Chinese Restaurant No. 15, FI

Finnish designer Teemu Salonen’s iconoclastic work is an active renunciation of the simple lines and unadorned nature pervasive in the Scandinavian design that surrounds him. Placing form over function, he sees his studio practice as both experimentation and play, where a variety of materials and techniques can be merged to create unique objects of sculptural design. For Salonen, making things by hand is an essential part of his identity as a designer. His years of experience as a curator in visual arts, coupled with degrees in carpentry and craft design, have developed into a singular perspective that marries elements of both classical and kitsch design. The sophisticated is skillfully laced with ostentatious elements of flourish, effortlessly rolled into one asymmetrical package. The Chinese Restaurant...

Finnish designer Teemu Salonen’s iconoclastic work is an active renunciation of the simple lines and unadorned nature pervasive in the Scandinavian design that surrounds him. Placing form over function, he sees his studio practice as both experimentation and play, where a variety of materials and techniques can be merged to create unique objects of sculptural design. For Salonen, making things by hand is an essential part of his identity as a designer. His years of experience as a curator in visual arts, coupled with degrees in carpentry and Craft design, have developed into a singular perspective that marries elements of both classical and kitsch design. The sophisticated is skilfully laced with ostentatious elements of flourish, effortlessly rolled into one asymmetrical package. The Chinese Restaurant...

Finnish designer Teemu Salonen’s iconoclastic work is an active renunciation of the simple lines and unadorned nature pervasive in the Scandinavian design that surrounds him. Placing form over function, he sees his studio practice as both experimentation and play, where a variety of materials and techniques can be merged to create unique objects of sculptural design. For Salonen, making things by hand is an essential part of his identity as a designer. His years of experience as a curator in visual arts, coupled with degrees in carpentry and craft design, have developed into a singular perspective that marries elements of both classical and kitsch design. The sophisticated is skillfully laced with ostentatious elements of flourish, effortlessly rolled into one asymmetrical package. The Chinese Restaurant...

Finnish designer Teemu Salonen’s iconoclastic work is an active renunciation of the simple lines and unadorned nature pervasive in the Scandinavian design that surrounds him. Placing...

Finnish designer Teemu Salonen’s iconoclastic work is an active renunciation of the simple lines and unadorned nature pervasive in the Scandinavian design that surrounds him. He sees...

Todd Merrill Studio began representing Finnish artist Teemu Salonen in 2019. Teemu Salonen’s iconoclastic work is an active renunciation of the simple lines and unadorned nature perv...

Canyons are formed by the process of long-term erosion from a plateau level. Then come the cliffs, remaining exposed on the valley walls. Ceren Gürkan is utterly enchanted by their m...

Built one at a time, by hand in Peter Sandback's New Hampshire shop.

Modern contemporary nail inlay lamp table no. 2 by Peter Sandback. Dark walnut, nails Measures: 8" x 16" x 18"H Peter Sandback's hand made lamps are inlay...

Modern contemporary nail inlay lamp table no. 2 by Peter Sandback. Dark walnut, nails Measures: 8" x 16" x 18"H Peter Sandback's hand made lamps are inlay...

A circa 1900 etched copper Chinese lamp with patinated finish. Measurements: Height of body: 12" Height to shade rest: 21" Diameter: 6.5" (base)

A blue and white motif Chinese export vase, now as lamp. Interesting raised dragon detail. Distress painted base. Two sockets. Shade for display purposes only. Vase measures 19"H.