Illuminated "Ultrafragola" Wall Mirror by Ettore Sottsass
View Similar Items
Want more images or videos?
Request additional images or videos from the seller
1 of 4
Illuminated "Ultrafragola" Wall Mirror by Ettore Sottsass
About the Item
ETTORE SOTTSASS (1917-2007) was a grandee of late 20th century Italian design. Best known as the founder of the early 1980s Memphis collective, he also designed iconic electronic products for Olivetti, as well as beautiful glass and ceramics.
Wherever he went, Ettore Sottsass carried a camera to photograph anything that caught his eye. Doors, temples, kitchens, billboards: nothing escaped him. This was a man who took 1,780 photographs on a twelve day trip to South America, who toyed with publishing a book consisting of pictures of walls and for years photographed every hotel room in which he had slept with a woman.
Once in Marseille, Sottsass was snapping at a barber’s shop sign when he was forced to surrender his camera. It was a smuggler’s nookie nest. In Egypt, he was photographing a rotting window when the police pounced. The window belonged to a police station. "Most normal people (not just policemen) don’t like to face the reality that all things eventually decay," he wrote later. "I believe that the future only begins when the past has been completely dismantled, its logic reduced to dust and nostalgia is all that remains."
Ettore Sottsass devoted his life and work to dismantling the past in his various roles as artist, architect, industrial designer, glass maker, publisher, theoretician and ceramicist. The past to him was the rationalist doctrine of his father, Ettore Sottsass Sr., a prominent Italian architect. Fond though he was of his parents, Ettore Jr. favoured a different approach. "When I was young, all we ever heard about was functionalism, functionalism, functionalism," he once said. "It’s not enough. Design should also be sensual and exciting."
Born in Innsbruck in his mother’s native Austria in 1917, Ettore Jr. was marked out as an architect from an early age. His parents moved to Turin in 1929 because it boasted the best architecture faculty in Italy and Ettore Sr. wanted his son to study there. Although he also loved painting, Ettore Jr. acquiesced to his father’s wishes and gained an architecture degree in 1939.
No sooner had he graduated than he was called up into the Italian army only to spend most of World War II in a Yugoslavian concentration camp. "There was nothing courageous or enjoyable about the ridiculous war I fought in," Sottsass wrote. "I learned nothing from it. It was a complete waste of time."
After the war, he worked on housing projects with his father before moving to Milan in 1946 to curate a craft exhibition at the Triennale. For the next decade, Sottsass continued to curate as well as pursuing his passion for painting, writing for Domus, the art and architectural magazine, designing stage sets and founding a practice as an architect and industrial designer.
In 1956, Sottsass and his first wife, Fernanda Pivano, travelled to New York. "It really did look like (Fritz Lang's 1926 film) Metropolis: everybody rushing around, no one caring a hoot," he recalled. "It was incredible, in fact, I changed inside out." He was commissioned to create a line of ceramics during this visit, but was also inspired to concentrate on industrial design, rather than architecture, after spending a month working in the studio of the US designer, George Nelson.
Back in Italy, Sottsass agreed to become a creative consultant to Poltronova, a furniture factory near Florence. In 1958 he accepted a more demanding consultancy role for the newly created electronics division of Olivetti, the Italian industrial group. Sottsass was hired by Adriano Olivetti, the founder, to work alongside his son, Roberto. Together with the engineer, Mario Tchou, they created a series of landmark products which were technically innovative and aesthetically appealing thanks to Sottsass’ love of pop art and Beat culture. They won the prestigious 1959 Compasso d’Oro with the Elea 9003, the first Italian calculator, and revolutionised typewriter design with Olivetti’s first electronic model, the Tekne, in an elegantly angular Sottsass case.
Throughout the 1960s, Sottsass travelled in the US and India while remaining a central figure in the Italian avant garde and designing more landmark products for Olivetti culminating in the bright red, poppy plastic 1970 Valentine typewriter which he described as "a biro among typewriters". Although Sottsass later dismissed the Valentine as "too obvious, a bit like a girl wearing a very short skirt and too much make-up, it is still seen as an iconic ‘pop’ product. His furniture was equally influential: notably the mid-1960s "superbox" closets in stripey plastic laminate developed for Poltronova. In 1972, Sottsass’ mobile, multi-functional fibreglass furniture unit was the toast of the Italy: The New Domestic Landscape exhibition at MoMA, New York.
By the late 1970s, Sottsass was working with Studio Alchimia, a group of avant garde furniture designers including Alessandro Mendini and Andrea Branzi, on an exhibition at the 1978 Milan Furniture Fair. Two years later, Sottsass, then in his 60s, split with Mendini to form a new collective, Memphis, with Branzi and other 20-something collaborators including Michele De Lucchi, George Sowden, Matteo Thun and Nathalie du Pasquier.
Memphis embodied the themes with which Sottsass had been experimenting since his mid-1960s ‘superboxes’: bright colours, kitsch suburban motifs and cheap materials like plastic laminates. But this time they captured the attention of the mass media as well as the design cognoscenti, and Memphis (named after a Bob Dylan song) was billed as the future of design. For the young designers of the era, it was an intellectual lightning rod which liberated them from the dry rationalism they had been taught at college and enabled them to adopt a more fluid, conceptual approach to design. The Memphis collective’s work was exhibited all over the world, until Sottsass quit in early 1985.
He then concentrated on Sottsass Associati, the architecture and design group where he worked with former Memphis members and younger collaborators, including industrial designer James Irvine and architect Johanna Grawunder. Sottsass returned to architecture in 1985 when commissioned to design a chain of shops for Esprit.
He completed a series of private houses – including one in Palo Alto for industrial designer, David Kelley - and public buildings, notably Malpensa 2000 airport near Milan. Sotsass Associati has also worked for Apple, NTT, Philips and Siemens, while Sottsass himself continued with his artisanal projects in glass and ceramics. Revered in Italy as a doyen of late 20th century design, Ettore Sottsass is also cited as a role model by young foreign designers, such as Ronan and Erwan Bouroullec, for the breadth - as well as the quality - of his work.
- Dimensions:Height: 76.38 in (194 cm)Width: 40.95 in (104 cm)Depth: 5.91 in (15 cm)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:1970''s
- Condition:
- Seller Location:London, GB
- Reference Number:Seller: 8571stDibs: U0801108404261
About the Seller
No Reviews Yet
Vetted Seller
These experienced sellers undergo a comprehensive evaluation by our team of in-house experts.
1stDibs seller since 2007
61 sales on 1stDibs
Typical response time: 14 hours
Associations
20th Century Specialists
More From This SellerView All
- "Sisters in the Studio" by Nikolai DubovikBy Nikolai DubovikLocated in London, GBNikolai Dubovik (b1960, Urzaf, Southern Russia) A huge and striking oil on canvas by this graduate of the Surikov Institute and contemporary of Vyacheslav Nikolaivic Zabelin. ...Category
Late 20th Century Russian Paintings
MaterialsCanvas
- 1970s Style Brass and Black Glass Illuminated MirrorLocated in London, GBBrass-framed mirror with black glass border and two sidelights.Category
Vintage 1970s Italian Modern Wall Mirrors
MaterialsBrass
- 1950s Brutalist Metal Mirror, FranceLocated in London, GB1950s French Brutalist spiral shaped mirror in gilt patinated metal.Category
Vintage 1970s French Brutalist Wall Mirrors
MaterialsMetal
- Nickel-Plated 'Orb' Mirror, England, 2010Located in London, GBNickel-plated 'Orb' mirror, England, 2010.Category
21st Century and Contemporary English Wall Mirrors
MaterialsNickel
$6,975 / item - Wall Hanging Made from the Silk of Wedding BandsLocated in London, GBMoroccan wall hanging made from the silk of wedding bands.Category
20th Century Moroccan Tapestries
MaterialsFabric
- Pair of Metal "Tear Cut" Wall Sconces from Raak Amsterdam, 1960sLocated in London, GBPair of Metal "Tear Cut" Wall Sconces from Raak AmsterdamCategory
Vintage 1960s Dutch Wall Lights and Sconces
MaterialsMetal
You May Also Like
- Large Eugenio Diez Illuminated Marquetry Wall Hangings or Cabinet DoorsBy Eugenio DiezLocated in Chicago, ILLarge Eugenio Diez illuminated marquetry wood panels. These were from a very large cabinet. The doors could be repurposed for another cabinet. Styl...Category
Mid-20th Century Argentine Mid-Century Modern Wall-mounted Sculptures
MaterialsWood
- Itinera Res Venere Wall Mirror by AtlasprojectBy AtlasprojectLocated in Manocalzati, AvellinoItinera Res Venere Combining the stunning Antique Mirrors mirrored glasses with the warmth of hand finished natural materials, the Res mirrors...Category
21st Century and Contemporary Italian Modern Wall Mirrors
MaterialsStainless Steel, Brass
$1,865 / item - Emerald Tafla O4 Wall Mirror by ZietaBy ZietaLocated in Geneve, CHEmerald tafla O4 wall mirror by Zieta Dimensions: D 6 x W 64 x H 123 cm Material: Stainless steel. Finish: Emerald. Available finishes: Stainless steel, whit...Category
2010s Polish Organic Modern Wall Mirrors
MaterialsStainless Steel
- Sapphire Tafla O2 Wall Mirror by ZietaBy ZietaLocated in Geneve, CHSapphire Tafla O2 wall mirror by Zieta Dimensions: D 6 x W 97 x H 150 cm Material: Stainless steel. Finish: Sapphire. Available finishes: Stainless Steel, Wh...Category
2010s Polish Organic Modern Wall Mirrors
MaterialsStainless Steel
- Sapphire Tafla O1 Wall Mirror by ZietaBy ZietaLocated in Geneve, CHSapphire Tafla O1 wall mirror by Zieta Dimensions: D 6 x W 100 x H 225 cm Material: Stainless steel. Finish: Sapphire. Available finishes: Stainless Steel, W...Category
2010s Polish Organic Modern Wall Mirrors
MaterialsStainless Steel
- Sapphire Tafla O3 Wall Mirror by ZietaBy ZietaLocated in Geneve, CHSapphire tafla O3 wall mirror by Zieta Dimensions: D 6 x W 79 x H 124 cm Material: stainless steel. Finish: sapphire. Available finishes: stainless steel, wh...Category
2010s Polish Organic Modern Wall Mirrors
MaterialsStainless Steel
Recently Viewed
View AllMore Ways To Browse
Split Glass Mirrors
India Glass Paintings
Fiberglass 70s
Barber Shop Art
Industrial Vintage Furniture India
70s Laminate
Kitchen Work Station
Industrial Fluorescent
A Calculator
Carry On Film
Mirrored Closet Doors
Nelson Fiberglass
Wes Lang
Poppy Set
George Nelson Fiberglass
Studio Irvine
Used Mirrored Closet Doors
Fritz Lang