Rare Regency Gilt-Bronze Candelabrum Mounted as a Lamp

Each urn cast with frieze of classical figures, raised on a bronze-mounted rouge griotte square marble base. The lampshades are silk and custom made by Blanche Field...

The standing draped female figure carrying a torch surmounted by a light locket, raised on a circular base with a laurel wreath border above a square plinth. Electrified with silk cu...

Each vase of baluster shape, painted with pheasants perched on rockwork flanked by large flowering tree peonies beneath iron-red lappets enclosing flowers. For a similar example (a s...

Each mounted as a lamp, the flaring top above a stepped square base, with a decor of antique scenes and symbols. Electrified. Measures: Height of urns only, 15in.; height overall, 29...

17th Century Dutch Delft Octagonal Faience Vase mounted in brass and decorated with a chinoiserie décor of fighting warriors and exotic landscape. The dimensions indicated herein are those of the vase with the fittings and lampshade. The mounted vase only is approximately 10in. high and 7in. diameter. The arrival in Western Europe of the first shiploads of Chinese porcelain, lacquerware, ivory and silk in the 17th century stimulated interest in China, or Cathay, as it was then called. Europeans soon began copying the Chinese artworks and decorative objects. These decorative arts inspired by China, which enjoyed their heyday in the late 17th, 18th and early 19th centuries, are known as chinoiserie. Soon after the introduction of expensive Chinese...

Late 17th Century Dutch Delft Faience Blue and White Chinoiserie Baluster Vase Mounted as a Lamp and newly electrified. Decorated in imitation of a Chinese Ming vase with a sage, rocks and vegetation, mounted on a wood base. The dimensions noted include the lampshade and electrical fittings. The vase as mounted in wood is approximately 10in. high and 6in. diameter. The arrival in Western Europe of the first shiploads of Chinese porcelain, lacquerware, ivory and silk in the 17th century stimulated interest in China, or Cathay, as it was then called. Europeans soon began copying the Chinese artworks and decorative objects. These decorative arts inspired by China, which enjoyed their heyday in the late 17th, 18th and early 19th centuries, are known as chinoiserie. Soon after the introduction of expensive Chinese...

A pair of Regency gilt and patinated bronze candlesticks now mounted as lamps on circular Siena marble bases, early 19th century. Unusual model. The Regency era of British history officially spanned the years 1811-1820, though the term is commonly applied to the longer period between c.1795 and 1837. King George III succumbed to mental illness in late 1810 and, by the Regency Act 1811, his eldest son George, Prince of Wales, was appointed prince regent...

A French gilt bronze Empire style candelabrum lamp. Rewired. Shade not included.

A pair of gilt bronze horses each in the form of a galloping horse, raised on a faux marble rectangular plinth with rounded corners and mounted as l...

Antique Black painted tole canister mounted as lamp with handsomely illustrative English coat of arms motif and Greek key borders, early 20th century. *S...

Our pair of nineteenth century ormolu bronze chenets were later mounted on ebonized wooden plinths for use at table lamps, currently with later spherical sh...

Fine cast gilt bronze figures of the kneeled elephants mounted as lamps, embellished with rock crystals, circa 1920. (Lampshade not included).