Rew...

DIMENSIONS Height: 23 inches Width: 18.5 inches Depth: 15 inches ABOUT AUSTRIAN JUGENDSTIL (ART NOUVEAU) Towards the end of the 19th century, the world of fine arts had a nicely co...

A pair of late 19th century French empire candlesticks with three lights converted into table lamps

With this lamp, we present a product that with its elegance, never dies and never gets tired. In the end, as Yves Saint Lauren said, "fashions pass but style is eternal", right? Form...

Pair of circa 1930’s Opaline glass table lamps with gilt design

Small Hollywood Regency sculptural polished bronze pineapple table lamp or Bedside Table Light. Has a felt cover to the base. Wired for the U.S. ...

A pair of circa 1930’s French mercury glass table lamps with gilt bronze bases

Bronze table lamp with two peacocks sitting on a tree stump. Beautifully textured details in feathers and tree bark. Lamp is rewired. Shade is not included.

Exquisite Art Nouveau desk lamp rare & early design by David Guéron Degué France 1920. Bronze art nouveau frame with a Heron & floral branches / leaves combined with a hand made ''...

Italian Blown Glass and Gold Lamp.Clear blown glass. Bright gold metal finish on metals. Rewired and in excellent condition. Italian, C. 1980. 80's Deco Dimensions: Width: 13″ Dep...

An early 20th century French Empire torchère style table lamp with shade. Gilded gessoed candlestick form metal body with paw foot mounted base. Two l...

This unique lamp blends bronze and our signature plaster finish to create an elegant statement. The cast bronze base with the plaster shade create a soft diffused light. The light us...

French Maison Charles style neoclassical one of a kind gold leaf and brass tree leaves Sconces, Wall Lights with Half Shield Shades. Two sockets on...

A Pair of 19th Century Louis XVI Style French Dore Bronze Mounted Baccarat Swirling Crystal Table Lamps. Each piece is beautiful with the finest and mo...

This unique lamp blends bronze and our signature plaster finish to create an elegant statement. The cast bronze base with the plaster shade create a soft diffused light. The light us...

Floral bronze mounts and drip glazed porcelain.

French Art Deco table lamp, 1930s. French Art Deco lamp with bronze dog figure on a marble base, made in France during the 1930s. The glass crackl...

DETAILS Signed, original black & white marble base, period wiring and fittings. DIMENSIONS Height: 6.5 inches Width: 3.5 inches Depth: 5.5 inches ABOUT THE LAMP A charming and very funny monkey named Boubou, excited by some suspicious sounds, decided to shine a lantern and discover the source and origin. The sculptural interpretation of this scene with a simple plot by a wonderful French sculptor turns a seemingly small trivial table lamp into a real work of art - with such skill the author conveys its emotional state, a mixture of fright and curiosity! ABOUT THE ARTIST Louis Octave Maxime Le Verrier (French, 1891 – 1973), known more commonly as Max Le Verrier, also known by the pseudonym Artus was a famous French sculptor. He was known for being a pioneer within the Parisian Art Deco movement, creating decorative art objects often made in bronze as well as historical sculptures. Max le Verrier was born on the in Neuilly-sur-Seine, near Paris, in 1891. His mother was Belgian and his father was a Parisian goldsmith and jeweler on Boulevard Malesherbes in Paris. His parents divorced when he was 7 years old. Le Verrier attended several boarding schools (Collège de Verneuil sur Avre) and was a brilliant student. He grew an interest for drawing and art during his education. However, his father thought that his future would be in farming, therefore he sent Max to study agriculture (St. Sever and La Réole) against Ma’s wishes. However, Max Le Verrier kept his liking for sculpture during his spare time lively. At the age of 16, he returned to Paris and did odd jobs to escape farm-work and to provide for himself. (His father emancipated him, and, as a result, he was left to fend for himself). In 1909, when he was 18, he left for England. As a foreigner, it was very difficult for him to find a job in London; refusing to come back to France and admitting defeat, he lived very difficult days. From an early age he showed great promise as an artist and sculptor; and after serving in the French army during World War I, he studied at the Ecole des Beaux-Arts in Geneva. During his studies in Switzerland he met fellow sculptors Pierre le Faguays and Marcel Bouraine, who became close friends and with whom he collaborated for much of his life. After completing his studies, le Verrier returned to France in 1919, and founded his own studio in Paris. It was at this time that he created his first popular sculpture, the famous 'Pelican' - which was the first of a long line of animal...

Large sculptural table lamp by Gio Ponti & Toni Zuccheri for Venini, Italy ca. 1966. Refined and monumental design composed of lively blown Murano glass parts on a chic architectonic...

Superb and very rare sculptural French abstract bird table lamp by artist Philippe Jean, France around 1970s. The table lamp has a square heavy black-grey granite base signed Ph. Jea...

We are offering a pair of vintage circa late 1930's/early 1940's Gladding McBean & Co. high fired ceramic table lamps with heavy ornamental fitments of warm patinated bronze. Covere...

An exquisite obelisk crystal lamp by Baccarat. It is all crystal with a bronze dore cornucopia finial. Newly rewired and has a very high quality s...

Beautiful bronze Goerges Leleu art nouveau table lamp with blown glass art glass shade by Daum Nancy.

Step into the allure of the past with this pair of 19th-century French bronze candlesticks, thoughtfully transformed into radiant lamps. Electrified with ...

Superb and very rare sculptural French abstract bird table lamp by artist Philippe Jean, France around 1970s. The table lamp has a square heavy black-grey granite base signed Ph. Jea...

A beautiful pair of Japanese bronze oil lamps from c.1880 now converted to electricity. Finely cast and detailed bronze with high relief impressive dragons, kites, birds, trees an...

A small French porcelain table lamp with brass base, in the Empire style, circa early-20th century, France. This small French porcelain lamp, ...

Pair of vintage French bamboo form bronze table lamps by Maison Charles. Lamp shades are oval form, new made. Singed on the side. Each table lamp includes 3 pcs.E27 bulb. Each la...

Tiffany Studios bronze desk lamp with original iridescent shade, scrolled bulbous harp, and terminating on circular fluted base with the original circ...

Fabulous pair of midcentury Hollywood Regency hand gilded gold plaster large scale figural lamps boy with drinking jug and original slightly tapered gold leafed or gilded drum shades in the style of Marbro Lamp Company. Beautiful condition, keeping in mind that these are vintage and not new so will have signs of use and wear. Both have been rewired with new cords and sockets. The base of one lamp has been patched, repaired, and re-gold leafed. The shades are a bit age worn with some creases, dents, & tears, but still look so fabulous on these lamps we had to leave them. Please see photos and zoom in for details. We attempt to portray any imperfections. Circa, midcentury. Just two young boys, probably best friends, or brothers, hanging out in the hot summer sun sipping on a jug of… (well, we can’t be EXACTLY sure what they’re sipping on, but we’re going with water!) Although, they are both missing one shoe so who knows? Ha-ha… Just kidding, these boys are well-behaved!! This is a fantastic pair of hand gilded plaster figural lamps of a boy drinking from a water jug in the style of Marbro. One lamp actually has “O. Art Co” carved into the base but throughout extensive research we were unable to find any information about them; however, we have seen identical lamps marked Marbro, though ours are not marked as such. Either way, they are FABULOUS!!! And as similar as they are, we have found a few slight differences and since we know they were made from a mold we think maybe they each had a different individual artist that gave them their finishing touches. If you look closely one boy has something coming from the spout of his jug and the other does not, the rocks or gravel on the ground of one base is a bit raised and the other is flatter, the drinking jug details differ, and the pant legs are slightly different. And those are just a few what we have found. And as fabulous as the lamps are, we also ADORE the original aged gold leaf slightly tapered drum shades!! They are slightly different in color as one has a bit darker hue and silver inner shade, and the other inner shade is gold. They definitely have an aged all over patina, both on the bodies of the lamps and the shades, which we think is what makes them even more wonderful! These lamps are hand gilded, and the boy alone stands at 24 inches, so they are definitely large scale! Almost like having a couple of actual toddlers around! But not really… these guys are much quieter and won’t be making a mess in whatever room you leave them! LOL! These incredible lamps certainly bear a whimsical aura, and they are ready to fill your home with joy, character, and an Ambience full of vintage Hollywood Regency awesome-ness! The Marbro Lamp Company was established in 1934, shortly after World War II by Morris Markoff and his brother Elliot in Los Angeles, California. They were one of the finest lamp producers during the mid-1900s and mainly sold in a handful of shops. Marbro lamps were one of a kind and some took up to ninety days to complete. They were occasionally made from sculptures customers would bring to the shop and others from vases and objects d’art from all over the world. They employed highly skilled wood turners and lamp shade makers. They would make occasional sculptures and decorative objects, but they were best known for their creative and high-quality table lamps. The Masco Corporation acquired Marbro Lamp Company in 1987 and their Los Angeles plant closed its doors in 1990. This perfectly imperfect pair of hand gilded figural boy lamps...

Lovely Marc Erol French deco table lamp with canvas shades, circa 1930s. Twisted tan 9.5' cord wired for US outlet.

“Ceci n'est pas une pipe” is the caption that adorns Magritte’s painting “The Treachery of Images,” and this pipe form lamp inspires a similar surrealist setting. It’s a pipe, but it...

The table lamp LAlampada belongs to the "essentials" collection of the Tuscan company, together with ILtavolo, LApanca e ILletto, pieces of recognisable shapes, giving the highest level of customization. The table version of LAlampada by Lapo Ciatti makes no exception, a metal lamp and a diffuser of spherical shape, in metal or aluminum depending on the finishing. A lighting system that combines tradition and modernity, easy to locate on bedside furniture...

Please note that VAT is not included in the price. Elegant interior lamp designed as an essential element that creates an evocative light of great comfort. A matte ball of simple and pure form, cut in two perfect halves that diffuse reflected and discreet light. The project line is the essentiality that shapes both the aesthetics and the lighting effect. The light is spread from inside the ball, reflected on the inner shell of the dome and spread on the surface of the table on which it is placed. Designed for the living, its light gives a great atmosphere to the home. The unit features a dimmer enabling custom quality and intensity light. Aldo Parisotto and Massimo Formenton graduated in architecture from the IUAV of Venice. In 1990 they founded their own design firm P+F Parisotto+Formenton Architetti. Their research is oriented towards a range of different design themes, through which they have developed wide experience on both the national and international levels. In the design field they developed a collaboration with leading furniture and lighting companies such as cc-tapis, FontanaArte, Mingardo, Minotti Cucine. In the yacht sector the studio worked for Sanlorenzo, Cantiere del Pardo...

This neoclassical style marble and gilt bronze vase by Gherardo Degli Albizzi is made by monolithc pieces of marble and high quality chiseled bronzes. The highlights of this vase are...

Impressive, oversize, Baccarat quality diamond cut crystal and gilt bronze Neoclassical style table lamp. 19th Century France Circular diamond cut crystal column with finely fluted g...

A pair of fine glazed blue porcelain gilt bronze-mounted table lamps, France, early 20th century. Porcelain vase raised on beautifully elaborate bronze base. Both porcelain vases are...

Brutalist table lamp by Albano Poli for Poliarte made in Italy in the 70s. The lamp has a bronze structure with 2 intermittent lights, the first which illuminates the cylindrical fab...

The V-2 rocket from World War II became an icon in the 1950s a symbol of futuristic technology and the American space program. It became iconic with children as the rocket that took the character Tin...

Inspiration for this table lamp is taken from “The Century Building” Lobby in New York. This collection is crafted from vertical rounded linear bronze f...

Gae Aulenti & Piero Castiglioni 'Minibox' table lamp in gold for Stilnovo Founded in 1946 in Milan, Stilnovo was one of the most innovative lighting companies in Italy during the Mi...

fine antique Napoleon III period signed F. Barbidienne gilt and patinated bronze, carved slate four light lamp with mythological creatures and classical Grecian maidens. circa 1870 ...

Selection of natural specimen mounts, French, circa 1950s. From left to right, as seen in the first photo, they are: 1) Tortoise shell and brass lamp, French, circa 1950s. Rewired. It measures 23" H x 12" W. 2) Agate slab lamp, French, circa 1950s. Rewired. It measures 36.5" H x 14" W. 3) Quartz crystal and bronze lamp...

Daphine Gold Daphine and Flo, two of our most important icons, are now enriched with a new special semi-gloss brushed “yellow Gold” finish, which lends them uniqueness and prestige. ...

An Elegant and Large Table Lamp in the style of Louis XVI, Gilt Bronze Acanthus Ornamentation This table lamp features an interpretation of the classical column-based table lamp, co...

Art Deco Designed lamps, cast bronze, With smooth solid glass rods, Has the deluxe double socket assemblies. They were the showroom samples and were never sold . Looks great with ...

This brazilian contemporary table lamp is called Adobe. It has a modern design. Its structure it's made of cast bronze, with a asymetrical design. The bronze goes through a melting ...

This contemporary golden table lamp is a small piece made entirely of cast bronze with a milk glass in the middle. The lamp (G9) is inside this round milky glass, which transforms th...