Large 1970s Ceramic Table Lamp by Bernard Rooke

1970s Brutalist table lamp by Bernard Rooke circa 1970. fine example of work made by Bernard Rooke (b1938) Well known for his Brutalist art forms and organic feel. This lamp was purchased directly from Rooke’s Swilland studio in Suffolk, England during the 1970s and has remained in the family since, we have 2 in stock. Measuring at 15 1/2 from base to light fitting, it’s a good sized example. Signed to the base, 'rooke'. Excellent original condition, currently wired to a uk 3...

Pair of 1970's brass table lamps by kosta elamatur circa 1970. Good quality pair of opulent lamps made in brass, made into a column of cupped bells, standing on a circular base. Ex...

Large pair of Scandinavian modern brass table lamps circa 1970. Stunning pair of spun brass tables lamps complete with original shades.  Bulbous shape and currently wired with an e...

Pair of white and blue table lamps by bergboms circa 1960. Good quality pair of hand made table lamps by well known swedish makers bergboms. This pair has been together for some ti...

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Pair of 1960's white glass table lamps by bergboms circa 1960. Good quality pair of Bergboms table lights designed by Bernt Nordstedt.   Gentle diabolo shaped, made in white glass w...

A large an very interesting handformed table lamp from the studio of noted British ceramicist, Bernard Rooke in the 1960s England. This special and sculptural table lamp is comprise...

Bernard Rooke Studio Pottery Brutalist Style Owl Lamp is a beautifully sculpted lamp made by the renowned British artist and potter, Bernard Rooke. It serves as a lovely example of h...

Lamps have an exquisite sculptural design, made of ceramic/ terracotta. Lamps are 29" H to base of light socket and 40" H to top of finial. Measurements listed do not include the sh...

A table lamp made by the brutalist potter Bernard Rooke, born in 1938. It comes with a later light blue lamp shade, matching the blue enamel color in t...

Brutalist pottery lamp by Bernard Rooke. Stamped. Rewired.

An organic and Brutalist style Butterly table lamp. No chips or cracks. Easily retired for all regions. Bernard Rooke (born 1938) is a British artist and studio potter. Rooke has exhibited his "Brutalist" ceramics and painting both in the UK and abroad with work in many collections both public and private including the Victoria and Albert Museum, Cleveland Museum of Art, Nuffield Foundation, Röhsska Museum in Sweden and the Trondheim Kunstmuseum in Norway. Bernard Rooke attended Ipswich School of Art studying painting and lithography before going on to study at Goldsmiths College of Art. It was while studying here that he decided to take up pottery. Although unfamiliar with this craft and tradition, he found that working with clay provided new opportunities for freedom of interpretation and creativity. In 1960 Rooke set up his first pottery in Forest Hill in South London along with Alan Wallwork. It was a very small room with enough space for a small electric kiln. He was initially using mainly hand building, coiling, blocking and slabbing techniques. While researching ideas, he was supporting himself by part-time lecturing at London University, Goldsmiths College and St Mary's College. In addition, Rooke's membership of 'The Craftsman Potters' Association' enabled him to show his work in a shop in Carnaby Street in London. In 1967, both the need for a larger working space and becoming disillusioned with living in London spurred Rooke into moving out of the city and to an old mill building in Swilland in Suffolk. Rooke wanted to widen the range of work so as to become more commercial. With the birth of his son, Aaron, and much needed work to be done on the mill, it was important to be able to make a living. In 1968, the Grand Metropolitan Hotel commissioned Rooke to make 120 standard lamps, 120 table lamps as well as a 24 foot long ceramic mural and another 9 foot high, which incorporated interior lighting. The money from the commission helped to pay for much needed restoration work on the mill. By the 1970s, a gallery space was opened in the windmill and run by Susan Rooke, Bernard's wife, selling work to locals and tourists as well as to American airmen based nearby. The vision for Mill Gallery was beginning to develop and alongside this a reputation was building bringing in a good source of income. Sons Aaron and Felix were becoming more involved with the running of the pottery, giving Bernard more time to develop new ideas and designs and more time to continue with his painting. In 2004, the Rooke family decided not to sell to the public through the gallery anymore and close the pottery to concentrate more on painting and printmaking. In 2017 Bernard's lighting was featured in the Exhibition: “Glass, Light, Paint & Clay” at the Peterborough Museum and Art Gallery. The exhibition featured four artists: Bernard Rooke, John Maltby...