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Tiffany Studios Double Student Desk Lamp Base

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    This stylish vintage Tiffany Studios, New York original table lamp is beautifully designed with a colorful Acorn banded favrile art glass shade. This leaded shade decorates a patinated tall & slender adjustable bronze lamp base. The shade is stamped “Tiffany Studios, New York” & numbered “140017”. The base bears the “Tiffany Studios...
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  • Rare Linenfold Double Student Table Lamp Tiffany Studio
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    A Linenfold Favrile glass double student lamp from Tiffany Studio (1878-1933) circa 1910-20s. This rare model features two matching amber colored glass shades supported by rubbed bronze lamp frame and base. The shade each feature twelve linenfold glass panels bordered by smaller and thicker upper and lower glass trim panels. There is a loop on top of the frame which was used to move the lamp easily. The arm is free to swing, and the height can also be adjusted. Both shades are marked "Tiffany Studios / New York". The base is marked "Tiffany Studios / New York / 381". Sockets and wires all appear original and function well. From 1913 to 1914, the independent designer Henry O. Schmidt (1860–1943) patented a new type of mold-cast glass lampshade panels for Tiffany Studios to imitate delicately pleated silk. Under the directorship of Leslie Hayden Nash, Tiffany Studios offered an expanded range of lampshades in this new Favrile Fabrique style including the double student lamp model. The linenfold lamps...
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  • Tiffany Studios Bronze Harp Table Desk Lamp
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  • Tiffany Studios New York "Damascene Harp" Desk Lamp
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    This desk lamp by Tiffany Studios, dating from circa 1910, features a damascene favrile glass shade on an adjustable patinated bronze harp base. With dichroi...
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    This stunning Tiffany Studios, New York desk lamp dates from the early 20th century. The desk lamp base is beautifully designed in doré bronze decorated with a motif of multiple inlaid pieces of abalone shell. An exquisite amber color linenfold shade completes this ensemble, creating this charming desk...
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