Pair of Joe Colombo Lightolier Table Lamps

He died tragically young, and his career as a designer lasted little more than 10 years. But through the 1960s, Joe Colombo proved himself one of the field’s most provocative and original thinkers, and he produced a remarkably large array of innovative furniture, lighting and product designs. Even today, the creations of Joe Colombo have the power to surprise.

Cesare “Joe” Colombo was born in Milan, the son of an electrical-components manufacturer. He was a creative child — he loved to build huge structures from Meccano pieces — and in college he studied painting and sculpture before switching to architecture. In the early 1950s, Colombo made and exhibited paintings and sculptures as part of an art movement that responded to the new Nuclear Age, and futuristic thinking would inform his entire career. He took up design not long after his father fell ill in 1958, and he and his brother, Gianni, were called upon to run the family company. Colombo expanded the business to include the making of plastics — a primary material in almost all his later designs. One of his first, made in collaboration with his brother, was the Acrilica table lamp (1962), composed of a wave-shaped piece of clear acrylic resin that diffused light cast by a bulb concealed in the lamp’s metal base. A year later, Colombo produced his best-known furniture design, the Elda armchair (1963): a modernist wingback chair with a womb-like plastic frame upholstered in thick leather pads. 

Portability and adaptability were keynotes of many Colombo designs, made for a more mobile society in which people would take their living environments with them. One of his most striking pieces is the Tube chair (1969). It comprises four foam-padded plastic cylinders that fit inside one another. The components, which are held together by metal clips, can be configured in a variety of seating shapes. Tube chairs generally sell for about $9,000 in good condition; Elda chairs for about $7,000. A small Colombo design such as the plastic Boby trolley — an office organizer on wheels, designed in 1970 — is priced in the range of $700. As Colombo intended, his designs are best suited to a modern decor. As you see on 1stDibs, if your tastes run to sleek, glossy Space Age looks, the work of Joe Colombo offers you a myriad of choices.

Founded in 1904 in New York and family-operated through most of its history, Lightolier was one of the pioneering American electric lighting companies, best known for its embrace of stylistic and technical innovations.

Collectors focus on vintage Lightolier lighting fixtures produced from the 1950s and into the 1970s, when an in-house design team led by Gerald Thurston — and a stellar cast of international design contributors — created an array of practical yet aesthetically lively table lamps, floor lamps, sconces and chandeliers.

Amidst the post-World War II building boom, Lightolier — the name combines “light” and “chandelier” — aggressively boosted its residential lighting division. Thurston, who was strongly influenced by the sleek designs of Gino Sarfatti and his Italian lighting firm Arteluce, towards simpler lamp designs that offered flexibility of function. His best-known designs include the Cricket task light — a lamp with an adjustable enameled metal hood that toggles on a slender bent-metal base — and the three-legged Tripod floor lamp. At the same time, Thurston had a wonderful eye for talent and sought work from some of the lesser-known greats of the era, such as Paavo Tynell, the Finnish lighting designer, who designed several brass chandeliers for Lightolier with his trademark elegant flamboyance.

And more, Thurston recognized abilities in designers not known for their work in lighting.

Edward Wormley, head of furniture design for Dunbar, produced several noteworthy chandeliers employing canisters and reflective hoods. Alvin Lustig was famed as a graphic designer. His ca. 1953 Ring ceiling fixture for Lightolier had a minimalist techno look some 30 years ahead of its time. But this was par. Designed by Michael Lax in 1964, the Lytegem high-intensity lamp — included in the permanent collection of the Museum of Modern Art — features a ball-shaped shade attached with a chromed armature to a cubic base, a form that would be widely copied in the following decade. Chandeliers designed in the early 1970s by Gaetano Sciolari, with details such as acrylic diffusers and vertical, two-bulb arms, would define the look of lighting in their day.

A look through these pages reveals just how astonishingly wide a range of lighting pieces Lightolier produced. The company never flicked off its stylistic switch.

Find a collection of vintage Lightolier lamps and other lighting fixtures on 1stDibs.