Pair of Bleu Background Cloisonné Enamel, Gilt Bronze Mount, 19th Century

Pair of cloisonné enamel Japanese style roll shaped lamps with a gilt bronze mounting. Blue turquoise enamel background with Buddhist swastika a...

Origin: probably China and France. Pair of bottles shaped lamps in black cloisonné enamel mounted with chiseled and gilt bronze mount with a quadripod...

Pair of baluster shape lamps in Canton porcelain and gilt bronze. Decor of pattern flowers surrounding a medallion which represents a genre scene. Chiseled and gilt bronze mount. Ape...

Pair of Arabian style lamps in chiselled and gilt brass bronze with a baluster shape standing on a circular quadripod scalloped base with motifs of scrolls on a guilloche background....

Pair of gilt brass and bronze bottle-shaped lamps, standing on an arabesque engraved base. A bamboo frieze underline the belly and the neck. Work from the second half of the 19th ce...

Baluster shape lamp in blue and white Delft earthenware adorned with flowers and foliages Paunch of gadroons supporting a ball adorned with flowers. Mount in chiseled and gilt bronze. Quadripod cut base and adorned with foliages in grooved bottom cartridges. Work realized in the 19th century. New and functional electrical system. !The price doesn’t include the lampshade price. However, our workshop can advise you with pleasure and realize it with your size and color choices! Delft earthenware refers to the Dutch production settled in number near to Delft, since the 17th century. This earthenware became famous because it succeeds to imitate the Ming Chinese dynasty porcelain...

The cloisonné enamel bronze vase is mounted in table lamp. The quality of the piece is very interesting as an object by itself. The shape is unu...

A Pair of 19th century Japanese Meiji Bronze Champleve and Cloisonne Enameled Vases Mounted as Lamps. Very rare pair. 8" x 8" x Adjustable height 21" to 24"H.

19th century pair of porcelain lamp from Imari. Frame gilt bronze decorations of metal polychrome flowers.

A PAIR OF CHINESE CLOISONNÉ VASES MOUNTED AS LAMPS In the 17th century England & Holland, two small, warlike seafaring nations vied for supremacy in the newly established trade in...

An Exceptional Pair of Late 19th Century Napoleon III Gilt Bronze and Enamel Ten Light Candelabra Attributed to Maison Beurdeley The ten candle foliate designed branches with leaf drip pans, centered with an enamel vase and a gilt band with cherubs at play, topped with three bronze drapes and garlands of flowers. The triangle bases decorated with female masks and trailing floral motifs on plinth bases. After the 18th century model by Pierre Gouthière. This fine pair of candelabra are based on the model by Pierre Gouthière now conserved in the Petit-Trianon at Versailles. According to Pierre Verlet, the model corresponds to a large pair of candelabra with ten branches, drapery, foliage and fruit, richly carved and gilded in bronze, originally supplied by the marchand-mercier, Freres Darnault, for the Salon du Jeu de Mesdames at the Château de Bellevue. Pierre Gouthière (1732 - 1813) was the most celebrated bronze gilder in France during the eighteenth century, the title of ‘Gilder to the King’ being given to him by Louis XV. He perfected the most expensive type of gilding of this period, dorure au mat, which involved the use of lavish amounts of gold to create a rich, deep matte finish. As well as working for the King he created items for the Comte d'Artois, the Marquis de Marigny, and the duc d'Aumont. The collection of the duc d'Aumont was sold at auction in Paris in 1782 and many objects mounted by Gouthière were bought by Louis XVI and Marie Antoinette. His works, unsurpassed in creativity and execution, can now be found in the Wallace Collection and the Louvre. Beurdeley, Louis-Auguste and Emmanuel-Alfred (1808-1882 and 1847-1919). The firm exhibited and won awards at all of the major international exhibitions during the second half of the nineteenth century. The quality and skill employed in production was of exceptional quality; their ormolu mounts with mercurial gilding and hand chasing were often difficult to distinguish from late eighteenth-century examples, and were considered the finest in Paris. The firm was pioneered by Jean Beurdeley (1772-1853), later managed by his son Louis-Auguste-Alfred, and finally imparted to his son Alfred-Emmanuel-Louis in 1875. The firm was established at 32 and 34, rue Louis-Le-Grand, and also owned the pavillion de Hanovre, where it was based while Alfred-Emmanuel-Louis added two additional workshops at 20 and 24, rue Dautancourt by 1875. The Beurdeley workshops closed in 1896, although still partially active until 1898 and the stock was sold over a number of auctions conducted by the Galerie Georges Petit of Paris. Two auction catalogues of the collection were published in 1895 and sales were held between March 6-8 and May 27-28. Among Beurdeley's most prestigious clients were Emperor Napoleon III and Empress Eugénie, the duc D'aumale, Richard Wallace, the Duc and Princess d'Hamilton, Tsarine Alexandra Féodorovna, The Rothschild and Vanderbilt dynasties and the Metropolitan Club...

This is a lovely pair of cloisonné turquoise lamps painted overall with colorful figures and images, situated on pierced rosewood bases, 19th century.