Pair of French 19th Century Bronze Putti Lamp

A pair 19th century Danish Klismos chairs. Collected in Copenhagen elegant pair of late 19th century Danish Klismos Chairs. Ebonized hardwood wi...

French Mid Century rooster table lamps. White ceramic rooster statues on solid wood stands with Fabric Shades. The shades are 14 inch diameter. ...

Pair of Mid-Century Modern brass & wood table lamps. Three sculpted wood surrounds with brass column in center, mid century modern table lamps. In good condition operating with a thr...

A wonderful pair of 19th century tapered gilt painted wedding cabinets. Very good condition, stunning as a pair.

19th century Demi Lune Pair of Tables. Nice pair of 19th century Qing Dynasty Demi Lune Tables. In black lacquer, aprons with red lacquer and gilt ado...

19th century Chinese Stool. This is an antique Barber stool. Natural wood stool of Elm wood & Poplar. The stool has one small drawer in the front, and...

A pair of French neoclassical style white marble and bronze putti lamps from the 19th century, with shades. Created in France during the 19th centur...

A superb pair of 19th century bronze lamps, with classical scenes depicting frolicking cherubs in relief, flanked by goat head masks to the sides on stepped rouge marble bases termin...

A wonderful pair of 19th Century bronze tripod "Athenienne" style lamps, with Greek key detailing and lion's head masks. Rewired with patinated bronze double cluster sockets, stone ...

A fine pair of French 19th-20th century Louis XV style figural gilt bronze Putti torchere table lamps on a Rouge Royal base. Each figure representi...

A beautifully cast pair of French 19th century neoclassical patinated figural bronze nine arm candelabra after a model by Jaen Jacques Pradier They are signed J. Pradier and were converted into lamps in the 20th century. Each candelabra is cast as classically draped maiden with one representing Phyrne and the other unknown, standing on a circular stepped dark green marble socle base. There are no visible foundry marks on the bronzes. Born in Geneva in 1792 in Switzerland, Pradier was the son of a Protestant family from Toulouse. He left for Paris in 1807 to work with his elder brother, Charles-Simon Pradier, an engraver, and also attended the École des Beaux-Arts beginning in 1808. He won a Prix de Rome that enabled him to study in Rome from 1814-1818 at the Villa Médici. Pradier made his debut at the Salon in 1819 and quickly acquired a reputation as a competent artist. He studied under Jean-Auguste-Dominique Ingres in Paris. In 1827 he became a member of the Académie des beaux-arts and a professor at the École des Beaux-Arts. At the Salon of 1834, Pradier's Satyr and Bacchante...

Pair of 19th-century French neoclassical bronze and tole Bouillotte lamps France, circa 1890, Electrified 20th Century  An exquisite pair of 19th-century French neoclassical bronze ...