Misha Kahn, Table Lamp, Light, Rose Quartz, Glass, Wool, 2020

Misha Kahn [American, b. 1989] Radiant Affection, 2022 Rose quartz, bronze Measures: 28 x 65.75 x 18.25 inches 71 x 167 x 46 cm Unique Since 2017 Mi...

Misha Kahn [American, b. 1989] Hunt for Paradise, 2021 Bronze 34.25 x 53 x 13.25 inches 87 x 134.6 x 33.7 cm Edition of 8 Misha Kahn has emerged as one of the leading creative voices of his generation. Through a wildly imaginative approach that embraces spontaneity and non-conformity, Kahn allows the illogical and the irreverent to take over his entire process. He employs everything from lo-fi and ad hoc techniques—such as improvisational molds and collage—to high-tech tools such as virtual reality and robotics. Born in Duluth, Minnesota in 1989, Kahn graduated from Rhode Island School of Design in 2011 with a Bachelor of Fine Arts in Furniture Design. Soon after, he gained recognition when he was featured in the Museum of Arts and Design's Biennial (2014). Unafraid to push boundaries, Kahn is determined to question the accepted way of doing things, driving him to self-invent, adapt, and further processes in a myriad of mediums including metalwork, glass, wood, textiles, ceramic, bronze casting, fiberglass, and cement. Voracious to upend traditional techniques, he embraces the opportunity to learn from masters in their respective crafts. Kahn’s acclaimed woven Scrappy series (since 2015), is the result of a collaboration with Gone Rural, a female group...

Misha Kahn [American, b. 1989] A Little of This and a Little of That, 2022 Ceramic Measures: 36 x 48 x 20.25 inches 91 x 122 x 51 cm Misha Kahn has emerged as one of the leading creative voices of his generation. Through a wildly imaginative approach that embraces spontaneity and non-conformity, Kahn allows the illogical and the irreverent to take over his entire process. He employs everything from lo-fi and ad hoc techniques—such as improvisational molds and collage—to high-tech tools such as virtual reality and robotics. Born in Duluth, Minnesota in 1989, Kahn graduated from Rhode Island School of Design in 2011 with a Bachelor of Fine Arts in Furniture Design. Soon after, he gained recognition when he was featured in the Museum of Arts and Design's Biennial (2014). Unafraid to push boundaries, Kahn is determined to question the accepted way of doing things, driving him to self-invent, adapt, and further processes in a myriad of mediums including metalwork, glass, wood, textiles, ceramic, bronze casting, fiberglass, and cement. Voracious to upend traditional techniques, he embraces the opportunity to learn from masters in their respective crafts. Kahn’s acclaimed woven Scrappy series (since 2015), is the result of a collaboration with Gone Rural, a female group...

Misha Kahn [American, b. 1989] Mole Eats Worm 2020 Foam, fabric, steel 38.75 x 107 x 45 inches 99 x 272 x 114 cm

Misha Kahn [American, b. 1989] Double Shuck Pea 2023 39.5 x 55.25 x 43.25 inches 100 x 140 x 110 cm

Misha Kahn [American, b. 1989] Pig of Earth 2020 Wood, steel, wool upholstery 42 x 115 x 61.5 inches 107 x 292 x 156 cm

Table lamp glass light with curved transparent glass, measures: 8 mm-thickness. With aluminium detailed. 1 bulb, lamp holder type E27, max 40 watt. EU or UL standard. Bulb not inc...

Superb and charming table lamp in fantastic polished brass, particolar design and very elegant piece of furniture. The table lamp is made up of a round brass base surmounted by a sm...

An exceptional table lamp by the renowned design partnership Isabelle and Richard Faure, fully signed and dating to the early 1980's. Hand crafted in burnished and solder brass vine ...

The Ligne sculptures were made during a summer artist residency at Pilchuck school of glass. As with many of Sabine Marcelis's explorations with light, these objects were born from a curiosity to explore how a material volume can interact with a single line of light and in this case also how two very different ways of working with glass can elevate eachother. Together with talented neon benders, Sabine Marcelis hand-bent each of the neon lights to wrap around the various glass volumes, accentuating their mass and in turn, the glass volumes filtering the light. Dutch-Kiwi designer Sabine Marcelis’s work is at the forefront of contemporary material innovation in product and installation design. She works with glass manufacturers and more, forging partnerships across her industry to bring her ambitiously experimental projects to fruition. Marcelis’s focus is on allowing happenstance sensory experiences to emerge by juxtaposing combinations of unlikely materials and colors. She was educated at the Design Academy Eindhoven and since founding her eponymous studio in 2011 in Rotterdam in the Netherlands, she has built a remarkable roster of clients in fashion, architecture and art. She has created signature pieces for the likes of Rem Koolhaas’s architecture firm OMA, high-fashion labels Fendi and Isabel Marant and luxury beauty brand Aesop. She has also exhibited at the Salone del Mobile in Milan and won Wallpaper* magazine’s Designer of the Year award for 2020. Marcelis was invited to create a sculptural intervention for the interiors of Ludwig Mies van der Rohe and Lily Reich’s iconic Barcelona Pavilion, which saw the debut of the pair’s timeless Barcelona chair in 1929. For her “No Fear of Glass” exhibition, the designer subverted the original request made to van der Rohe to “not use too much glass” by designing chaise longues, pillar lights...

Stunning quartz slice mounted on acrylic with white paper gold lined shade and acrylic finial

A gorgeous 1950s French table lamp featuring a rose quartz base with a rich salmon hue. This lamp retains its original cream paper shade with ...