Kepler K15T, Brass and Blown Glass Table Lamp by Angela Ardisson

The starting point of Angela Ardisson’s creative process for the new collection is a single and precise shape: the sphere. The study of its geometric volume and a rational compositi...

The starting point of Angela Ardisson’s creative process for the new collection is a single and precise shape: the sphere. The study of its geometric volume and a rational compositi...

The starting point of Angela Ardisson’s creative process for the new collection is a single and precise shape: the sphere. The study of its geometric volume and a rational composition of all interlocking elements has guided her towards a very clean design. No technical or mechanical disturbance interferes with the purity of the shape. That’s why she decided to avoid welding and went instead for very precise turnings, to assemble all the pieces. In the creation of the Kepler collection, I had the honor to gather the most skilled Italian artisans using highly advanced cutting technologies (laser-cut and water-jet) but also the more traditional glass hand-blowing and twisting processes. The only and final supervisor during all work phases was the caliper and all measures were to the tenth. The glass is hand-twisted with fire and it spreads its warm light right from the heart of the lamp. The polished brass surfaces are filtered by the transparency of the glass layer, with a reciprocal exchange of uninterrupted light reflection effects. The metal of the Kepler lamps goes through several modification phases, which I personally carried out. She can obtain unique coats and textures reveiling themselves on the shiny brass surface, like in a vintage mirror. The symbol of this collection is “the reflection” and Angela Ardisson is searching for its purest form through her modern alchemical approach. The K30 and K50 floor models, in spite of the volume and weight of the materials used, are extremely light, both in terms of their visual size and specific weight. These floor lamps will enrich the living areas and relax points in the house with elegant light reflections and a touch of personal elegance. All models of Kepler floor and ceiling lamps...

The starting point of Angela Ardisson’s creative process for the new collection is a single and precise shape: the sphere. The study of its geometric volume and a rational composition of all interlocking elements has guided her towards a very clean design. No technical or mechanical disturbance interferes with the purity of the shape. That’s why she decided to avoid welding and went instead for very precise turnings, to assemble all the pieces. In the creation of the Kepler collection, I had the honor to gather the most skilled Italian artisans using highly advanced cutting technologies (laser-cut and water-jet) but also the more traditional glass hand-blowing and twisting processes. The only and final supervisor during all work phases was the caliper and all measures were to the tenth. The glass is hand-twisted with fire and it spreads its warm light right from the heart of the lamp. The polished brass surfaces are filtered by the transparency of the glass layer, with a reciprocal exchange of uninterrupted light reflection effects. The metal of the Kepler lamps goes through several modification phases, which I personally carried out. She can obtain unique coats and textures reveiling themselves on the shiny brass surface, like in a vintage mirror. The symbol of this collection is “the reflection” and Angela Ardisson is searching for its purest form through her modern alchemical approach. The K30 and K50 floor models, in spite of the volume and weight of the materials used, are extremely light, both in terms of their visual size and specific weight. These floor lamps will enrich the living areas and relax points in the house with elegant light reflections and a touch of personal elegance. All models of Kepler floor and ceiling lamps...

The starting point of Angela Ardisson’s creative process for the new collection is a single and precise shape: the sphere. The study of its geometric volume and a rational composition of all interlocking elements has guided her towards a very clean design. No technical or mechanical disturbance interferes with the purity of the shape. That’s why she decided to avoid welding and went instead for very precise turnings, to assemble all the pieces. In the creation of the Kepler collection, I had the honor to gather the most skilled Italian artisans using highly advanced cutting technologies (laser-cut and water-jet) but also the more traditional glass hand-blowing and twisting processes. The only and final supervisor during all work phases was the caliper and all measures were to the tenth. The glass is hand-twisted with fire and it spreads its warm light right from the heart of the lamp. The polished brass surfaces are filtered by the transparency of the glass layer, with a reciprocal exchange of uninterrupted light reflection effects. The metal of the Kepler lamps goes through several modification phases, which I personally carried out. She can obtain unique coats and textures reveiling themselves on the shiny brass surface, like in a vintage mirror. The symbol of this collection is “the reflection” and Angela Ardisson is searching for its purest form through her modern alchemical approach. The K30 and K50 floor models, in spite of the volume and weight of the materials used, are extremely light, both in terms of their visual size and specific weight. These floor lamps will enrich the living areas and relax points in the house with elegant light reflections and a touch of personal elegance. All models of Kepler floor and ceiling lamps...

The Ussari Bay project consists in a collection of table lamps, floor lamps, wall lamps and suspension lamps came to life in 2018. Its name was inspired by a large natural bay locate...

The Lucienne table lamp—a playful piece of functional sculpture inspired by the fabric designs of Lucienne Day. A note on the design: Blueprint lighting's Chief Luminary, Kelly Aaron, opened her first Mid-Century Modern design store in 1999 and became a respected young voice in mid-century design, Studio Pottery, and modern craft; guest-curating museum exhibitions, contributing to arts texts and giving gallery talks. Around this time, her extreme adoration of Lucienne Day's textile designs began; Kelly spent time tracking down bits of vintage Lucienne Day barkcloth to fabricate pillows in the back of her retail shop. Per Kelly, "The Lucienne Table Lamp is evocative of the geometric, botanical line drawings in Day's textile designs—I wanted to emulate her style in three dimensions." Priced individually. Fabricated in brass with satin opal blown glass globes. Shown in our hand-finished Brushed Brass, but may be made in any of our 6 in-house metal finishes or 36 in-house enamel colors (all shown in final images). Blown glass globes are 4" diameter and are threaded to screw easily around the socket. Dimensions: 35"h x 9"d, diameter around the glass globes is 12" Pairs well with our Lucienne Floor Lamp...

Átomo Smoke Blown Glass and Brass Table Lamp by Isabel Moncada Dimensions: Ø 13 x H 33 cm. Materials: Brass, steel and blown glass. Átomo is perfect to give a touch of silent light,...

Átomo Coffee Blown Glass and Brass Table Lamp by Isabel Moncada Dimensions: Ø 13 x H 33 cm. Materials: Brass, steel and blown glass. Átomo is perfect to give a touch of silent light...

Átomo Sand Blown Glass and Brass Table Lamp by Isabel Moncada Dimensions: Ø 13 x H 33 cm. Materials: Brass, steel and blown glass. Átomo is perfect to give a touch of silent light, ...

Átomo White Blown Glass and Brass Table Lamp by Isabel Moncada Dimensions: Ø 13 x H 33 cm. Materials: Brass, steel and blown glass. Átomo is perfect to give a touch of silent light,...

Made in Italy, 1970s. It features a spheric blown glass lampshade and a brass base. It is a vintage piece, therefore it might show slight traces of use, but it can be considered as ...