Art Nouveau Console and Mirror by Louis Majorelle

An extremely fine and rare carved wood and inlaid marquetry single drawer "Magnolia" desk decorated with inlaid exotic wood marquetry of blooming magnolias with a beautifully carved ...

French Art Nouveau carved mahogany and bronze server by, Louis Majorelle decorated with fully carved floral rails, exotic fruitwood marquetry door with f...

French Art Nouveau carved mahogany and burled walnut three tier display pedestal by, Louis Majorelle. The selette is signed, "L Majorelle Nancy."

A French Art Nouveau carved wood and inlaid exotic wood marquetry tri-cornered occasional table by Louis Majorelle, decorated with an inlaid marquetry top with leaf and berry exotic ...

A pair of Early 20th Century French Art Nouveau carved wood "Aubépine" armchairs by, Louis Majorelle. Both chairs are decorated on their back edges, arms, legs and skirt with carved hawthorn leaves and berry decoration upholstered in a off/cream white light snake pattern. circa 1905 Measurements: height: 32.25 in. (81.92 cm) x width: 36.75 in. (93.35 cm) x depth: 21 in. (53.34 cm) Condition: chairs are in overall very good condition with light wear. Fabric is not period. Literature: Similar chairs are pictured in: -Majorelle - Nancy: décorations d'INTÉRIEURS: meubles, tentures, bronzes, ferronneries (the 1906 Majorelle catalogue), and in: Louis Majorelle: Master of Art Nouveau design, by Alastair Duncan, New York: Harry N. Abrams, Inc., 1991, p. 200. -Alastair Duncan, Louis Majorelle: Master of Art Nouveau Design, London, 1991, pp. 167, 183 and 200 -Majorelle: Un Art de Vivre Moderne, exh. cat., Musée de l'École de Nancy, France, 2009, p. 130 Biography : Louis Majorelle, (France; 1859 – 1926) born as Louis-Jean-Sylvestre Majorelle was a French decorator and furniture designer who manufactured his own designs, in the French tradition of the ébéniste. He was one of the outstanding designers of furniture in the Art Nouveau style, and after 1901 formally served as one of the vice-presidents of the École de Nancy. The Majorelle firm's factory was designed by famous École de Nancy architect Lucien Weissenburger (1860 – 1929) and located at 6, rue du Vieil-Aître in the western part of Nancy. In the 1880s Majorelle turned out pastiches of Louis XV furniture styles, which he exhibited in 1894 at the Exposition d'Art Décoratif et Industriel [Exposition of Decorative and Industrial Art] in Nancy, but the influence of the glass- and furniture-maker Emile Gallé (1846 – 1904) inspired him to take his production in new directions. Beginning in the 1890s, Majorelle's furniture, embellished with inlays, took their inspiration from nature: stems of plants, waterlily leaves, tendrils, dragonflies. Before 1900 he added a metalworking atelier to the workshops, to produce drawerpulls and mounts in keeping with the fluid lines of his woodwork. His studio also was responsible for the ironwork of balconies, staircase railings...

Early 20th century French Art Nouveau carved wood "Les Blés" (The Wheat) pattern wall shelf by, Louis Majorelle decorated with two shallow display shelves further carved with "Les Blés" (Wheat) decoration on each bend. The shelf is ready to hang. circa 1905. Measurements: height: 20 in. x width: 28.75 in. x depth: 6.25 in. Notes: Objects Diplayed Are Not Included Biography: Louis Majorelle, (Toul, 26 September 1859 – Nancy, 15 January 1926) born as Louis-Jean-Sylvestre Majorelle was a French decorator and furniture designer who manufactured his own designs, in the French tradition of the ébéniste. He was one of the outstanding designers of furniture in the Art Nouveau style, and after 1901 formally served as one of the vice-presidents of the École de Nancy. The Majorelle firm's factory was designed by famous École de Nancy architect Lucien Weissenburger (1860 – 1929) and located at 6, rue du Vieil-Aître in the western part of Nancy. In the 1880s Majorelle turned out pastiches of Louis XV furniture styles, which he exhibited in 1894 at the Exposition d'Art Décoratif et Industriel [Exposition of Decorative and Industrial Art] in Nancy, but the influence of the glass- and furniture-maker Emile Gallé (1846 – 1904) inspired him to take his production in new directions. Beginning in the 1890s, Majorelle's furniture, embellished with inlays, took their inspiration from nature: stems of plants, waterlily leaves, tendrils, dragonflies. Before 1900 he added a metalworking atelier to the workshops, to produce drawerpulls and mounts in keeping with the fluid lines of his woodwork. His studio also was responsible for the ironwork of balconies, staircase railings...

French Art Deco wrought iron and glass mirror and console with black marble top.

mirror: 41" H x 35" W'
console: 38 " H x 48" W x 16" D

Art Deco style wall console and mirror with a lacquer finish. Heavy composition construction. Measures: Mirror 35" H, 34.50" W, 2" D.

A small period Louis XV carved and gilded beechwood console table, the palm entwined roccaille cabriole legs joined by a similarly carved stretcher crowned with carved swagged urn. ...

1930s wrought iron console with glass top and matching mirror.

An exceptional and rare floating console & mirror by Osvaldo Borsani, Italy, 1946. A pair available. Authenticated by the Borsani Archives. Mirror 47" tall x 38" wide Console 16" hig...

Stunning late 19th C Swedish painted marble top console table and mirror. 1890. Console table dimensions: 32"W x 16"D x 32"H Mirror dimensions: 38"W x 6" x 76"H Dimensions...