Art Deco Machine Age "Polaroid" Desk Lamp by Walter Dorwin Teague For Sale
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Art Deco Machine Age "Polaroid" Desk Lamp by Walter Dorwin Teague

About

This graphic and iconic desk lamp was realized by the esteemed American designer Walter Dorwin Teague in America, circa 1939. It represents one of Teague's most important and celebrated designs. The lamp features a streamlined domed skyscraper style shade consisting of a raised centrepiece framed on either side by slightly recessed shoulders and venting on its angled back. Additionally, it offers a conical brushed aluminum body that connects to a circular base. The shade and base are forged in mottled bakelite in coffee and graphite hues- resembling a dark tortoise shell. Appears as Avant Garde and modern today as when it was created over 80 years ago. Walter Dorwin Teague- along with Norman Bel Geddes, Henry Dreyfuss and Raymond Loewy- transformed the aesthetics of industrial design in the early 20th century. Teague traveled to Europe 1926- he toured the Universal Exposition in Paris, and saw first hand buildings by Le Corbusier- which represented a formative experience in forging his aesthetic sensibilities. Upon returning home, Teague founded an industrial-design consultancy and shortly thereafter won his first major client, Kodak, for whom he designed cameras, such as the famed Bantam Special. His firm went on to design pavilions for the 1939 New York World’s Fair, as well as rail coaches, automobiles, corporate logos and a Boeing airliner. This graphic and stunning piece helps to explain Teague's renown and enduring influence. It represents an important historical object, and thus a prized acquisition for discerning collectors of the period. It is also an aesthetically powerful piece, perfect for anyone with an eye for first-rate design. An example of the Polaroid lamp is in the Metropolitan Museum of Art, New York. The piece comes with its original label on the underside of the base. It has been newly rewired to American standards and is in excellent vintage condition. The piece is documented and illustrated in the book "Art Deco: 1930-1939" (Ed. by Charlotte Benton, Tim Benton, and Ghislaine Wood) on page 139. Vintage Condition with a couple of hairline cracks in the bakelite shade; commensurate with age and use. American, circa 1939 Dimensions: 12" W x 11" D x 13" H.

Details

  • Condition
  • Wear
    Wear consistent with age and use. Minor structural damages.
  • Dimensions
    H 13 in. x W 12 in. x D 11 in.H 33.02 cm x W 30.48 cm x D 27.94 cm
  • Seller Location
    New York, NY
  • Reference Number
    LU793410059211
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About Walter Dorwin Teague (Designer)

Along with Raymond Loewy, Norman Bel Geddes, Henry Dreyfuss and others, Walter Dorwin Teague pioneered the field of industrial design in the early decades of the 20th century. In his designs for furniture and objects that ranged from table lamps to radios, Teague helped defined the Machine Age aesthetic — the streamlined style that was the American counterpart to the French Art Deco movement.


     Teague grew up in rural Indiana, the son of a Methodist minister who was also a tailor. The young Teague was skilled at drawing, and in 1903, after finishing high school, he saved some money and moved to New York, where he took classes at the Art Students League. He later found success as a typographer and an advertisement illustrator. The look of ads in the early 20th century was so far superior to that of the actual products being promoted that manufacturers began consulting with illustrators like Teague about the styling of their goods. Teague’s aesthetic sensibilities were strongly shaped by a trip he had made to Europe in 1926, when he toured the Universal Exposition in Paris, buildings by Le Corbusier and a Bauhaus exhibition. On his return home, Teague founded an industrial-design consultancy. The following year, he won his first big client, Kodak, for whom he designed cameras, such as the famed Bantam Special, with its sleek, “speed line” detailing. His firm would go on to design such things as pavilions for the 1939 New York World’s Fair, rail coaches, gas stations, automobiles, corporate logos and a Boeing airliner.


     Among collectors, Teague’s products designs are prized not so much for what they do as for what they represent: a moment when design took a hand in fostering a spirit of energy, optimism and progress. Objects such as his Kodak 1A Gift camera, with its Constructivist case and box, have a graphic punch that should find a place in many a vitrine. His 1930s glassware lines for Steuben still make a striking presence on the bar or the dinner table. The jewels among Teague collectibles are his 1939 Bakelite-shade table lamp for Polaroid (made before the firm began producing cameras) and his striking designs for the Sparton Radio Corporation, most notably the rare and stunning Bluebird model, with its circular glass and chrome frame. Prices for Teague’s work vary widely by medium, style and condition. But as you can see from these pages, the designs of Walter Dorwin Teague are emblems of both a time and a distinctive style. They are cynosures for any true collector.

About the Seller

5 / 5
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1stdibs seller since 2004
Located in New York, NY
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