Enamel Table Lamps

Our best-selling Torno family of fixtures is now available as a desk or table lamp! Handmade by Blueprint Lighting, the spun aluminum shades are inspired by a vintage 1950s Italian d...

The Molto table lamp or desk lamp is a fresh, new take on Italian modernism, featuring a spun metal mesh shade, brass counterweight and a heavy black ...

Cloisonné table lamp on bronze China circa 1880 Original a vase it has been rewired as a table lamp around 1900, with its original ceramic lamp holder ...

Our best-selling DUO sconce is now available as a desk or table lamp! Introducing the DUO lamp by Blueprint Lighting, 2021. A handsome study in clean lines an...

Antique Early 20th Century English Yellow Enamel Porcelain & Gold Bronze Lamp, Circa 1900's-1910's.

The Tulle table lamp or desk lamp is an architectural piece that works well in both modern and transitional interiors. Shown here in our matte black enamel...

A beautiful Austrian cold painted bronze lamp. The 16” tall lamp with middle eastern motif, feature a large, bronze elephant being ridden by a ma...

Baluster Lamp Cloisonne Moss Glass Enamel Cloisonné Metal Contemporary The cloisonné technique is an enameling on metal technique that dates b...

Most likely these were urns converted to lamps in their beginning. Bronze mounts are very fine. The hand painted scenes are very detailed. The fluer de lis...

Champleve table lamp with Dragon Design, Two Handles. brightly saturated blues and reds.

Antique 19th century Japanese Totai Shippo tree bark Cloissoné vase mounted as lamp on gilt bronze base. Meiji period. Rare type of cloisonné tha...

Chinese cloisonne enamel on a bronze table lamp. Measures: 8" diameter x 20" tall.

A late 19th century bronze vase, with finely cast decoration and enamelled inlay, mounted as a lamp with hand-turned water gilded base. Dimensions refer to bronze vase and base on...

These magnificent lamps are shipped as photographed and described in the narrative. They are custom built using materials of the highest quality and are shipped complete with the new shades, harps and finials shown in the photos. A majestic pair of vintage Asian Cloisonne vessels...

These beautiful oil lamps were created in France in the late 19th century. They are designed in a wonderful chinoiserie style—a European take on Chinese decorative arts. The lamp...

Enameled bronze mounted glass vase as lamp. English Victorian chinoiserie enameled florals with butterfly. Colorful enamel on clear s...

Particular lamp with Buddha Italian porcelain, 1970.

These antique lamps feature beautiful Chinese cloisonné enamel bodies and fine French gilt bronze (ormolu) mounts. Each item is comprised of two light sockets, which are attached ...

Fabulous Pair of Bronze Faux Bamboo Turquoise Table Lamps by artist Pepe Mendoza 1950s, made in Mexico. Designed in bronze with ceramic inlay of...

Large Asian enamel decorated bronze table lamp.

Baluster shaped lamp made from a Chinese cloisonné enamel vases late 18th-early 19th century, it is a French realization of the prestigious Barbedienne house dating from the late nin...

Simple and chic Art Deco table lamp made out of bronze and enameled in black.

An Exceptional Pair of Late 19th Century Napoleon III Gilt Bronze and Enamel Ten Light Candelabra Attributed to Maison Beurdeley The ten candle foliate designed branches with leaf drip pans, centered with an enamel vase and a gilt band with cherubs at play, topped with three bronze drapes and garlands of flowers. The triangle bases decorated with female masks and trailing floral motifs on plinth bases. After the 18th century model by Pierre Gouthière. This fine pair of candelabra are based on the model by Pierre Gouthière now conserved in the Petit-Trianon at Versailles. According to Pierre Verlet, the model corresponds to a large pair of candelabra with ten branches, drapery, foliage and fruit, richly carved and gilded in bronze, originally supplied by the marchand-mercier, Freres Darnault, for the Salon du Jeu de Mesdames at the Château de Bellevue. Pierre Gouthière (1732 - 1813) was the most celebrated bronze gilder in France during the eighteenth century, the title of ‘Gilder to the King’ being given to him by Louis XV. He perfected the most expensive type of gilding of this period, dorure au mat, which involved the use of lavish amounts of gold to create a rich, deep matte finish. As well as working for the King he created items for the Comte d'Artois, the Marquis de Marigny, and the duc d'Aumont. The collection of the duc d'Aumont was sold at auction in Paris in 1782 and many objects mounted by Gouthière were bought by Louis XVI and Marie Antoinette. His works, unsurpassed in creativity and execution, can now be found in the Wallace Collection and the Louvre. Beurdeley, Louis-Auguste and Emmanuel-Alfred (1808-1882 and 1847-1919). The firm exhibited and won awards at all of the major international exhibitions during the second half of the nineteenth century. The quality and skill employed in production was of exceptional quality; their ormolu mounts with mercurial gilding and hand chasing were often difficult to distinguish from late eighteenth-century examples, and were considered the finest in Paris. The firm was pioneered by Jean Beurdeley (1772-1853), later managed by his son Louis-Auguste-Alfred, and finally imparted to his son Alfred-Emmanuel-Louis in 1875. The firm was established at 32 and 34, rue Louis-Le-Grand, and also owned the pavillion de Hanovre, where it was based while Alfred-Emmanuel-Louis added two additional workshops at 20 and 24, rue Dautancourt by 1875. The Beurdeley workshops closed in 1896, although still partially active until 1898 and the stock was sold over a number of auctions conducted by the Galerie Georges Petit of Paris. Two auction catalogues of the collection were published in 1895 and sales were held between March 6-8 and May 27-28. Among Beurdeley's most prestigious clients were Emperor Napoleon III and Empress Eugénie, the duc D'aumale, Richard Wallace, the Duc and Princess d'Hamilton, Tsarine Alexandra Féodorovna, The Rothschild and Vanderbilt dynasties and the Metropolitan Club...