A French Art Nouveau "Algae" Decorated Desk Lamp by, Daum Nancy

An extremely fine and rare carved wood and inlaid marquetry single drawer "Magnolia" desk decorated with inlaid exotic wood marquetry of blooming magnolias with a beautifully carved ...

French Art Nouveau carved mahogany and bronze server by, Louis Majorelle decorated with fully carved floral rails, exotic fruitwood marquetry door with f...

An early 20th century French Art Nouveau carved fruitwood & marquetry pedestal by, Emile Gallé featuring inlaid fruitwood marquetry depicting magnolias on the upper and a flowering m...

French Art Nouveau carved mahogany and burled walnut three tier display pedestal by, Louis Majorelle. The selette is signed, "L Majorelle Nancy."

A French Art Nouveau carved wood and inlaid exotic wood marquetry tri-cornered occasional table by Louis Majorelle, decorated with an inlaid marquetry top with leaf and berry exotic ...

A pair of Early 20th Century French Art Nouveau carved wood "Aubépine" armchairs by, Louis Majorelle. Both chairs are decorated on their back edges, arms, legs and skirt with carved hawthorn leaves and berry decoration upholstered in a off/cream white light snake pattern. circa 1905 Measurements: height: 32.25 in. (81.92 cm) x width: 36.75 in. (93.35 cm) x depth: 21 in. (53.34 cm) Condition: chairs are in overall very good condition with light wear. Fabric is not period. Literature: Similar chairs are pictured in: -Majorelle - Nancy: décorations d'INTÉRIEURS: meubles, tentures, bronzes, ferronneries (the 1906 Majorelle catalogue), and in: Louis Majorelle: Master of Art Nouveau design, by Alastair Duncan, New York: Harry N. Abrams, Inc., 1991, p. 200. -Alastair Duncan, Louis Majorelle: Master of Art Nouveau Design, London, 1991, pp. 167, 183 and 200 -Majorelle: Un Art de Vivre Moderne, exh. cat., Musée de l'École de Nancy, France, 2009, p. 130 Biography : Louis Majorelle, (France; 1859 – 1926) born as Louis-Jean-Sylvestre Majorelle was a French decorator and furniture designer who manufactured his own designs, in the French tradition of the ébéniste. He was one of the outstanding designers of furniture in the Art Nouveau style, and after 1901 formally served as one of the vice-presidents of the École de Nancy. The Majorelle firm's factory was designed by famous École de Nancy architect Lucien Weissenburger (1860 – 1929) and located at 6, rue du Vieil-Aître in the western part of Nancy. In the 1880s Majorelle turned out pastiches of Louis XV furniture styles, which he exhibited in 1894 at the Exposition d'Art Décoratif et Industriel [Exposition of Decorative and Industrial Art] in Nancy, but the influence of the glass- and furniture-maker Emile Gallé (1846 – 1904) inspired him to take his production in new directions. Beginning in the 1890s, Majorelle's furniture, embellished with inlays, took their inspiration from nature: stems of plants, waterlily leaves, tendrils, dragonflies. Before 1900 he added a metalworking atelier to the workshops, to produce drawerpulls and mounts in keeping with the fluid lines of his woodwork. His studio also was responsible for the ironwork of balconies, staircase railings...

Art Nouveau lamp circa 1900. Patinated regula representing a nymph, signed L. Bessin for Paul Lucien Bessin. Glass paste tulip signed Daum Nancy. Electrified and in perfect condition...

Daum Nancy French Art Nouveau Table Lamp. Circa 1900 Antique Art Nouveau French gilt bronze floral formed table lamp with Daum Nancy Mottled glass shade. The special shade speaks for itself and is in pristine condition emitting golds, purples, reds and oranges. The treasure here is the mystery museum quality gilt bronze art nouveau floral base which may be the most beautiful chased bronze base I have ever seen. That comes from someone who sells 25 Tiffany Studios and dozens of other Daum, Galle, Majorelle and Edgar Brandt lamps a year. This one wont last long. Shade signed: "Daum Nancy" Base not signed. Dimensions: Height: 17.5 Inches x Width 17 Inches (Shade) H: 6.25 x D: 6.25 Condition: Excellent with no damage or repairs. Some regilding. AVANTIQUES is dedicated to providing an exclusive curated collection of Fine Arts, Paintings, Bronzes, Asian treasures, Art Glass and Antiques. Our inventory represents time-tested investment quality items with everlasting decorative beauty. We look forward to your business and appreciate any reasonable offers. All of our curated items are vetted and guaranteed authentic and as described. Avantiques only deals in original antiques and never reproductions. We stand behind our treasures with a full money back return policy if the items are not as described. Please also consider Avantiques eclectic Art...

Daum Cameo Glass and Wrought Iron Maple Leaf Table Lamp, circa 1920 Art Nouveau Art Deco design. Mottled and variegated glass base with with carve...

Gilt bronze lamp around 1900, probably by Majorelle executed by Victor Saglier. Stamped on the foot VS. Glass paste tulip signed Daum Nancy. Lamp electrified and in perfect condition. Total height: 38.5 cm - 15.15 in width: 15cm depth: 13cm weight: 2.3kg Victor Saglier (1809 - 1894) Victor Saglier is a ceramist and goldsmith known in particular for his creations in the Art Nouveau style of the late 19th century. He produces, among other things, objects in enamelled glass, gilded metal and numerous pieces of silverware. On his death, the company was bought by his brothers who continued production until 1948. Victor Saglier's objects are signed by the "VS" brand. Known for his Art Nouveau work, Saglier made several pieces for Louis Majorelle, Daum and Émile Gallé. Its style is typically French Art Nouveau in the language of the École de Nancy. He often drew inspiration from nature for his work, the logic of which helped design both forms and settings. The sign of master goldsmith Victor Saglier is an oval-shaped three-master sailboat surrounded by the letters V and S in a rectangle. Saglier made everyday objects such as glass vases, bowls and pitchers with metal mounts, planters, tea and coffee services and candlesticks in bronze or silver-yellow metal or cast zinc. On his death, the Victor Saglier company at 12 rue d'Enghien in Paris became Saglier Frères. It was run by his brothers Eugène and André until his death in 1948. Daum (French establishment created in 1878) is a glass and crystal workshop located in Nancy. Founded by the industrialist and notary Jean Daum, the workshop was then taken over by his sons Auguste and Antonin, who ran it during the Art Nouveau period. It was not until the Universal Exhibition of 1900 that the company was at the forefront of the decorative art scene, when Daum received the prestigious Grand Prix medal. At this time, Daum glass became more complex, acid treatment was often used in the cutting, enameling and etching of a piece to produce glass masterpieces. Daum also produces applied glass elements, such as handles and ornamental motifs in naturalistic shapes. The Daum brothers quickly became big names in Art Nouveau, rivaling the famous designer Émile Gallé, and established themselves as leaders in the field of decorative glass after his death. In 1906, Daum revived glass paste, a process by which glass is transformed into paste, then it is applied to the surface of a mold and fired. This technique originates from ancient Egypt. Today, Daum is the only industrial crystal manufacturer that uses the glass paste process for its glass objects and crystal sculptures. Following the First World War, Paul Daum began to develop works in the Art Deco style, moving away from naturalistic forms and turning to linear, angular, simplified forms and geometric patterns characteristic of the movement. After the Second World War, Henri and Michel Daum became interested in the transparency of glass and pure lines. Daum collaborates with a large number of famous artists, such as Louis Majorelle, Salvador Dalí, Hilton Mac Connico, Elizabeth Garouste and Mattia Bonetti to create glass paste objects.

Blown art glass by Daum, fantastic bronze base art nouveau table lamp. Professionally rewired.

This Art Nouveau table lamp was designed and produced by Daum Nancy, in France, during the 1920's. It has a blown glass shade that is hung in a solid bronze fixture with organic and ...