Table Lamps

Table lamp by Italian designer Tommaso Barbi (1944-) for Carlo Giorgi in the 1970s. Lamp decorated with gold-plated brass leaf motif. Very good condition. Barbi's work is characteriz...

This Art Deco Edgar Brandt wrought-iron table lamp epitomizes the elegance and sophistication of the Art Deco movement, making it a timeless addition to any space. Crafted by the ren...

Step into the futuristic world of the 1960s with this Iconic Eyeball table lamp, a true marvel of space age design reminiscent of the Reggiani ‘Eclipse’ style. Crafted in Italy with ...

Solid alabaster lamp, hand carved in Italy, in Chinoiserie style by Marbro Company. Lamps are sold separately and are slightly different heights noted below. Alabaster is 22"H. 2 ...

Beautiful iconic table lamp 'Rubus' designed by the Swedish ceramic artist and designer - Gunnar Nylund. This pretty lamp in ceramic glaze has warm soft and brown tones inspired by t...

A stunning pair of vintage table lamps by Hala Zeist, made in Germany and dating from the 1950’s. The quality is superb and they have an incredibly stylish design. They are made fro...

Beautiful Swedish table lamp with 3 soft blue glass blocks. The lamp was made in Malmö, Sweden in ca. 1960. Including new high quality hand made lampshade. Height of the lamp is mea...

Pair of vintage Chinese porcelain ceramic table lamps baluster shaped with a heavy textural glaze. The bodies of the lamps are thick colorful porcelain with turquoise, pink, yellow, ...

Genet et Michon Art Deco table lamp circa 1930 electricity checked

Longobarda is an innovative lamp made of a single ceramic body, designed bin 1966. Step back into the stylish era of the 60s with the iconic ‘Longobarda’ lamp, a design masterpiece ...

Rare pair of clear glass and bronze flower table lamps in the style of Maison Baguès, France, circa 1950s. Socket: each 1 x E27 or E26 (US) ...

Height: 24 cm. Ø: 13 cm. Origin: France, 1960s. Material: ceramic. The lamp is equipped with a bayonet bulb holder with adapter to E14. All our lamps are suitable for LED bulbs.

A robust industrial Bordeaux red desk lamp with a fluorescent light. The lamp has a solid, heavy rectangular iron stepped base, a curved chrome rod and a hinged shade. The lamp has been repainted and rewired. The lamp was possibly designed by the Belgium lamp...

Height: 32 cm. Width: 26 cm. Depth: 14.5 cm. Ø glass sphere: 14.5 cm. The lamp has a large bulb holder (E27). Origin: Belgium, 1930s. Material: steel / glass.

Christian Dell desk lamp model 6561 Designer: Christian Dell Production: Kaiser Idell Origin: Germany Period: 1930s/1940s Material: metal Color: brown and cromed Dimensions: 48 cm hi...

A beautiful zoomorphic lamp signed H.O... In a beautiful satin black. Very good original condition. A masterpiece by an unkown ceramist... France, 1950s

Modernist table lamp in Bauhaus style by Heinz Pfaender for Hillebrand Leuchten in 1961. Great (original) colour combination of black, chrome and red. The metal shade can be turned...

Tim Orr ceramic desk lamp, from the 1970s. Azure blue glazed ceramic lamp. Stamped under the lamp. In very good and functional condition. Sold without a lampshade. LP871

Lamp designed by the French ceramicist Jacques Blin, blue, signed on the underside, from the 1950s. Sold without a lampshade. In perfect condition. LP948

The sleek flat base, a hallmark of mid-century aesthetics, provides stability and a sense of balance to the lamp's unique form. Adding a touch of elegance to the design is the beauti...

Our gilt table lamps in the form of tulips by Albert Cheuret (1884-1966) in gilt bronze with carved alabaster flower petals. 14 3/4 inches tall and e...

Rare and iconic lamp conceived by the creative genius of Ettore Sottsass and produced by Rinnovel. Distinctive aluminium cone lampshade with a shining golden color, supported by a m...

Table lamp model "Saturn" by Maison Lucien Gau in the 1980s. Cubic base in veined black marble supporting a steel circle that holds a rotating deflector in black lacquered steel with...

Impressive globe lamp by Vistosi, Italy 1970's. Handblown Murano glass by the masters of Vistosi. Vistosi lamps are created by a team of renowned international designers. Their produ...

Great Condition

LUIS BARRAGÁN (1902-1988) From Casa del Pedregal (Casa Prieto López) Manufactured by Hugo X. Velázquez México, 1952 Ceramic, parchment leather Ceramic table lamp Measurements To...

Our heavy brass ship's light comes from a Korean vessel, and has been up cycled into a beautiful room light , wired for domestic use, which can be floor mounted or could be attached ...

Iconic table lamp produced by the Franta Anýž Company and designed by Jaroslav Anýž, his son in early 1930s. This desk lamp is renowned for its distinctive joints, patented to allow the lampshade to pivot in any direction, with adjustable height. Franta Anýž, an influential figure in Czech design, studied at the Academy of Arts, Architecture, and Design in Prague. His notable achievements include work at Pragotron, camera design for Flexaret, and winning a gold medal at the Salon International des Inventions in Geneva in 1965 for his Beta 21 watch...

Pair of table lamps model 2466 designed by Josef Frank for Svenskt Tenn, Sweden, 1950s. Brass, lacquered brass and original fabric shades. Stamped. Josef Frank was a true European...

1960s Adjustable Perforated Table Lamp Attributed to Tito Agnoli for O-Luce. Executed in red and white painted metal with patinated brass stem, this highly configurable table lamp i...

Chrome-plated metal desk lamp by designer Etienne Fermigier for Disderot, 1970s. Visible signs of wear, as shown in the photos, to be noted. LP1268

Large, imposing vintage 1950s wrought-iron lamp. Heavy weight, measures 63cm and 39cm without shade. Personal delivery or free delivery in Paris.

Rare Yasha Heifetz Mounted Lavender Glazed Ceramic Nautilus Shell Lamp, Circa 1950s. A beautiful biomorphic rendering of a nautilus shell with mottled...

A beautiful and very impressive large vintage brass table lamp. This was made in England, it dates from around the 1960’s. The beaten brass ...

Important desk lamp in brushed steel with arm and removable head, on spherical base. Ovoid-shaped light cover. Circa 1960.

Flygsfors Glass Factory Flygsfors Glasbruk was a glass factory in Flygsfors in Nybro municipality, founded in 1888 and closed in 1979. It was started in Flygsfors in 1863 as a hammer...

"Parola" table lamp from Studio Tetrarch, 1968 Bibliography: Casa Amica by Giuliana Gramigna.

A very impressive large pair of antique brass table lamps, dating from around the 1950’s. They are of superb quality, with beautiful...

Postmodern table lamp produced by Brilliant Leuchten AG in the 1980s magnetic eyeball. Very original table lamp produced by Brilliant Leuchten AG in black and white plastic materia...

Table lamp model 2468 designed by Josef Frank for Svenskt Tenn, Sweden, 1950s. Brass with cotton shades. Stamped. Model 2468 is a delightful brass table lamp with three small shades in green, yellow, and red. The lamp has an elegant brass base with three stems that hold the shades at different heights. Because of its tricolour shades, it is known as the “traffic light lamp”. Designed by Josef Frank in the 1950s, this lamp has become a timeless Svenskt Tenn collectable. H: 54 cm W: 42 cm Shade D: 15 cm Josef Frank was a true European, he was also a pioneer of what would become classic 20th century Swedish design and the “Scandinavian Design Style”. Austrian- born Frank started his design career as an architect after having trained at the Technische Hochschule in Vienna between 1903 and 1910. After his training he went on to teach at Kunstgewerbeschule (The Viennese School of Arts and crafts) where he developed and espoused the new school of modernist thinking towards Architecture and Design that was coming to fruition in Vienna at the time. He also went on to lead the Vienna Werkbund throughout the 1920s. This was a truly progressive group of Architects and Designers who set about improving the daily lives of Austrian people through modernist design and architecture in partnership with Arts and Crafts ideals and construction. Frank’s leadership of the Werkbund had already cemented his place at the forefront of European design. Frank’s time in Vienna was typified by his design for the “Die Wohnung” exhibition of the Deutscher Werkbund in Stuttgart, 1927 where he exhibited along side his contemporaries at the forefront of design, such as the likes of Le Corbusier and Walter Gropius. Here he showed a specially designed pair of flat-roofed reinforced concrete houses in what is now seen as a typical modernist style. What separated Frank’s house from the other 32 houses of the exhibition was the interior and furniture inside the building. It was described as “Neo-Classical” and filled with an eclectic mix of period pieces, modern design and pieces designed by Frank himself that seemed to cross the two worlds. This was a complete opposite direction to that which his fellow Architects were travelling in with their pared back and angular aesthetics. Frank said of his own work: “The house is not a work of art, simply a place where one lives,” and by this reasoning Frank rejected the regimental mechanisation of the living space that his contemporaries believed in, instead he set about creating congenial and spontaneous interiors. Frank’s practice saw him placing the bright colours and the soft forms of nature back into the furnishings and interiors that he thought modernism sorely mist. Frank, along with Oskar Walch set up Haus und Garten in Vienna in 1925. This was Frank’s first commercial foray into furniture and home furnishings and the company went on to become the most influential furnishing house in Vienna with a riotous depth of colour and interesting shapes becoming the trademark of their design. However this success was to come to an end with rise of Nazism in Vienna in the early 1930’s. Frank was Jewish, and he and his wife Anna decided they would leave Vienna for her motherland: Sweden, in 1933. Frank continued to design for Haus and Garten, visiting Vienna occasionally and designing the pieces that would continue to be the company’s best sellers long after Frank was forced to hand the company over in 1938 after the Third Reich annexation of Austria. When Josef and Anna had moved to Sweden Frank had struck up a working relationship with Design shop owner Estrid Ericson. Ericson was the proprietor of Svenskt Tenn that at this point was a successful interiors shop in Stockholm with the royal warrant of appointment to the Swedish Royal Household. In 1935 Frank had become the chief designer for Svenskt Tenn and had set about putting all of his creative effort into his designs for the company. At the World Expositions in Paris in 1937 and New York in 1939 the world saw for the first time the wealth of products that Frank had been working on, ranging from candlesticks to cabinets, there was not a domestic object that Frank had not subjected to his colourful, comfortable and organic style of Modernism. Frank’s new school of Modernism championed ideas such as chairs having a freeing, open back and that “If one desires the room to be comfortable…all pieces of furniture should allow for a free view of the separating line between the floor and the wall. A cabinet without legs breaks this line and thus reduces the feeling of space.” A world-wide audience tired of classic Modernism’s furniture with solid planes and aggressive forms leapt upon these ideas and Franks natural and bright designs for Svenskt Tenn became internationally desired. Frank created over 2000 designs for Svenskt Tenn and his products continue to be the core of their brand. Frank’s rejections of tubular metal and heavy lacquers within his furniture have insured his unique light form of Modernism continues to influence and flourish today. His natural toned mahogany and walnut pieces along with his tactile leather covered and brightly shaded lighting still bring the forms of nature back into the home. Original Frank pieces are now increasingly rare, highly desirable and are the epitome of “Scandinavian Design”. Renowned Designer and Academic Isle Crawford...

This very special unique piece is the last of a great series. The shade can be adjusted in any colour and size to either get a very modern or traditional outlook. The table lamp is a...

Gorgeous pair of Italian 1950 design table lamps/lights in the style of stilnovo. Patinated brass frame with white metal shades. The shades can be ...

Mid-Century Modern Pair Of Candlestick Table Lamp, Crystal, 1930s

A 1960's pair of cut glass table lamps. The glass body shows facet cut design. Sockets and shade holders are made of silvery metal. No shades included.

A small desk lamp with chrome base and neck, with sky blue painted metal shade. The lamp is Italian (sourced from Italy). Fully rewired and fitted with an earth connection and E...

Italian Art Deco desk lamp. Chromed metal and black enameled shade. Italy, circa 1940.

MId-century Venetian lamp with many controlled bubbles throughout. With applied aqua glass swirls. Custom parchment shade. New acrylic base. Shade dimension is 7" high x 13" in diame...

neoclassical table lamp in golden wrought iron circa 1950

Mid-Century Modern glass table lamp, 1960s.

A fantastic pair of vintage table lamps in solid bronze. They are in the antique neoclassical style, and they probably date from around the 1950’s. The quality is outstanding, they ...

Lámpara de mesa francesa con pantalla tipo Kaiser Idell en metal gris. Pieza de la segunda mitad del siglo XX con acabados de alta calidad y en muy bu...

Small presentation island made from an old Jieldé machinelamp, nice for lichting jewelry or other small items. Special “floating” effect with the switchable tree colored bottomlight ...

Lampada da scrivania di Christian Dell per Kaiser Idell, mod. 6551 Lampada da tavolo prodotta in Germania negli anni '30, originale .

Lisa Johansson-Pape Table lamp Manufactured by Orno Finland, 1950 Brass, leather, canvas shade From the archives of Side Gallery. Barcelona Measurements 10 cm x 10 cm x 69 H cm 3.93 in x 3.93 in x 27.10 H in Literature Design Musuem, Lisa Johansson-Pape, Helsinki, 1986; Ornamo, Helsinki, 1962 Bio Finnish designer Lisa Johansson-Pape enjoyed a long and varied career in lighting, furniture, textile, and ceramic design. She was one of Finland’s leading lighting designers in the 20th century and was instrumental in promoting Finnish design internationally. Born in 1907, Lisa Johansson-Pape studied at the Industrial Art Institute in Helsinki University of Art & Design (Now Aalto University of Art & Design), graduating in 1928. She worked as a furniture designer for Kylmäkoski and Stockmann and created carpets for the Friends of Finnish Handicraft, before turning her attention to lighting design. She collaborating with the Stockmann-owned lighting factory Orno from 1942, famously remarking, “it was quite by accident that I became a design light artist. By education, I am a furniture designer, but I had to make lamps during the war.” Notable designs include the Lisa (1947), Sipuli (1954), and Laura (1957) pendant lamps. The Sipuli, often referred to by the English translation Onion, resembles the form of the vegetable for which it was named. The angular design in opaline glass was awarded a gold medal at the Triennale di Milano in 1954, which was just one of several prizes Johansson-Pape received in her career; she was also awarded a silver medal at the 1951 Triennale...

A fabulous vintage brass desk lamp, this was made in England, and dates from the 1950-60’s. It is very well made with a lovely design. The e...

Neck is 360 adjustable

Zuccheri Toni globe table lamp.

Pair of Art Deco torchiere table lamps in polished aluminum and glass.