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Tiffany Studios New York Signed Bronze Base and Globes Double Student Lamp

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  • Tiffany Studios New York Student Lamp Signed Bronze Base and Artglass Globes
    By Tiffany Studios
    Located in Savannah, GA
    Two bell shaped art glass signed iridescent shades are supported by an adjustable bronze two arm base with bell sockets. The twin paddle knob sockets are stamped GE CO. The base is s...
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    Early 20th Century American Aesthetic Movement Table Lamps

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  • 19th century Onyx Marble and Reticulated Bronze Table Lamp
    Located in Savannah, GA
    Antique oil burning lamp converted to electricity. Features include reticulated bronze ormolu in a floral pattern with an onyx marble Corinthian column and base. Beautiful veining in...
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  • Chinese Export Black Ceramic Table Lamp with Floral and Bird Design
    Located in Savannah, GA
    Chinese Export table lamp made from a graceful vase decorated with colorful birds, dogwood branches and fruit on an orange peel surface. The hardware is brass and the vase is perched...
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    Vintage 1930s Chinese Chinese Export Table Lamps

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  • Pair of French Art Deco Tole Lamps
    Located in Savannah, GA
    Petite size Art Deco Classic French green metal tole lamp pair with handsome black marble bases and brass ormolu decoration. Features include a laurel leaf band...
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    Vintage 1920s French Art Deco Table Lamps

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  • 19th century Giltwood Converted Candlestick Lamp Pair
    Located in Savannah, GA
    Classic pair of late 19th century Italian giltwood candlestick lamps featuring much detail and nice old patina. The fluted Corinthian columns sit on tri-shaped plinths with claw feet...
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    Antique Late 19th Century Italian Neoclassical Table Lamps

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  • 19th century American Twisted Cranberry Glass Column Lamp
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  • Tiffany Studios New York "Peony" Table Lamp
    By Tiffany Studios, Louis Comfort Tiffany
    Located in New York, NY
    Tiffany’s “Peony” table lamp was a work grounded in naturalism but reaching for the divine. With a shade of resplendent blooms and a mosaic base evoking the hallowed ground of church floors, Tiffany’s peony lamp demonstrates his foundation in both Art nouveau and ecclesiastical art. To depict his multi-hued bouquet, Tiffany depicted two different cultivars, a Greek peony, and a Japanese peony. Tiffany used burgundy glass streaked with lapis to express the richness of the Greek Peony. Favored by neoclassical artists for their symmetry and simplicity, Tiffany featured the bloom in the architecture of his country estate. To represent the candy-striped Japanese peony Shima Nishiki, Tiffany used cream glass streaked with fuschia. The shade elegantly depicts different stages of growth from the bud, first bloom, peak bloom, to wilting. When peony petals wilt, their veins darken, and their form puckers. Tiffany’s glass selectors chose a stone textured glass called granite glass to express the wilting of the petals and their pronounced venation. The background and border of the shade is a golden amber, streaked with magenta and blue. The top-down perspective of the peony with a dirt background was a type of painting called “Rasenstück”, a detailed study of a piece of turf. The crux of the Rasenstück was the elevation of the humble. Popularized in the nineteenth century by the American Pre-Raphaelites, the movement believed in the idea of "truth to nature". The principle encouraged painters to capture the natural world as truthfully as possible, not romanticizing what they saw. In these nature studies, painters depicted flowers and trees in the soil from which they grew. While sublime on its own, the shade and base taken together paint a picture of Tiffany’s Japanese garden. Peonies imported from the far east bordered serene ponds. A frieze of turtleback tiles hypnotizes the viewers with its scarlet glow, evoking the red flash of a sunset, as seen through a field of cattails, rendered in bronze. Below it, the row of cat tails blends into a mosaic of red, yellow, and green glass. While Tiffany’s chief designer Clara Driscoll is most famous for her naturalistic lamp designs, the bread and butter of Tiffany Studios was its ecclesiastical department. Red, yellow, and green colorways were widely used in the depiction of Baroque angels, whose wings were modeled after birds of paradise. As hunters removed their legs upon sale, many believed they neither ate nor drank, and instead floated ethereally like angels. A lamp such as this epitomizes Tiffany’s understanding of his artistic vision in the context of the entire history of artistic expression. Since falling in love with glass at age twelve in the cathedrals of Chartres, light itself became a representation of divinity. A contemporary critic described Tiffany’s mosaics...
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    Early 20th Century American Table Lamps

    Materials

    Bronze, Lead

  • Tiffany Studios New York "Wisteria" Table Lamp
    By Louis Comfort Tiffany, Tiffany Studios
    Located in New York, NY
    This remarkable Tiffany Studios New York "Wisteria" table lamp is a very fine and unusually rare lamp, composed of a palette of wisteria blossoms in shades of blue, green, cream and white that cascade down the shade to an irregular border. The blossoms are surrounded by abundant leaves in varying shades of green and are delicately interspersed with "confetti" glass, lending them added three-dimensionality. The shade has a latticework top, portraying the branches and stems of a wisteria vine. The base, designed specifically to hold the shade, is also embellished with vegetal, vine-like properties. Product Details: Item #: L-20375 Artist: Tiffany Studios New York Country: United States Circa: 1902 Dimensions: 18.5" diameter, 27" height Materials: Leaded glass, Bronze Shade Signed: Interior of shade crown impressed 1073 and 13; underside of shade mounting post impressed 1073 and 13 Base Signed: ''Tiffany Studios New York 1073"; top of tree trunk column impressed 13 Literature: Robert Koch, Louis C. Tiffany: Rebel in Glass, New York, 1964, pl. v Dr. Egon Neustadt, The Lamps of Tiffany, New York, 1970, pp. 215-220 Alastair Duncan, Tiffany At Auction, New York, 1981, pp. 89, no. 238 and 148, no. 391 William Feldstein, Jr. and Alastair Duncan, The Lamps of Tiffany Studios, New York, 1983, p. 37 Robert Koch, Louis C. Tiffany's Glass, Bronzes, Lamps: A Complete Collector's Guide, New York, 1989, p. 131 Robert Koch, Louis C. Tiffany: The Collected Works of Robert Koch, Atglen, PA, 2001, pp. 74, 242 and 284 Alastair Duncan, Louis C. Tiffany: The Garden Museum Collection, Woodbridge, Suffolk, 2004, pp. 292-293 Martin Eidelberg, Alice Cooney Frelinghuysen, Nancy A. McClelland and Lars Rachen, The Lamps of Louis Comfort Tiffany, New York, 2005, p. 107 Alastair Duncan, Tiffany Lamps and Metalware, Woodbridge, Suffolk, 2007, p. 67, no. 254 Martin Eidelberg, Nina Gray and Margaret K. Hofer, A New Light on Tiffany: Clara Driscoll and the Tiffany Girls...
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    Early 20th Century American Table Lamps

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    Bronze, Lead

  • Tiffany Studios New York "Damascene Harp" Desk Lamp
    By Tiffany Studios, Louis Comfort Tiffany
    Located in New York, NY
    This desk lamp by Tiffany Studios, dating from circa 1910, features a damascene favrile glass shade on an adjustable patinated bronze harp base. With dichroi...
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    Early 20th Century Art Nouveau Table Lamps

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    Bronze

  • Tiffany Studios New York "Newell Post" Favrile Glass Desk Lamp
    By Louis Comfort Tiffany, Tiffany Studios
    Located in New York, NY
    The "Newell Post" lamp by Tiffany Studios New York, features three gold Favrile glass shades with purple iridescence, suspended from a gilt bronze “Wilson”...
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    Antique Early 1900s American Art Nouveau Table Lamps

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    Bronze

  • Pair of Tiffany Studios New York "Globe" Glass and Bronze Chandeliers
    By Louis Comfort Tiffany, Tiffany Studios
    Located in New York, NY
    This enchanting pair of Tiffany Studios New York "hanging globe" chandeliers are composed of two reticulated glass shades. Tiffany’s idea of blowing glass through openwork bronze had evolved in the 1890s with a series of Byzantine revival fuel lamps. The technique was popularized by 19th-century Muranese Glassmakers Salvati as a derivation of the Ancient Roman cage cup (vasa diatreta). In the 4th century, Roman glassmakers encased blown glass vessels in a delicate cage of glass. In Tiffany’s version, glass is blown through an ogival pattern cage. Originating in 11th-century Byzantine textiles, the ogival pattern became established in Italy, Ottoman Turkey, North Africa, and as far west as the Balkans. Product Details: Item #: L-20851 Artist: Tiffany Studios New York Country: United States Circa: 1900 Dimensions: 7.5” length, 18" length (with chain) Materials: Favrile Glass, bronze Literature: A similar example is pictured in Tiffany Lamps and Metalware by Alastair Duncan, pg 290, illustration number 135. Macklowe Gallery Curator's Notes: Tiffany’s globe...
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    Early 20th Century American Art Nouveau Chandeliers and Pendants

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  • Rare Linenfold Double Student Table Lamp Tiffany Studio
    By Tiffany Studios
    Located in Atlanta, GA
    A Linenfold Favrile glass double student lamp from Tiffany Studio (1878-1933) circa 1910-20s. This rare model features two matching amber colored glass shades supported by rubbed bronze lamp frame and base. The shade each feature twelve linenfold glass panels bordered by smaller and thicker upper and lower glass trim panels. There is a loop on top of the frame which was used to move the lamp easily. The arm is free to swing, and the height can also be adjusted. Both shades are marked "Tiffany Studios / New York". The base is marked "Tiffany Studios / New York / 381". Sockets and wires all appear original and function well. From 1913 to 1914, the independent designer Henry O. Schmidt (1860–1943) patented a new type of mold-cast glass lampshade panels for Tiffany Studios to imitate delicately pleated silk. Under the directorship of Leslie Hayden Nash, Tiffany Studios offered an expanded range of lampshades in this new Favrile Fabrique style including the double student lamp model. The linenfold lamps...
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    Early 20th Century American Art Nouveau Table Lamps

    Materials

    Bronze

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