Glass Table Lamps

Pair of large cut glass pineapple lamps. The glass lamp bodies sit on thick Lucite bases and they have been newly rewired with adjustable brass double clusters that take standard s...

Pineapple lamp in crystal and patinated metal. Beautiful black lampshade. France, circa 1950. Hollywood Regency / Mid-Century. Decorator work in the style of Maison Charles, Baccarat...

Not to big, not too small, this nicely scaled, tropical-chic Seguso Murano glass pineapple lamp has a clear glass body and white details - all dusted with gold leaf inclusions. Origi...

Pair of lamps made of hand-blown glass from Murano, Italy. Each lamp depicts a pineapple – known as an international gesture of hospitality. The glass is a warm and inviting golden t...

Large and exquisite opaline Murano glass lamp in a subtle pineapple shape. Retailed by Marbro, attributed to Seguso. Italy, mid 20th century.

A pair of lovely and imposing Barovier Murano Pineapple form lamps from the 1930's. In period condition with original wiring and one petal broken off....

Pair of exquisite Murano pineapple form lamps circa 1950… pair of lamps recently acquired from the original family… They have been rewired cleaned and...

Quilted opaline surface, two tier "leaf" top, gilt base. Lamp marked Marbro, glass attributed to Seguso. Very minor wear to gilt finish on base, no damage to glass elements. Original...

Nicely scaled, tropical-chic Murano glass pineapple lamp has a clear glass body. Shade is not included (Display purposes only). Height 23.6" - 60 cm. Diameter 7" - 18 cm.

Marbro 1950s Italian Seguso Murano glass pineapple table lamp.

Pair of Rembrandt Lamp Company solid brass table lamps with spiraling open brass body. It is evocative of a pineapple, right up to the cast bra...

Very nice large pineapple table lamp designed and produced in France during the early 1970s. Its design is both chic and eccentric. A unique piece of design that will be great a high...

Pair of vintage table lamps in brass, sculpted and tainted Murano glass. Italy, 1970s. (Price and dimensions without shade)

Art Deco Pineapple pair of mercury glass lamps, with solid brass hardware. Double socketed and comes with Shades. Each uses two regular 40 wattage ligh...

Pineapple leaf table lamp by Boulanger attributed to Maison Charles, rare model with an opaline globe. This regency style lamp is also known as 'lampe vase' and is an attractive d...

Gorgeous pair of golden Murano glass and brass, for Maison Charles, custom pineapple table lamps, Italy, rewired.

Pair of table or bedside lamps pink pineapple palm tree Murano glass and brass. In the mood of Maison Jansen, Charles, Hollywood regency, Veronese, Ve...

Pair of table or bedside lamps silver goldish gold pineapple palm tree Murano glass and brass. In the mood of Maison Jansen, Charles, Hollywood regenc...

Pair of table or bedside lamps silver goldish gold and black ball pineapple palm tree Murano glass and brass. In the mood of Maison Jansen, Charles, H...

A pair of Italian Venetian Murano glass pineapple style table lamps from the 20th century, with cross-hatched motifs, gilt metal scrolls and stepp...

A beautiful French gold-plated Hollywood Regency pineapple leaves table lamp in the style of Maison Charles from the 1970s. Made of gilt brass and crystal glass with a black lampshad...

Table lamp in Murano glass blown with 18 carat gold, base and support in brass. Made by the Masters of Murano, Italy, 1970s.

Pineapple table lamp glass carved 18-karat gold 1970, Italy design black Chantung dome.

Midcentury Maison Charles designer table lamp, from the 1960s. The lamp has a beautifully detailed base in copper and colored glass with the famous Maison Charles palm...

This magnificent pair of table lamps was entirely handcrafted in Murano. They feature a main body in amber textured glass ,a honeycomb pattern tha...

English late 19th century. Pair of candlesticks in the regency style, each having a cut glass nozzle and bobeche hung with faceted prisms, pineapple-form stem, cobalt glass cylindric...

Elegant gold flecked translucent Murano glass vase bodied table lamp with cast brass base. Solid cast brass floral bobeche and pineapple spacer with brass socket and harp. Sold sans ...

Pair of Stiffel neoclassical table lamps with Lenox porcelain obelisk bodies detailed in gilt edging. Wood base with brass feet, brass decorative pineapple and leafed spacer. Brass s...

Stunning pair of English decalcomania vase table lamps decorated in the Hollywood Regency taste. Featuring baluster form glass vases with images of peaches, pineapples, palm leaves, ...

Pair of English Regency style (1960s) large beige tole & gilt decorated hurricane form table lamps with a shaped glass center between a square base & a top section having a pineapple...

This is a very masterpiece of the Master craftmenship in blowing glass in Murano. For its beauty can be attribuited to Venini and there are no documents, but the piece talk by itself...

A very stunning Atomic Sputnik table lamp, blown Murano clear glass components with "Bullicante" technique, on a chromed metal structure with...

Impressive Pair of Table Lamps “Ananas”, Attributed to Maison Jansen, France, ca 1970 Pineapple brass table pair of lamps from the 1960/70s in France attributed to Maison Jansen. Artfully made of brass, this elaborate worked model of table lamp is a true design iconic masterpiece. On top of a great looking base, made of patinated, gilt brass and black glass plates sits this large, one of a kind worked brass pineapple with fantastic shaped leaves. The hidden bulb in the center creates an outstanding lightning mood on the ceiling. An absolute eye-catching 20th century design table lamp bringing this Hollywood Regency flair straight in your home. Circa 1970 H 78 cm W 50 cm D 50 cm Jansen, the French luxury Opulence, refinement, audacity of style marriages… so many words agree with Maison Jansen. Through this name, a whole era sounds like a reminder of a certain French chic… Some names evoke immutable images, atmospheres... Like Jansen, for example. Let’s close our eyes… The 1960s and 1970s are at their peak. France is doing well. It is a country of full employment where everything seems possible. Within the international Jet Set, a carefree crowd of movie stars, public figures, literary idols and crowned heads, we love the Maison Jansen, its taste for styles struck with a good quality exuberance, and its brilliant side. It all began in 1880, when the Dutchman Jean Henri Jansen founded the epon-ymous house in Paris. Jansen is part of the continuity of these world-famous furniture manufacturers and companies that operated under the Second Empire and at the time of the Universal Exhibitions, as the ‘Escalier de Cristal’ teaches. At that time, the Union Centrale des Beaux-Arts appliqués à l'Indus-trie and the Société du musée des Arts Décoratifs merged to form the Union Centrale des Arts Décoratifs. Supported by both gallery owners, collectors and manufacturers, this organi-zation gives the «la» to the whole profession, and in the prevailing politico-ideological slump (France was defeated by Prussia in 1871 and Napoleon III is in exile), the ‘Union Centrale des Art Décoratifs’ focuses production on the celebration of past styles. While this nostalgia evokes memories of an era that we imagine more stable, an innovative exoticism will be all the rage: the reign of Turkish style and Japonisme. The Jansen house masterfully rushed into the «exotic» trend, but quickly de-veloped a style derived from the ornamental splendor of the eighteenth, then a little later, so-called «imperial» styles mainly intended for royal families. Af-ter the First World War, J.H Jansen was joined by the cartoonist Albert Cazes, by Stéphane Boudin and by Pierre Delbée, who successively directed the house when it disappeared in 1929. At the end of the Kennedy era, Boudin complete-ly redecorated the White House, at the request of the First Lady, Jackie, who had fallen in love with his work after discovering it at Malmaison. In 1971, Jansen joined forces with Leleu-Deshays and continued its quest for excellence. From 1969 to 1979, the dandy decorator Serge Robin took the reins of the house, granting it an eclectic and luxurious style: he revisited the great eras of French art, from the Renaissance to Louis XVI, by modernizing them with more contemporary pieces in Plexiglas or wrought iron. His recomposed and sophisticated style met with resounding success. When Jackie Kennedy, who became the wife of the great Greek shipowner Aristotle Onassis, moved to France, the young architect married Louis XVI-style furniture to modernist designs from the 1950s. When the Shah of Iran decided to celebrate the 250th anniversary of the Per-sian Empire in 1971, Serge Robin and his teams turned to the grandiose and ephemeral setting of Persepolis. A hundred semi-trailers then left the work-shops on Rue Saint-Sabin to reach Tehran. At the same time, Princess Soraya of Iran commissioned her a sumptuous palace for Avenue Montaigne, the princes Faisal bin Fahd of Arabia and Mubarak Al-Sabah, and the Agnelli snatched it. On the French side, he puts his talent at the service of Brigitte Bardot, for whom he completely revamped the Madrague and the Lannes boulevard. Serge Robin embodies all the audacity of the name Jansen with the most im-probable weddings. With him, Plexiglas tables, Japanese chairs from the 50s, gold thread curtains, zebra sofas...

Elemental simplicity paired with phenomenal craftsmanship, the Totem series is produced entirely by hand, using traditional Venetian glass blowing techniques. Totem 3 is a table l...